This week, Toward Freedom’s Board of Directors bids farewell to guest editor Charlotte Dennett, welcomes Toward Freedom’s new editor, Julie Varughese, and extends a heartfelt thanks to Sam Mayfield who stepped down as President of Toward Freedom’s Board of Directors in December, 2020.
Charlotte Dennett stepped in as Toward Freedom’s guest editor last October. Her decades-long experience as a scholar, author and activist allowed Charlotte to seamlessly step into the position serving Toward Freedom’s mission, “to publish international reporting and incisive analysis that exposes government and corporate abuses of power, while supporting movements for universal peace, justice, freedom, the environment, and human rights.”
Charlotte contributed not only her editorial and writing skills, but also her great depth of geopolitical knowledge, as well as her enthusiasm for working with other writers. She went above and beyond the call of duty to mentor new writers, guiding them through the editing process, which resulted in the publication of many articles about places and issues not covered by any other English-language media. You can read Charlotte’s reflections about her time as guest editor here. Thank you, Charlotte!
Earlier this month, Julie Varughese came on board as Toward Freedom’s new editor. Julie comes to us having worked as a newspaper reporter, video producer and communications professional in a variety of settings. She has been working with the Black Alliance for Peace since its inception, supporting their impressive growth over the past four years. Julie’s strong writing, editing, video, graphics and social media skills will be a boon to Toward Freedom as we expand and grow to serve a more diverse audience and cover different parts of the world. This past week, Julie edited and published stories on Colombia, Haiti, Afghanistan, Palestine, and drones in Iraq, Afghanistan and Yemen. Please drop her a line at [email protected] with any comments or suggestions. Welcome, Julie!
Sam Mayfield led the organization during a period of transition in our operations, finances, and governance, with a clear vision and commitment to high-quality reporting and analysis of global events and grassroots movements from an anti-imperialist perspective. Her principled leadership, strong work ethic, and experience as a reporter and filmmaker were invaluable as we navigated multiple challenges over the past several years. Thank you, Sam!
Check out towardfreedom.org for all the latest, and expect to see increased presence of Toward Freedom stories on Facebook, Twitter and Instagram in the coming weeks.
Thanks to you Toward Freedom readers for your continued support!
On behalf of the Toward Freedom Board of Directors,
Midwifery students in Afghanistan / credit: United Nations
Editor’s Note: The Taliban victory over the weekend and the evacuation of U.S. nationals cries out for context. That is why Toward Freedomis publishing this article that was submitted prior to the weekend’s events.
As each day goes by, the Taliban’s forces edge closer to controlling all of Afghanistan. In the first week of August, the Taliban swept through the northern provinces of the country—Jawzjan, Kunduz, and Sar-e Pul—which form an arc alongside the borders of the Central Asian states of Turkmenistan, Uzbekistan, and Tajikistan. The violence has been severe; the pain inflicted upon civilians by the intensity of the fighting has been terrible. Having withdrawn its ground forces, the United States sent in its B-52s to bomb targets in the city of Sheberghan (capital of the province of Jawzjan); reports suggest that at least 200 people were killed in the bombings. It shows the weakness of the government in Kabul that its Ministry of Defense’s spokesperson Fawad Aman cheered on the bombing.
It’s unlikely that the Afghan government of President Ashraf Ghani will outlast the Taliban’s lightning strikes. The U.S. bombing will slow the advance, but it will not be able to reverse the tide. That is why regional powers in Asia have deepened contacts with the Taliban’s leadership, whose governance of the entire country seems inevitable.
‘Moderate’ Taliban
“The Taliban is not an entity by itself,” Heela Najibullah said when I spoke to her during the second week of August. “It is made up of groups of extremists and militants who use the rhetoric of jihad to achieve power.” Najibullah, author of the important book Reconciliation and Social Healing in Afghanistan (2017), is the daughter of Mohammed Najibullah, the president of Afghanistan from 1987 to 1992. Since the Doha Agreement (2020), Heela Najibullah said, “the Taliban has demonstrated in action that it is not moderate but has become even more extreme in the type of violence it is carrying out against the Afghan people and state.” The Taliban has rejected every overture of a ceasefire from Afghan peace organizations.
A close look at the Taliban leadership reveals little change since its founding in September 1994. The public face of the Taliban—Mullah Abdul Ghani Baradar—founded the Taliban and was a close associate of the first emir of the movement, Mullah Omar. After the United States attacked Afghanistan in October 2001, it was Baradar who took Mullah Omar on the back of a motorcycle to their refuge in Pakistan. Baradar, trusted by Pakistani intelligence, puts no daylight between himself the current leader of the Taliban—Mawlawi Haibatullah Akhundzada—and his two deputies—Mullah Yaqoob (son of the late Mullah Omar) and Sirajuddin Haqqani (leader of Pakistan’s Haqqani network). Akhundzada ran the Taliban’s judicial system from 1997 to 2001 and was responsible for some of the most heinous of its judgments. When COVID-19 infected most of the leadership, decision-making fell to Baradar.
At the March 2021 international peace conference in Moscow, the entire 10-person Taliban delegation—led by Baradar—was male (to be fair, there were only four women among the 200 Afghans in the process). One of the four women at the table was Dr. Habiba Sarabi, who was appointed as minister of Women’s Affairs in 2004 and then became the first female governor of an Afghan province in 2005. It is important to note that she was the governor of Bamyan, a province where the Taliban had blown up two sixth-century statues of Buddha in March 2001. In October 2020, Dr. Sarabi pointed out that Afghan women are “more mobilized,” although Afghanistan now faces “a crucial moment in our fight.” Reports have already appeared of forced marriages and public floggings of women in Taliban-controlled areas.
National Reconciliation
Women are more mobilized, says Dr. Sarabi, but they are not a powerful social movement. Afghanistan’s more liberal and left social forces “are active underground and are not an organized force,” Najibullah tells me. These forces include the educated sections, who do not want “extremist groups to drag the country into another proxy war.” That proxy war would be between the Taliban, the U.S.-backed government in Kabul, and other militant groups that are no less dangerous than the Taliban or the U.S. government.
Najibullah reaches back to the time when her father proposed the Afghan National Reconciliation Policy. A letter President Najibullah wrote to his family in 1995 could have been written today: “Afghanistan has multiple governments now, each created by different regional powers. Even Kabul is divided into little kingdoms… unless and until all the actors [regional and global powers] agree to sit at one table, leave their differences aside to reach a genuine consensus on non-interference in Afghanistan and abide to their agreement, the conflict will go on.”
Heela Najibullah says that the National Reconciliation Policy would require the political participation of a range of actors in an international and a regional conference. These actors would include those who have used Afghanistan for their own national agendas, such as India and Pakistan. At such a conference, Najibullah suggests, Afghanistan needs to be “recognized officially as a neutral state,” and this “neutral state” should be endorsed by the UN Security Council. “Once this is achieved, a broad-based government can be in charge until elections are held, reforms are discussed, and mechanisms are drawn for its implementation,” Najibullah says.
Proxy Politics
In the 1990s, President Najibullah’s policy was hampered by the deepening of proxy politics. Foreign powers acted through their armed emissaries—people such as Abdul Rasul Sayyaf, Burhanuddin Rabbani, Gulbuddin Hekmatyar, and Sibghatullah Mojaddedi—to cause mayhem in the country. They opened the door to the Taliban, which swept out of northern Pakistan across Afghanistan. Najibullah took refuge in the UN compound in Kabul, and then was killed mercilessly by the Taliban inside that compound in September 1996. Neither the U.S.-Saudi-Pakistani-backed forces (from Rabbani to Mojaddedi) nor the Taliban were interested in any kind of reconciliation policy.
Nor are they now invested in a genuine peace. The Taliban have shown that they can make significant advances and that they will use their territorial gains for political advantage; nonetheless, pragmatic members of the Taliban say that they just do not have the resources and expertise to govern a modern state. President Ashraf Ghani barely controls his own government, largely defenseless without U.S. air power. Each could bring something to the table in a reconciliation process, but its likelihood is low.
Meanwhile, foreign powers continue to treat Afghanistan as a battlefield for their regional ambitions. Blindness to history governs the attitude of several capitals, who know from previous experience that extremism cannot be contained within Afghanistan; it devastates the region. Heela Najibullah’s call to consider her father’s National Reconciliation Policy is not merely a daughter’s hope. It is perhaps the only viable path for peace in Afghanistan.
When Mo’min Swaitat stumbled upon thousands of cassettes in a dusty music shop in his home town of Jenin, he did not know that the treasure trove would lead him to uncover a significant moment in history. His journey across oceans led him to dig up a rare lost album, Riad Awwad’s Intifada 1987, found 34 years after it was originally recorded.
The album’s backstory unfolds in 1987 Palestine amid the First Intifada, mass uprisings by Palestinians in the West Bank and Gaza Strip aimed at ending Israeli occupation. A week into the Intifada, multi-instrumentalist Awwad gathered his three sisters, Hanan, Alia and Nariman, and their friend, famed poet Mahmoud Darwish, to record an album of 11 songs in their living room in the Old City of Jerusalem.
Awwad printed 3 000 tapes and circulated them to neighbouring cities. Upon release, the Israeli military seized the copies. But more than three decades later, Swaitat uncovered a mysterious unmarked tape containing the lost album.
An Unlikely Connection
An actor, playwright and director, Swaitat started his career in theatre at the Freedom Theatre in Jenin Refugee Camp in 2007. There, the theatre’s founder, activist and filmmaker Juliano Mer-Khamis, who was assassinated in 2011 for his powerful political work, mentored him. In 2012, Swaitat received a scholarship to study in London, where he now lives.
Swaitat went to Palestine with a German film crew in 2020, with the intention of staying for three weeks to film a documentary about Mer-Khamis. A week after he arrived, however, the world went into lockdown and he was unable to return. He stayed for a year at his parents’ home in Jenin.
Through the help of a family friend, he stumbled upon an old music shop, Taariq Cassettes, an oasis of thousands of Palestinian music cassettes. The shop had closed down years ago, but in its heyday had doubled up as a label that released tapes from the Palestinian archive, including revolutionary sounds, jazz, disco, funk, wedding and traditional music. The label had been defunct for the past 20 years and there were roughly 12 000 tapes in storage.
“It was completely abandoned. They allowed me to go inside the storage and look into what kind of music they had released as a label,” Swaitat says in an interview over Zoom.
An Archive of History
For eight months, Swaitat went back and forth between the shop and his house, setting up his listening equipment in the space and searching for sounds of interest. He listened to as many tapes as possible.
Initially, Swaitat was looking for his own family archive, intending to make a music documentary. “I’m a Palestinian Bedouin and my family has a few bands who play at weddings,” he says. With some luck, he found most of his family sound archive in the store, amounting to nearly 400 cassettes, including recordings of his uncles’ and cousins’ weddings.
But that is not all he came across. “Then I found this massive Palestinian archive, with all of these different genres from the 1970s till the 1990s,” Swaitat says. The tapes included field recordings, interviews with Palestinian freedom fighters and leaders, and tapes recorded to pass on information during the First Intifada. He bought nearly 7 000 of them from the store.
When it was time to return to London, Swaitat managed to lug home five suitcases of roughly 2 000 tapes. Bound by London’s lockdown regulations, he spent months in his home studio listening repeatedly to the tapes.
Finding Intifada 1987
One particular cassette stood out. It was bright yellow with nothing on it save for a sticker with the words “Al Intifada”. He listened to it over and over again. “I really loved the sound of it. As a Palestinian, it gave me the feeling of amplifying my voice. It was poetic and the songwriting was very uplifting.”
Unable to identify the artist, Swaitat listened to the tape almost 10 times before he let it run all the way to the end, whereupon he heard a voice introducing himself as Riad Awwad and naming the other band members.
Were it not for this announcement, the tape would have remained in obscurity. Swaitat immediately started googling the names, eventually finding information on Hanan Awwad, a writer, poet and activist who worked with the Palestinian Liberation Organization. He reached out to her on social media, and Hanan welcomed a phone call.
“She was very happy that I reached out and said that she hadn’t heard the tape for the past 30 years,” he says. After sending her a digitised version, Hanan told him the tragic story behind the record.
One week after the Intifada broke out, her brother recorded the tape to capture his emotional state and contribute to the Intifada. Upon release and circulation of the album, the Israeli army confiscated most of the tapes over fears of their influence. Awwad was arrested, tortured and detained for months for creating the album.
Upon his release from prison, Awwad recorded another five-track album with a band called the Palestinian Union. He ran his own music shop in Jerusalem and studied sound engineering. He also founded a music school in the West Bank, teaching kids how to create their own electronic instruments.
For the first time, the album by Riad Awwad gets a cover. It will be released on vinyl in July 2022, and thereafter will be available digitally. (Cover and art work by Ahmed El Khalidi)
“She told me he died in a car accident in 2004 and he never had managed to see this album released,” Swaitat says.
Intifada 1987 features Awwad as composer, singer and musician with contributions from his sisters as singers and songwriters. The album was made with homemade equipment, such as a “futuristic” customised keyboard, thus giving it a lo-fi, rough, textured sound. Darwish came on board after Hanan invited him to be part of the recording. His composition is a tune called The Graves.
Despite the violence and destruction unfolding around them during the Intifada, the album’s lyrical content is not focused on hate. Instead, it is a love letter to Palestine. The lyrics poetically describe the Palestinian landscape, the beauty of the mountains, sunrises and sunsets, nature, different animals and birds. But at the same time they tell a personal story of displacement of dreams since the Nakba and calls for liberation of freedom of movement, voice and existence.
Preserving Memory
Palestinian cassettes used to be circulated to different cities through one tape that was copied. Mostly, this was to avoid Israeli checkpoints. “Many of these tapes came out with no artwork. Some came out with Hebrew writing, so the soldiers would leave them alone,” Swaitat says. This could be one possible way the tape survived. Swaitat consulted many Palestinian archivists. None had come across Awwad’s tape.
Swaitat initially approached a few labels about the archive, but soon realised this was not a good idea, given the music’s historical significance. “It’s not about the music only. It’s also about the story behind this. Who are those musicians? What happened to them and why were they involved in the first place?” he asks.
After giving it some thought, Swaitat established his own record label to deal with the tape archive. This is how the Majazz Project label was born, as a way to digitise and release the tapes. Swaitat works with a small team, including an archivist and artist, all dedicated to doing the work of research. For them, preserving the stories and uncovering these lost histories is important, to give a voice to and identity from a Palestinian perspective.
While continuing to work in theatre, Swaitat also hosts a monthly radio show called the Palestinian Sound Archive. He has some incredible releases planned with Majazz. One of its latest is a tribute to his teacher Mer-Khamis, which uses voice clips from the artist.
Palestine remains close to his heart, always. “All of my family is still there. I’m the only one who is not there. My family was forced to leave their original home town. My mom is from Keisarya and my dad is from Haifa. In 1948, the family was forced to leave their home during the Nakba, the catastrophe.”
Decades after Awwad recorded this album, its relevance is stronger now than ever, as occupation and displacement in Palestine and the struggle for land and identity continue. “I grew up into this [conflict] all my life. I was born in 1989, just two years after the First Intifada broke out. I had my first childhood memory during the First Intifada. And then I was a teenager during the Second Intifada from the age of 13.”
Intifada 1987 is due for its vinyl release in July, and will come complete with an Arabic/English translation of the lyrics. Because of its tragic history, Swaitat views the album as a release, not a reissue. The album would have been lost to history were it not for Awwad’s foresight to mention his name. This preservation allows for his story to be told and passed forward to inspire hope in a new generation.
Before Malcolm X went to Africa, he was a Black nationalist and member of the Nation of Islam. By the time he left, he had become a Pan-Africanist, fighting an anti-imperialist struggle. African Stream tells the story of Malcolm X’s political transformation that led to his assassination a few months after his return.
