People take part in a protest against the military offensive led by Libyan National Army commander Khalifa Haftar, at Martyrs’ Square in Tripoli, Libya, on May 17, 2019 / credit: Xinhua/Amru Salahuddien
Editor’s Note: The following opinion was first published in Black Agenda Report.
If U.S. imperialism could only be said to be one thing, it is audacious. Recently U.S. rulers have been making a fuss over Russian troops on their own border with Ukraine, while 1,000 U.S. National Guard soldiers were deployed to the Horn of Africa, in countries where the U.S. shares no borders and is actually more than 7,396 miles away.
Ever since its government was destroyed in 2011 in the first operation of the U.S. Africa Command (AFRICOM), Libya has been the quintessential victim of U.S. audacity in Africa. Now, led by the United States, Western officials have been talking up a UN-led peace process in Libya that insists on “inclusive” and “credible” elections starting on December 24, despite serious disputes over how they should be held.
Of course the Libyan people should have the right to decide their leaders, forms of government, and politics. In fact, however, it is extremely difficult to see through the murk created by the inhumanity of the U.S.-EU-NATO axis of domination.
But what sort of process for nominating candidates are the Libyan people able to exercise? How credible and inclusive can an election be that is cast in the midst of a civil war and with the United States presiding over the country’s affairs like a Godfather?
The imperialist structure responsible for leading the overthrow of the Socialist People’s Libyan Arab Jamahiriya , AFRICOM, just backed the election efforts of U.S. Ambassador to Libya Richard Norland. This was after Norland took to Twitter to scold those discrediting the elections saying, “We call on all parties to de-escalate tensions and to respect the Libyan-led, legal, and administrative electoral processes underway.”
For these emissaries of empire, such statements are mere words of formality, empty rhetoric meant to minimize the glare of the contradiction: they created a failed state.
Reports have surfaced about the likely re-emergence of violence which has been on pause during a very fragile ceasefire. There have been stolen voter cards , an allegedly politically motivated disqualification of 25 of the 98 presidential hopefuls by the election commission, a chaotic appeals process, and, of course, a delay in the final list of candidates.
Then there were also the road blocks by gunmen backing eastern military chief and former CIA operative Khalifa Haftar to prevent travel to a court in the southern city of Sebha set to examine the appeal by Saif al-Islam Gaddafi to run for president. It is no surprise that Haftar himself is also a presidential candidate.
Initially Saif al-Islam, son of the murdered Libyan leader Muammar Gaddafi, was being excluded from a bid for presidency by the High Elections Commission. Before a Libyan court ruled on December 2 that Gaddafi can run for president, the case had endured an armed attack on the Sebha Court of Appeals followed by a protest in front of the Sebha Court at the end of November, organized by the people of the city of Ghat against the closure of the court by force.
The protesters, in support of Saif Gaddafi, demanding free and fair elections, and an impartial judiciary said, “…there are those who want to occupy the country and restore colonialism again, and who threaten to divide the country according to the interests of the international powers.”
Black and Brown people of the Global South know full well about what the protesters from Ghat are protesting. The capitalist, white surpremacist order has to disparage people-centered projects and legitimize anything in the interest of racist neoliberalism.
Some of the most transparent and participatory elections in the world, in Nicaragua and Venezuela, are denounced and demonized by the same international powers, its institutional extensions like the OAS, and its corporate media mouthpieces. Beneath that newswire is the irony of a Libya literally destroyed by the same forces. Now, ten years later, it is being forced into a largely illegitimate process.
The title “dictator” is bandied around for all leaders not compliant to Western interests, as was commonly done to the late Muammar Gaddafi. A common sense question one might ask is: Why go through such lengths to prevent the candidacy of the son of a dictator supposedly intent on reestablishing his father’s dynasty?
Once the non-white working class inside the belly of the beast realize that the United States is an undemocratic oligarchy that cannot pretend to offer, to the rest of the world, a nonexistent “democracy,” then it will begin to see that the internationalist fight to support the people of Libya is the same as the domestic fight to liberate those struggling for justice.
On July 9, security guards shot a 24-year-old man on the premises of forestry company Forestal Mininco in the city of Carahue in Chile’s Araucanía region in what the Chilean media described at the time as an “armed confrontation.”
Pablo Marchant Gutiérrez, a Chilean anthropology student who had joined the indigenous Mapuche people’s struggle for autonomy and recuperation of ancestral lands, was found dead after what appeared to be an execution.
Marchant’s killing is the latest incident in the conflict between Mapuche communities and Forestal Mininco, which has been accused of human-rights abuses during violent land evictions in Wallmapu. That is the Indigenous name of the Mapuche people’s ancestral home, which encompasses the southern cone of South America that is divided between the modern states of Chile and Argentina. Because Mapuche culture is tied to the land, its medicinal plants, as well as geographical elements such as lakes, rivers and forests, denying the Mapuche people the right to live there is tantamount to genocide, per the United Nations’ definition.
However, between former U.S.-backed dictator Augusto Pinochet’s terror laws being used to criminalize Mapuche elders and activists, the United States and the United Kingdom arming Chile’s security forces, and the failure of international agencies to treat the Mapuche conflict with urgency, the West appears complicit in the genocide of the Mapuche people.
Questioning Authorities
Not satisfied with the official accounts of events, Marchant’s family requested forensic investigations, from which a sinister picture emerged of what had happened on Forestal Mininco’s premises.
Pablo Marchant Gutiérrez with his mother, Myriam Gutiérrez / credit: Myriam Gutiérrez
The investigation found Marchant was shot in the back, contradicting the police’s account that Marchant had threatened officers with a M16 assault rifle. The report stated he was killed “on his knees” with his head inclined towards the floor, and that his injuries were consistent with that of an execution.
Neither the police nor prosecution services informed Myriam Gutiérrez, Marchant’s mother, of her son’s death. Instead, the Mapuche community relayed the news. Afterward, Legal Services of Temuco—another city in the Araucanía region—called Gutiérrez, saying she needed to be present at the autopsy. However, when Gutiérrez arrived, she wasn’t allowed in the facility.
“To this day, five months on, there has been no form of justice against those who have protected my son’s murderers,” Gutiérrez told Toward Freedom. “I must also point out that these cases are never resolved because the state does not recognize these [recuperation] acts as legitimate—instead, they qualify them as ‘terrorist actions.’”
Toward Freedom contacted Forestal Mininco, the Chilean consulate in London, and Chile’s Interior and Security Ministry, but they did not respond as of press time.
Not long after Marchant’s death, President Sebastian Piñera announced on October 12 a state of emergency in response to escalating tension in the southern regions of the Andean country. Over 1,000 troops are deployed in the Araucanía region, armed with drones, tanks and anti-riot weaponry. The central Chilean region is known for its virgin forests.
Less than a month into the military occupation, security forces opened fire at a roadblock, killing one Indigenous man and injuring several others, including a 9-year-old girl.
Despite the frequency and severity of the violence, political persecution and racism Mapuche communities face have failed to prompt an appropriate response from international agencies. Free from international intervention, Chilean security forces have been able to kill, evict and arrest Mapuche people with complete impunity, all with an eye to protect the interests of industries operating out of contested Indigenous land. This comes despite Chile being a signatory to the 1989 Indigenous and Tribal Peoples Convention of the International Labour Organization (ILO Convention 169) and the United Nations Declaration on the Rights of Indigenous Peoples. Chile is the only Latin American country that does not recognize the existence of Indigenous peoples in its constitution.
“What the state is doing is colonial domination against the Mapuche people via a repressive genocidal political agenda, in turn denying their right to exist as an autonomous Mapuche nation,” Gutiérrez said. “Pablo knew and understood that people were being repressed and that they had been banished from their land in a brutal and repressive manner.”
Subsidizing Corporations
Chile currently holds the largest planted area of Pinus radiata, or Monterey pine trees, in the world. These fast-growing, medium-density softwood trees are known for their versatile uses, ranging from constructing homes, cabinets, boats and furniture to acting as a noise buffer in residential areas.
The Mininco and Arauco forestry companies own over 2 million hectares (4.94 million acres) of forest and supply 400 different products in approximately 80 countries, including wood chips for paper pulp production.
The forestry sector’s success can be attributed to state subsidies and land grabs facilitated during Augusto Pinochet’s time as the U.S.-backed dictator following the 1973 coup. Pinochet’s extractivist policies ensured more than $800 million in Chilean tax money funded the sector. Large swathes of land previously belonging to the Mapuche people, peasant farmers and state-owned agencies, such as CORFO (Chile’s economic development agency), were seized and handed to Pinochet’s inner circle, including Julio Ponce Lerou, his son-in-law.
“Though most political parties recognize that the conflict with Mapuche people is political and not military, they continue to ignore demands for restitution of their lands, autonomy and self-determination,” Mariqueo said.
Lago Conguillio in 2017 in Chile’s Araucanía region, known for its virgin forests / credit: Flickr/Sarah and Iain
Western Complicity
The military occupation of Araucanía would not be possible without the support of the international arms industry. Multiple human-rights NGOs, such as Amnesty International and Human Rights Watch, decrying human-rights abuses that took place during the 2019-20 social unrest dubbed “El Estallido.” Yet, countries such as the United States and the United Kingdom have continued to supply arms to Chile, whose military expenditure is one of the highest in the world, making up around 1.9 per cent of GDP.
In February, the Biden administration’s first foreign arms sale was to Chile. The $85 million package included:
16 SM-2 block IIIA rail-launched missiles,
two MK 89 Mod 0 guidance section adapters,
one target-detection device kit,
Mod 14 naval guns systems, and
associated training and supplies.
The UK also has armed Chile’s repressive military forces. A Freedom of Information request by British newspaper Byline Times found 50 percent of the £164 million ($217 million USD) worth of arms licenses sold to Chile since 2008 had been granted during 2019-20. This included so-called “non-lethal” weapons, such as smoke canisters, tear gas and other riot-control agents. Those tools were turned on more than 500 Chilean people who lost sight in one or both eyes. A similar tactic had been deployed during the 2019-20 Yellow Vests uprisings in France.
Genocide for Profit
None of the Chilean government administrations since the 1989 transition to democracy have challenged the might of forestry companies in Araucanía.
Whether left-leaning like Michelle Bachelet or extreme-right like Sebastian Piñera, the conflict rages on to the detriment of Indigenous people. It was Bachelet who commissioned the FBI to investigate the existence among Mapuche activists of terror cells linked to guerrilla groups like the Revolutionary Armed Forces of Colombia (FARC) and Basque Fatherland and Liberty (ETA). And it was Bachelet who conceived special unit Comando Jungla, a special military force trained in the Colombian jungle to combat alleged terrorism and narcotics operations in Chile.
“The militarization of the region continues, giving carte blanche to commit all kinds of atrocities against those communities peacefully struggling for the right to live on ancestral land,” Mariqueo said.
Meanwhile, Gutiérrez said her son only sought to help defend Wallmapu.
“He wanted to be among, collaborate and live like a Mapuche.”
Carole Concha Bell is an Anglo-Chilean writer and Ph.D. student at King’s College London.
The Communist Party of Swaziland says Mswati police shot 21-year-old party member Mvuselelo Mkhabela at close range, as the monarchy attempts to enforce what the party refers to as “unpopular sham election processes.” / credit: Twitter / CPSwaziland
Editor’s Note: This article originally appeared in Peoples Dispatch.
The Communist Party of Swaziland (CPS) reported on February 28 that the police force of Africa’s last absolute monarchy has shot and disappeared one of their members, Mvuselelo Mkhabela, age 21. “Comrade Mvuselelo was badly shot at and dragged to the police van helplessly and his whereabouts and condition is unknown and the armed to teeth police force continued its attacks to the protesting community,” CPS tweeted. Reportedly this abduction happened at around 13:00h (local time) on February 28.
This latest act of violence by the Swaziland police force comes amid an uptick in police repression of recent protests against the “farcical” parliamentary elections. CPS claims that the elections are a farce because the parliament itself is under the control of the monarchy, so the electoral process constitutes “a tool used by the absolute monarchy to sanctify King Mswati’s decision.” Mvuselelo himself was arrested and tortured earlier this month for protesting these elections, which are set to occur this August. Shortly after his arrest, Mvuselelo told Peoples Dispatch, “Often, when [police] invade communities, there is no one to defend the family or the individual from the wrath of the regime. This cannot go on.” Mvuselelo was abducted today in one such police invasion.
Communists in Swaziland have been involved in a struggle against the monarchy for decades. In recent months, the regime led by King Mswati III has intensified attacks against pro-democracy activists, including the assassination of human rights lawyer Thulani Maseko, threats against union leader Sticks Nkambule, torture of union leader Mbhekeni Dlamini, and more.
“Mvuselelo’s consciousness and commitment to the just course of the people of Swaziland fighting for democracy in the face of a militarized system of oppression presided by Mswati and his political elites remains unwavering,” CPS wrote in a tweet.
Activism and Art are a potent combination for addressing problems that are both enduring and unendurable. The play, Eclipsed, transports the audience into the intimate dwelling of women struggling to survive while living as sexual slaves in a rebel forces encampment at the end of the Liberian civil war in 2003. The story follows a 15-year-old African girl as she escapes from the encampment to become a child soldier in the rebel forces.
Written by Zimbabwean-American playwright Danai Gurira, Eclipsed made history by being the first Broadway show with an all-female cast, and the first all African-American cast, and an all-female creative team. Eclipsed was on Broadway in 2016, with Oscar winner Lupita Nyong’o in the lead role.
The playwright wants to create awareness about injustices encountered by girls and women around the world by the stories in her plays. “Narrative is in my toolbox, and what I find powerful about narrative is that it actually allows people to be connected, to be disarmed, to see other people across the world that they might perceive of as statistics, [rather than] as actual fellow people that they care about and that they want to see freed to live self-determined lives,” she said in an interview.
United Methodist Women parade the streets in Marshall City, Liberia, to protest sexual violence against women and girls during the group’s 72nd annual session held Jan. 21-27, 2020. Photo by E Julu Swen, UM News. The national lockdowns imposed to counter the spread of the coronavirus in many African countries have created a fertile ground for violence against women and girls.
Gurira’s work transcends the rationalizations created by terms such as “rape as a weapon of war” that are used to characterize the human experience of sexual violation and violence. Her work portrays the humanity of the captive women, and the difficult choices they must make during a time of war, and how the trauma of those experiences, particularly rape, changes them.
Why is Eclipsed relevant now? In September of 2020, President George Weah of Liberia declared rape a national emergency following a three day protest in the capital city of Monrovia. There were 5,000 anti-rape protesters, and there were violent clashes with authorities. Police tear-gassed thousands of anti-rape protesters. It is difficult to collect meaningful statistics as to the rate of rape in Liberia. A World Health Organization report estimated 75% of women in Liberia at the end of the civil war had experienced rape. That statistic was challenged by American writers because, they wrote, it seems like an improbably high rate. However, the current situation in Liberia, where Covid-19 restrictions have increased the number of Sex and Gender-based attacks by fifty percent, is compared to the same high rate of attacks during the Liberian civil war (1999-2003)
which is the setting of Eclipsed.
The impetus for writing the play came from a 2003 photo appearing in the Western press of Liberian women fighters. Gurira was struck by their attractive appearance, the fierce and intense look in their eyes, and by their guns and their stylish fighting gear. In 2003, the Wall Street Journal interviewed a 20-year-old fighter calle1d Black Diamond, and described her appearance in an almost romantic way: “A pistol and a cellular phone hung from her trendy, wide leather belt. Her jeans were embroidered with roses. Her fellow guerrillas were equally fashionable, wearing tight-fitting jeans, leopard-print blouses and an assortment of jewelry. The number of women in her unit, she said, is a military secret.”
Colonel “Black Diamond” (C/with glasses) is flanked by her women bodyguards, members of the LURD (Liberians United for Reconciliation and Democracy) 09 August 2003 as they return from a patrol Photo: Georges Gobet, AFP .
Gurira traveled to Liberia in 2007, setting off on a journey that would reveal that the intensity of the young women fighters in the photo was not empowerment, or a fierce loyalty to the rebel forces and brotherly rebel male fighters. Instead, the style and swagger of the young women covered over the deep trauma of having lived through unspeakable horrors during the civil war including being gang-raped, watching family members murdered, their homes looted and mothers and sisters raped by soldiers. Gurira interviewed thirty women including former women soldiers and women in the Peace Movement who are credited with forcing an end to the Civil War. The characters in the play reflect the histories of those women, as well as Gurira’s research, including the award winning. documentary Pray the Devil Back to Hell and the Human Rights Watch report “Roles and Responsibilities of Child Soldiers”.
Gurira weaves together a story that brings the audience into the women’s lives, using experiences that we can identify within our own lives. The women fuss about their hair, clothing and what will there be for dinner, even as they hide the fifteen-year-old girl from their abuser, the Commanding Officer. The fifteen-year-old, who is called “The Girl,” arrives at the camp as a bright, energetic child, able to read, and having plans to go to school to become a doctor or constitutional lawyer.
The commander, called the “CO” by the women, attacks The Girl when she goes outside to go to the bathroom, then designates her as the “number four” wife. After The Girl is raped by the CO, she returns to the shed where the Wives live together. She is listless and unresponsive to questions from the women about what happened, except to say the CO “did it” to her. Soon after, the CO arrives at the women’s shed, and with dread and anxiety they must line up for him, as he chooses which woman he will take away next.
The women in the play go by their ranking as “Wives,” a system set by the CO, and they do not use each other’s names, but address each other with their number in the ranking. Wife Number One, the eldest wife, was captured when she was twelve, and has been held captive for ten years. Number Two was ousted from the women’s shed and has become a rebel fighter. Number Three is six months pregnant with the CO’s child.
After the CO’s officers loot a village, he gives clothing and other items to Wife Number One, and she finds a book about Bill Clinton. The Girl reads parts of it to some of the other Wives, and their struggle to make sense of Clinton’s troubles provides some comic relief to an otherwise intense and harrowing play.
Wife Number Three calls Monica Lewinsky,“Wife Number Two,” and the woman express wonder at the U.S. Congress trying to remove Clinton as president for having two wives. They remark on the closeness they feel as Liberians to the United States, since it was the United States that set up the founding of their country.
The play Eclipse on stage
Wife Number Two returns to visit the women’s shed, carrying a large gun and dressed in jeans and a slinky top. She has brought food for the Wives, offering a bag of rice because they have none. Wife Number One has moral authority, and will not accept the food, because Number Two is involved in war atrocities. Number Three, pregnant and bemoaning the shortage of food, wants to accept the rice. The apparent freedom that Number Two has as a soldier appeals to The Girl.
Number Two entices The Girl to become a soldier so that she can get a gun and protect herself from being raped. The Girl follows Number Two and becomes a child soldier. She finds she is required to participate in looting, killing and (much to her dismay) rounding up girls from the ransacked villages to bring to soldiers to be raped.
A woman from the Liberian Woman’s Peace movement secretively visits the Wives to tell them that the war will be ending soon. The unendurable trauma of their war experience has unraveled the Wives’ identities, and they struggle to remember what their names were before the war. Rita, the Peace Woman, coaxes Number One to remember. Finally, she whispers her name, and Rita writes “Helena” in the dirt of the shed floor. The educated and upper-class Peace Woman, Rita, has her own story. Her daughter has disappeared, and she searches the rebel camps in hopes of finding her. Gurira lays bare Rita’s struggle with her classism when Rita airs the complaints of the Peace Women to Helena, saying that the CO is “trying to treat us like we’re village girls they rob from the bush,” without awareness that Helena herself was a 12-year-old girl running from an attack on her family’s home in a village, and captured when she was hiding in the bush.
The play ends when Charles Taylor leaves Liberia, signaling the winding down of the long civil war. The Girl has to choose whether to give up her gun in order to go with the Peace Women group; or to keep her gun and go back to the camp of rebel fighters. Helena (Number One) struggles with her decision to leave at first because her identity is her rank in the camp. Number Two cannot believe that she will be safe if she gives up her gun, and she returns to the rebel fighters’ camp. Number Three has her baby, and she chooses to stay with the C.O., believing that he will take care of her and her baby girl. She named the girl Clintine, after Bill Clinton. The naming of this Liberian child, begotten by rape at a rebel commanders’ camp during wartime, may symbolize Liberia’s call for support from their parent country.
Liberia was founded by the American Colonization Society in the early 1800’s as the first free country in Africa, as part of the “Back to Africa” movement designed by U.S. government to avoid abolishing slavery. For many years, U.S. involvement in Liberia was significant, especially in the exploitation of resources (rubber, diamonds and gold) by the Firestone Tire and Rubber Company starting in the 1920’s. The U.S. supported the violent and repressive government of Samuel Doe (1980-1990) but has been gradually but continuously disengaging since the end of the Cold War. In 1990, at the beginning of the brutal, 14 year Liberian Civil War, the U.S. citizens were evacuated and U.S. involvement, for practical purposes, ended.
The commanders in the Civil War illegally, according to the Geneva Convention, used over 15,000 children under the age of 18 as soldiers in fighting in Liberia between 2000 and 2002. Many people question U.S. disengagement with Liberia, a country considered to be the “stepchild” of the United States. One U.S. expert says that Liberia sees itself as the 51st state. However, while there are significant straightforward needs in Liberia now, such as DNA machines used to determine the perpetrator of a rape and technicians who know how to operate them, there are questions as to why the U.S. has continued to be unresponsive to Liberia’s crisis.
Despite declaring rape to be a national emergency last September, President Weah has not followed through with establishing a special prosecutor for rape, or setting up a national sex offender registry, or establishing Criminal Court E for hearing rape cases across the 15 counties in Liberia. In March of 2021, President Weah unveiled a DNA testing machine to be used to aid prosecution of rape cases. However, media reports indicate that there are no trained technicians who know how to operate the machine in Liberia.
In Our Bodies, Their Battlefields, Christine Lamb writes that rape is the cheapest weapon known to man.” And also one of the oldest, as some scholars analyze the Book of Deuteronomy’s “Law of the Beautiful Captive Woman” to support a view that women may be treated as “spoils of war”. There were many wartime atrocities, but in particular, the weaponizing of raping women and children leaves a lasting imprint on the cultural integrity of a society. The society in Liberia after the war has been called a “culture of impunity” where there is no penalty for attacking women and children.
Danai Gurira founded a website, newsletter and blog called Love Our Girls which raises awareness about girls in African who are abused and forgotten. She writes there:
“As a writer, scripting narratives is my act of resistance, my way of bringing that unheard African female voice front and center and allowing it to manifest its astounding value. I have always had a passion for women and girls, a hope to see them function on the same playing field as men and have the same opportunities and appropriate protections. I want to be more than an actress and storyteller but an advocate for women, not only in underdeveloped countries but all over the world.”
The play’s central theme is that the light inside of each of these women, a light that can be seen clearly in The Girl when she first arrives at the camp, is eclipsed by the trauma of rape and captivity. For the women who become fighters, this is compounded by the horror of the acts of war they witness and participate in.
Eclipsed is about how the light within these women was blocked by the reign of terror of the warlords, their soldiers, and soldiers of the government.
It is an open question as the curtain comes down: what will become of these girls and women when the war has ended? And it is an open question as well: what will it take, locally and globally, to repair the shattered norms that allow rape of children and women to be happening at alarming rates, and to muster the political will to prosecute and convict those who commit those crimes? Gurira uplifts the stories of women and girls in war and invites audiences to see the lives of women and girls who are subjected to repetitive rape, deprivation of food and freedom, by not showing them as “flailing victims” but instead “… these are dynamic women and girls, in the most treacherous of circumstances, and I want the audience to feel at home with them.” The play provokes the empathy that is necessary for social justice.
Lesley Becker is a playwright and director living in Vermont and a Reparative Board member at the Burlington Community Justice Center. Her plays are available to read on New Play Exchange; she is a member of the Dramatist Guild.
