Biden Appears to Leave Door Open for Russia to Move Into Ukraine

At the High Line, a popular tourist attraction in New York City, visitors to the West side of Lower Manhattan ascend above street level to what was once an elevated freight train line and is now a tranquil and architecturally intriguing promenade. Here walkers enjoy a park-like openness; with fellow strollers they experience urban beauty, art and the wonder of comradeship.

In late May, a Predator drone replica, appearing suddenly above the High Line promenade at 30^th Street, might seem to scrutinize people below. The “gaze” of the sleek, white sculpture by Sam Durant, called “Untitled, (drone),” in the shape of the U.S. military’s Predator killer drone, will sweep unpredictably over the people below, rotating atop its 25-foot-high steel pole, its direction guided by the wind.

Unlike the real Predator, it won’t carry two Hellfire missiles and a surveillance camera. The drone’s death-delivering features are omitted from Durant’s sculpture. Nevertheless, he hopes it will generate discussion.

“Untitled (drone)” is meant to animate questions “about the use of drones, surveillance, and targeted killings in places far and near,” said Durant in a statement “and whether as a society we agree with and want to continue these practices.”

Durant regards art as a place for exploring possibilities and alternatives.

In 2007, a similar desire to raise questions about remote killing motivated New York artist, Wafaa Bilal, now a professor at NYU’s Tisch Gallery, to lock himself  in a cubicle where, for a month, and at any hour of the day, he could be remotely targeted by a paint-ball gun blast. Anyone on the internet who chose to could shoot at him.

He was shot at more than 60,000 times by people from 128 different countries. Bilal called the project “Domestic Tension.” In a resulting book, Shoot an Iraqi: Art Life and Resistance Under the Gun, Bilal and co-author Kary Lydersen chronicled the remarkable outcome of the “Domestic Tension” project.

Along with descriptions of constant paint-ball attacks against Bilal, they wrote of the internet participants who instead wrestled with the controls to keep Bilal from being shot. And they described the death of Bilal’s brother, Hajj, who was killed by a U.S. air to ground missile killed Hajj in 2004.

Grappling with the terrible vulnerability to sudden death felt by people all across Iraq, Bilal, who grew up in Iraq, with this exhibit chose to partly experience the pervasive fear of being suddenly, and without warning, attacked remotely. He made himself vulnerable to people who might wish him harm.

Three years later, in June of 2010, Bilal developed the “And Counting” art work in which a tattoo artist inked the names of Iraq’s major cities on Bilal’s back. The tattoo artist then used his needle to place “dots of ink, thousands and thousands of them — each representing a casualty of the Iraq war. The dots are tattooed near the city where the person died: red ink for the American soldiers, ultraviolet ink for the Iraqi civilians, invisible unless seen under black light.”

Bilal, Durant and other artists who help us think about U.S. colonial warfare against the people of Iraq and other nations should surely be thanked. It’s helpful to compare Bilal’s and Durant’s projects.

The pristine, unsullied drone may be an apt metaphor for twenty-first-century U.S. warfare which can be entirely remote. Before driving home to dinner with their own loved ones, soldiers on another side of the world can kill suspected militants miles from any battlefield. The people assassinated by drone attacks may themselves be driving along a road, possibly headed toward their family homes.

U.S. technicians analyze miles of surveillance footage from drone cameras, but such surveillance doesn’t disclose information about the people a drone operator targets.

In fact, as Andrew Cockburn wrote in the London Review of Books: “the laws of physics impose inherent restrictions of picture quality from distant drones that no amount of money can overcome. Unless pictured from low altitude and in clear weather, individuals appear as dots, cars as blurry blobs.”

On the other hand, Bilal’s exploration is deeply personal, connoting the anguish of victims. Bilal took great pains, including the pain of tattooing, to name the people whose dots appear on his back, people who had been killed.

Contemplating “Untitled (drone),” it’s unsettling to recall that no one in the U.S. can name the thirty Afghan laborers killed by a U.S. drone in 2019. A U.S. drone operator fired a missile into an encampment of migrant workers resting after a day of harvesting pine nuts in Afghanistan’s Nangarhar province. An additional 40 people were injured. To U.S. drone pilots, such victims  may appear only as dots.

In many war zones, incredibly brave human rights documentarians risk their lives to record the testimonies of people suffering war-related human rights violations, including drone attacks striking civilians. Mwatana for Human Rights, based in Yemen, researches human rights abuses committed by all sides to the war in Yemen. In their report, Death Falling from the Sky, Civilian Harm from the United States’ Use of Lethal Force in Yemen, they examine 12 U.S. aerial attacks in Yemen, 10 of them U.S. drone strikes, between 2017 and 2019.

They report at least 38 Yemeni civilians—nineteen men, thirteen children, and six women—were killed and seven others were injured in the attacks.

From the report, we learn of important roles the slain victims played as family and community members. We read of families bereft of income after the killing of wage earners, including beekeepers, fishers, laborers and drivers. Students described one of the men killed as a beloved teacher. Also among the dead were university students and housewives. Loved ones who mourn the deaths of those killed still fear hearing the hum of a drone.

Now it’s clear that the Houthis in Yemen have been able to use 3-D models to create their own drones which they have fired across a border, hitting targets in Saudi Arabia. This kind of proliferation has been entirely predictable.

The U.S. recently announced plans to sell the United Arab Emirates fifty F-35 fighter jets, eighteen Reaper drones, and various missiles, bombs and munitions. The UAE has used its weapons against its own people and has run ghastly clandestine prisons in Yemen where people are tortured and broken as human beings, a fate awaiting any Yemeni critic of their power.

The installation of a drone overlooking people in Manhattan can bring them into the larger discussion.

Outside of many military bases safely within the U.S. – from which drones are piloted to deal death over Iraq, Afghanistan, Yemen, Somalia, Syria and other lands, activists have repeatedly staged artistic events. In 2011, at Hancock Field in Syracuse, thirty-eight activists were arrested for a “die-in” during which they simply lay down, at the gate, covering themselves with bloodied sheets.

The title of Sam Durant’s sculpture – “Untitled (drone)” – means that in a sense it is officially nameless, like so many of the victims of the U.S. Predator drones it is designed to resemble.

People in many parts of the world can’t speak up. Comparatively, we don’t face torture or death for protesting. We can tell the stories of the people being killed now by our drones, or watching the skies in terror of them.

We should tell those stories, those realities, to our elected representatives, to faith-based communities, to academics, to media and to our family and friends. And if you know anyone in New York City, please tell them to be on the lookout for a Predator drone in lower Manhattan. This pretend drone could help us grapple with reality and accelerate an international push to ban killer drones.

Kathy Kelly ([email protected]) is a peace activist and author working to end U.S. military and economic wars. At times, her activism has led her to war zones and prisons.

A version of this article first appeared at The Progressive.org

Photo Credit: Sam Durant, Untitled (drone), 2016-2021 (rendering). Proposal for the High Line Plinth. Commissioned by High Line Art. Courtesy of the High Line.

Is Russia Fascist?: Unraveling Propaganda East and West by Marlene Laruelle (Ithaca, New York: Cornell University Press, 2021)

Mainstream liberal U.S. media such as MSNBC and the New York Times have dedicated countless hours and pages to presenting Russian President Vladimir Putin as the devil incarnate. In 2014, former U.S. Secretary of State Hillary Clinton went as far as to compare his actions in Ukraine to those of Hitler in Europe (p. 3). Then U.S. President Joe Biden called Putin a “killer” on March 17 in what appeared to be his way of proving how “presidential” he is compared to Donald Trump. When RT journalists were introduced on a 2019 panel at the Assembly of Journalists and Social Communicators in Caracas, the crowd of Venezuelans burst into applause chanting, “Putin, Putin, Putin!” 

Vilified by certain global class forces and loved by others, what is the true ideological character of Putin and the Russian political leadership? Moving beyond certain propaganda, while remaining bogged down in a clear anti-Soviet evangelism, French historian Marlene Laruelle makes a convincing academic argument that Russian state ideology is not fascist.

The George Washington University professor and U.S. State Department researcher has dedicated her professional life to becoming an expert on Russian history and what she terms the dominant ideology of the Russian state today, “illiberalism.” Her book, Is Russia Fascist?: Unraveling Propaganda East and West, accomplishes two tasks: One that is intellectually honest and another that further contributes to the Memory Wars and Battle of Ideas by perpetuating biased Western views of key issues that have arisen in Soviet history and in contemporary Russia. An example of Memory Wars is when right-wing states raise questions about who actually collaborated with the Nazis in an attempt to create an alternative memory of events.

Dismantling the Claim That Russia Is Fascist

The greatest strength and central thread of the book is Laruelle’s consistency in proving the Russian state is not fascist. 

Chapter 6 analyzes the country’s “vivid far-right landscape.” The author looks at skinheads, militia subculture, combat sports, extreme expressions of the Russian Orthodox Church, conspiracy theories, the Night Wolves motorcycle club, among other examples of this landscape. She concludes these ideological trends—similar to what is found in the West—are marginally present in Russia, but have little to no influence on Russian leadership and receive no institutional support from the state. This milieu, or ecosystem, as she calls it, is in fact “largely repressed by Russian state organs” (157). 

Laruelle dedicates sections of chapters 6 and 7 to evaluating the reach of political analyst Alexander Dugin—known as “Putin’s brain”—and his international far-right contacts. She concludes the West exaggerates Dugin’s influence and his “networks and international visibility should not be the tree obscuring the forest” (126). Despite Western rumors, Laruelle writes, “Putin has never mentioned him [Dugin]” nor met him and she adds, “Dugin has little direct access to the highest echelons of the Presidential Administration” (118).

Laruelle explains slapping the fascist label on Putin and Russia is not scholarly, but is an attempt by certain forces to discredit Russia to prevent the country of 144 million from being taken seriously in the international arena. Her scholarship finds the Russian state draws from myriad ideological sources, such as social conservatism, Soviet nostalgia, illiberalism, Russian orthodoxy and Russian nationalism. The professor concludes: “If there is an overarching ideological trend to identify, it is illiberalism… a denunciation that holds that liberalism is now ‘obsolete’ and has ‘outlived its purpose,’ as Putin declared in 2019, and a return to an ideology of sovereignty—national, economic and cultural-moral sovereignty” (158). The way Laruelle uses “liberalism” sounds innocent enough, but it’s a euphemism for capitalism, imperialism and Western hegemony, words the author never uses in her book.

‘Unraveling Propaganda’ with More Disinformation?

While Laruelle may be on the liberal left of the internal landscape of the State Department, her overall work is far from left or anti-imperialist. As the director of the Institute for European, Russian and Eurasian Studies (IERES) at George Washington University, she pulls no punches on the Soviet Union. Is Russia Fascist? ignores the Soviet Union’s legacy as a besieged workers’ state the U.S. ruling class and its junior imperialist partners sought to, and ultimately played a key role in, destabilizing and overthrowing. 

Anti-socialism and anti-communism, the unofficial religion of the United States and Western Europe, dot the 166-page text. 

Is Russia Fascist? is a most provocative title for a book. The subtitle however Unraveling Propaganda East and West is misleading and inaccurate on some levels. Here are a few suggestions if Professor Laruelle wants to more honestly entice the reader: Is Russia Fascist? Heaping more Western Propaganda onto the Dominant Historical Narrative or Is Russia Fascist? Is the U.S. more Fascist than Russia? Is U.S. Foreign Policy Fascist? 

Laruelle reduces complex, life-and-death military decisions to anti-Soviet soundbites. For Laruelle, it is senso comune (common sense), in the Gramsci sense of the word, that the Soviet Union was bad. Casting off critical reflection, she presents highly-debated topics as already existing, self-evident truths. Here are some examples: “The annexation of Crimea” (19), “the massacre of Polish officers in the Katyn forest” (33), the “widespread anti-Semitism of the late Stalin era” (40), “the great patriotic war as the principle myth capable of uniting Russian society” (45). 

What part is myth? That 27 million Soviets gave their lives? That 20 million more were injured? (2). These are the statistics the author herself offers. “The Ukrainian crisis” (47), “the Molotov-Ribbentrop Pact (50) and “the democratic regimes” (159) she mentions refer to the “west Soviet occupation of the Baltic states” (165).

These historical events and terms need clarification the author does not provide. The reality is no shortcuts exist in the field of dialectical materialism. 

A book review is not the place to clarify the historical record on the Molotov-Ribbentrop Pact or the Katyn forest massacre. But in terms of World War II, or “The Great Patriotic War,” as it is known in Russia, the cold, hard, tragic facts speak for themselves. The Soviet Union lost 27 million of its sons and daughters to ward off the hoards of Nazi invaders. For comparison, the United States lost 200,000 troops in WWII, the British lost 400,000 and the Nazis themselves lost 800,000. All of humanity owes a great debt to the Red Army, the Partisans (Soviet resistance groups) and the Soviet peoples. 

These topics deserve intense scrutiny and study. Entire books are dedicated to the subjects. One place to begin is with books like Russia At War: 1941-1945, The History of the Russian Revolution and books by Polish Marxist writer Isaac Deutcher.

In conclusion, while Laruelle makes a valuable contribution to providing a nuanced, sociological portrait of Russia today, she fails to disentangle certain Western propaganda. It quickly becomes clear it is the reader’s responsibility to disentangle her propaganda. 

Behind a veneer of so-called academic objectivity, she directly and indirectly propagandizes on behalf of U.S. imperialist interests, which seek to encroach upon and control Ukraine, Crimea and the entire landmass that was the Soviet Union. 

Danny Shaw is a professor of Caribbean and Latin American Studies at the City University of New York. He frequently travels within the Americas region. A Senior Research Fellow at the Center on Hemispheric Affairs, Danny is fluent in Haitian Kreyol, Spanish, Portuguese and Cape Verdean Kriolu.

Editor’s Note: The following represents the writers’ opinion.

A free and transparent media is critical for any democracy. But in every society, defending the integrity of the media requires constant vigilance. We found ourselves drawn into the work of exercising this vigilance by complete chance.

When the independent left publication New Frame closed down after four years of operations, the liberal media rushed in, in unseemly haste, to put the boot in. Perhaps the worst of the attacks was penned by Sam Sole and Micah Reddy of the investigative journalism outfit amaBhungane. They alleged, based on nothing more than salacious gossip, that there was an attempt to influence public discourse in South Africa by the Chinese state. Not a shred of evidence was provided for this conspiracy theory by Sole and Reddy in an article that was largely based on innuendo. They abused the institutional authority of amaBhungane as a trusted publication to give credence to a conspiracy theory, one that aligned closely with the
key tropes being driven by the United States in the New Cold War.

The hostility towards us in this story can only be because our new organization, the Pan-African Institute for Socialism (PAIS), aims to create a non-sectarian space on the left to reach consensus on a pragmatic minimum program to increase the prospects for the Black poor and working-class majority in South Africa, Africa and the Global South.

PAIS has never had any sort of connection to New Frame aside from a single meeting held at their offices to inquire about the process for submitting opinion pieces for consideration, something that never actually happened in the end. But, to our complete astonishment, we found PAIS, a new and entirely unfunded organization, drawn into the conspiracy theories recycled by Sole and Reddy. This quite bizarre experience led us to wonder who funded amaBhungane, and what the drivers were for such vehemence by publications that claim to be fair, even-handed, and balanced. Those questions soon led us to an intricate web of relationships that are clearly designed to hide the influence of powerful funders and networks.

What is the real project of these U.S.-led imperialists and their surrogates in South Africa? A common thread has been the use of proxies to stymie the liberation of the majority of South Africans, particularly the Black working class and rural poor. First was Inkatha.¹ Then came the DA. Lately, it is a hodge-podge of xenophobic opportunists. In addition, there are organizations that pose as being ‘Left’ and the so-called independent media. They all have one thing in common. They have an agenda to drive the ANC vote below 50 percent, in towns, cities, provinces and ultimately nationally.²

While PAIS may irritate them because we shine a spotlight on these reactionaries, their real target is the liberation movement. They wish to stymie the realization of the National Democratic Revolution, the as-yet unrealized goal of the struggle.

We have been stunned by the extent of the capture of much South African media by the U.S. state and how most of it is hiding in plain sight. The first article to come out of our ongoing research project, “Manufacturing consent: How the United States has penetrated South African media”³ noted a few key points, including the following:

1. The National Endowment for Democracy (NED) was created in 1983 during the Reagan era to conduct operations and functions previously carried out by the CIA.⁴ It supported the mujahideen in Afghanistan and the Contras in Nicaragua and has been involved in many U.S.-backed coups.⁵ It now has vast tentacles across Africa.⁶
2. The NED funds the Mail & Guardian’s (M&G) weekly publication The Continent⁷ via its own non-profit arm, Adamela Trust, and international organisations like the International Fund for Public Interest Media (IFPIM),⁸ and the Media Institute of Southern Africa (MISA),⁹ all of which are linked to key people and organisations in the South Africa media. The editor-in-chief of the Continent is Simon Allison, former Africa editor of M&G, Africa correspondent of Daily Maverick, and a former consultant with Open Society Foundation (OSF)-funded Institute for Security Studies.^{10 11} It is noteworthy that the NED has continued its program through Republican and Democratic administrations, from Reagan through to Biden, and was headed by Carl Gershman from its inception until 2021. Its agenda has not changed.
   3. The OSF and Luminate, another major foundation, are official U.S. government partners that often work closely with the NED and other parts of the U.S. state, strategically taking on and funding projects that the U.S. state cannot or does not wish to directly undertake.¹² Among the many examples of direct collaboration is that the NED and the OSF jointly founded Global Forum for Media Development (GFMD).¹³ The Center for International Media Assistance (CIMA) is an official initiative of NED that coordinates this work and lists OSF as a partner.¹⁴ Luminate, together with the MIDF, has facilitated “dedicated coaching and newsroom expertise in topics such as marketing, newsletters, community building, and audience development” for M&G.¹⁵
   4. Key senior people in publications like the M&G and amaBhungane, including three former editors-in-chief of the M&G have gone on to work for U.S. and Western government-supported organizations, including three separate projects funded by the NED.^{16 17 18}
   5. At least fifteen people who passed through the fellowship program run by
   amaBhungane have been directly tied to U.S. government organizations and programs including the Voice of America.¹⁹ amaBhungane has also led the formation of a regional investigative journalism network, IJ Hub.²⁰
   6. The M&G, the Daily Maverick and amaBhungane, as well as smaller projects like the M&G-linked Daily Vox and the local U.S. embassy-linked Africa Check,²¹ are part of a list of at least 24 publications that have been funded by one or more of the major funders that regularly partner with the U.S. government.²²

As we continue with our research we are finding more NED links. For instance the NED has funded the Institute for Race Relations (IRR),²³ which publishes the Daily Friend,²⁴ a publication that is ostensibly liberal, but veers towards the reactionary right wing weltanschauung. Sam Sole, the editor of amaBhungane, is a member of the International Consortium of Investigative Journalists (ICIJ),²⁵ which is funded by the NED.²⁶ We are also finding more and more links between organizations, like the OSF and Luminate, and the U.S. state. It is also likely that some journalists are funded directly by organizations, so that the claim to independence of organizations can be upheld.

The Oppenheimer family, whose wealth was wrung from the super-exploitation of Black labor in the mines, have long had considerable influence over political life in South Africa, including during the negotiations where the right of capital to continue to exploit was affirmed.²⁷ But it is clear that, like OSF and Luminate, the Oppenheimers are also key partners of the U.S. state. The Oppenheimers fund amaBhungane²⁸ and are given the red carpet treatment by the Daily Maverick to platform for their surrogates such as Greg Mills to propagate their pro-Western worldview.²⁹ Founded by Branko Brkic, the Daily Maverick does list some funders, but asks you to take a leap of faith that a group of ten trusts, companies, and individuals that own anything between 0.1 percent and 15 percent of its investment holding company, are not compromised or party to any external leverage, as a cohort or as individual opaque entities. It also raises questions that the Daily Maverick and its biggest shareholder, Inkululeko Media, are indexed by Google as sharing the same office address in St. George’s Mall, Cape Town.^{30 31} Their opaqueness flies in the face of the Daily Maverick’s claims of transparency, which are merely a marketing strategy. Since their reader covenant was drafted in 2009, the Daily Maverick has become an important and influential player in the polity. It has evolved beyond being a blog with an angle that punched above its lightweight class and has accrued a tremendous amount of institutional authority in shaping discourse and curating narratives. With this power comes the responsibility to precisely disclose its funding. In short, it’s time for Daily Maverick to grow up, just like its peers in the mediascape.

The Oppenheimers also fund the Institute for Race Relations (IRR),³² the South African Institute for International Affairs,³³ and their own foundation, the Brenthurst Foundation³⁴. In each case, the links to the U.S. state are clear. Chester Crocker, who was Ronald Reagan’s point man in southern Africa at the height of the Cold War³⁵ is an “honorary life member” and board member of the IRR.³⁶ The Brenthurst Foundation has clear and open links of various kinds to NATO. The director of the Brenthurst Foundation, Greg Mills,³⁷ served as a special advisor to the NATO Commander David Richards, who commanded the Western coalition forces as they stomped their way across Afghanistan.³⁸ Greg Mills³⁹ is one of four foreign policy right-wing hawks who are “allowed” to write on geopolitical affairs by the Daily Maverick. The other three are former U.S. diplomat Brooks Spector,⁴⁰ former editor of M&G and president of consultancy group Calabar Consulting, Phillip van Niekerk,⁴¹ and lifetime foreign affairs hawk and stenographer of Western imperial interests, Peter Fabricius. Fabricius and Spector are also linked to the South African Institute of International Affairs as “experts”.⁴² The SAIIA is funded by USAID and the U.S. Department of State.⁴³ But the systemic capture of much of our mediascape by the U.S. state and its partners extends beyond questions of funding, training programs, revolving doors, boards and collaborations of various kinds. There is also the question of editorial lines. In a number of publications, there is a systemic bias towards pro-U.S. positions, and very, very little critique of U.S. imperialism. There are a number of people writing as independent analysts, who are in fact embedded in the U.S. state in various ways. We also see that while the media has often served the interests of the public in terms of uncovering corruption in government, it has often done comparatively little in terms of doing the same in terms of private sector corruption, abuse of workers and control of policy.

All this is just scratching the surface. We are finding much, much more evidence of widespread media capture with every hour of research. Already some key questions are emerging for future research and articles. They include the following:

1. Why is the Daily Maverick’s funding not fully and precisely disclosed—including, in particular, the details on all equity, loan, or subsidy transactions?
2. How are the amaBhungane fellowship and training programs funded? Are there project costs, fees and expenses received from programs funded directly or indirectly from U.S. government agencies? Why do such large numbers of the fellows go on to work for U.S. government funded projects?
3. Which publishers, editors and journalists have attended the regular events for editors held by the U.S. consulate in Cape Town? What are the details of other briefings held by U.S.-directly or -indirectly funded organizations that senior leaders of South African media attend?
4. Who are the former publishers, editors and journalists who now work for the U.S. state or for U.S.-state directly or -indirectly funded organizations?
5. What other media projects are funded by the NED, OSF, Luminate and the Oppenheimers?
6. What is the percentage of articles in our “independent” media on geopolitics that support the U.S. line on international affairs and the percentage of those that are critical?

Transparency is a basic democratic value. It is time we knew who the masters of our media really are. It cannot be acceptable that while the editors and reporters of these publications demand accountability and transparency of those in government, labor and, occasionally, in business, they arrogate to themselves the right to not meet the same standards.

Our research project is growing in scope and urgency by the day. We need help from all interested citizens of South Africa who wish to contribute to media reform in the interests of transparency and the important work of defending and deepening our democracy. As a start, we welcome suggestions for further questions for us to explore and, in due course, to present to the South African National Editors’ Forum (SANEF). Please do contact us at [email protected] and share the questions that you think should be raised.

Phillip Dexter and Roscoe Palm are co-founders of the Pan-African Institute for Socialism, which can be found on Twitter at @PaisSocialism.

 

Footnotes

¹ The Inkatha Freedom Party (IFP) started as a cultural movement in present day KwaZulu-Natal, but quickly morphed into a political movement to oppose the ANC’s liberation struggle. See “Inkatha Freedom Party (IFP),” South African History Online.
² For example, in a recent opinion piece in Financial Times, Gideon Rachman wrote, “The best thing [the ANC] could do for the country’s future would be to lose the next election and leave power.” Gideon Rachman, “South Africa’s fear of state failure,” Financial Times, Aug. 15, 2022
³ See Ajit Singh and Roscoe Palm, “Manufacturing consent: How the United States has penetrated South African media,” MR Online, Aug. 8, 2022.
⁴ See David Ignatius, “Innocence Abroad: The New World of Spyless Coups,” The Washington Post, Sept. 22, 1991 (“‘A lot of what we do today was done covertly 25 years ago by the CIA,’” agrees [Allen] Weinstein.” Weinstein was a co-founder of the NED.)
⁵ See David K. Shipler, “Missionaries for Democracy: U.S. Aid for Global Pluralism,” The New York Times, June 1, 1986.
⁶ For example, in FY2021 alone, the NED’s Africa program granted $41.5 million dollars across 34 countries and hundreds of projects. See National Endowment for Democracy, 2021 Annual Report.
⁷ See National Endowment for Democracy, “Regional: Africa 2021,” Feb. 11, 2022.
⁸ See International Fund for Public Interest Media, “About”.
⁹ See National Endowment for Democracy, Awarded Grants Search, (search: “Media Institute of Southern Africa”). Additionally, MISA has received funding from and is a “key partner” of the U.S. Agency for International Development. See United States. Congress. House. Committee on Appropriations. Subcommittee on Foreign Operations, Export Financing, and Related Programs, Foreign Operations, Export Financing, and Related Programs Appropriations for 2002: Hearings Before a Subcommittee of the Committee on Appropriations, House of Representatives, One Hundred Seventh Congress, First Session, U.S. Government Printing Office, 2001, p. 870.
10 See Simon Allison LinkedIn.
11 See Institute for Security Studies, “How we work”.
12 “Private sector funding of independent media abroad … has several advantages over public financing. Private funders can be more flexible … and their programs can operate in countries where U.S. government-funded programs are unwelcome. “In many places around the world, the people we train are more open to participating in programs funded by private sources than those funded by the U.S. government,” says Patrick Butler, ICFJ [International Center for Journalists] vice president.” National Endowment for Democracy, Center for International Media Assistance, Empowering Independent Media Inaugural Report: 2008, Ed. Marguerite Sullivan, (cited in Manufacturing consent article).
¹³ According to the Global Forum for Media Development, OSF and NED are its “core funders.” See Global Forum for Media Development, “Partnerships”.
¹⁴ See Center for International Media Assistance, “Partners”.
¹⁵ See Luminate Group, “Sixteen media selected for Membership in News Fund,” Feb. 4, 2021.
¹⁶ Roper became editor-in-chief of M&G in 2009 and left in 2015 to become the Deputy CEO of Code for Africa (CfA). CfA is a member of Code for All, which is funded by the NED. Additionally, Roper was a Knight Fellow at the International Center for Journalists, which is also funded by the NED. See, Chis Roper LinkedIn profile; Code for All, “Our Supporters”; International Center for Journalists, Impact Report, 2022, p. 17.
¹⁷ Former editor-in-chief Khadija Patel (2016-2020) left the M&G to chair the NED-sponsored International Press Institute. In 2021, Patel became head of programs at the NED-funded International Fund for Public Interest Media (IFPIM). See fn. 2 (above) (NED funding of IFPIM); International Press Institute, “Supporters and Partners”; International Press Institute, “Executive Board”; International Fund for Public Interest Media, “About”.
¹⁸ Former editor-in-chief Phillip van Niekerk (1997-2000) left the M&G to take up a senior position at the International Consortium of Investigative Journalists (ICIJ) in Washington D.C. ICIJ is funded by the NED. See “New editor of M&G,” Mail & Guardian, Mar. 20, 1997; “Over to you, Dr Barrell,” Mail & Guardian, Dec. 15, 2000; International Consortium of Investigative Journalists, “Our Supporters”.
¹⁹ See “Manufacturing consent: How the United States has penetrated South African media.” Full citation at fn. 3.
²⁰ AmaBhungane “is incubating the Hub… As incubator, amaBhungane has continued to support the Hub administratively.” IJ Hub, Annual Narrative Report 2021/21.
21 See Africa Check, “Partners” (“The U.S. Embassy in South Africa is proud to team up with Africa Check to tackle misinformation and disinformation in the media.”).
²² In addition to their own media-related grants, OSF and Luminate jointly founded the South African Media Innovation Program, a multi-million dollar media investment initiative managed by the Media Development Investment Fund, which is also funded by OSF and Luminate. See South Africa Media Innovation Program; Luminate Group, “South Africa Media Innovation Program (SAMIP) launched by Open Society Foundation of South Africa (OSF-SA), Omidyar Network, and Media Development Investment Fund,” Aug. 29, 2017.
²³ See i.e. South African Institute of Race Relations, 86th Annual Report, 2015, p. 7. Additionally, the IRR has partnered with the International Republican Institute, which is one of NED’s four core institutes. See International Republican Institute, “Democratic Governance in Africa”; National Endowment for Democracy, “How We Work”. The IRR is also a member institute of the NED’s Network of Democracy Research Institutes. (See National Endowment for Democracy, “NDRI Member Institutes” (https://www.ned.org/ideas/network-of-democracy-research-institutes-ndri/ndri-member-institutes/#Top).
²⁴ “The Daily Friend is the online newspaper of the Institute of Race Relations.” Daily Friend, “About” (https://dailyfriend.co.za/about/).
²⁵ See International Consortium of Investigative Journalists, “Sam Sole”.
²⁶ See International Consortium of Investigative Journalists, “Our Supporters”.
²⁷ See Sampie Terreblanche, “The New South Africa’s original ‘State Capture’”, Africa Is a Country, Jan. 28, 2018.
²⁸ See amaBhungane, “About Us”.
²⁹ See https://www.dailymaverick.co.za/author/ray-hartley-and-greg-mills
³⁰ See https://www.sayellow.com/view/south-africa/daily-maverick-in-cape-town
³¹ See footer on Inkululeko website for address.
³² See Oppenheimer Memorial Trust, “All Beneficiaries – S”
³³ See Oppenheimer Memorial Trust, “All Beneficiaries – S”
³⁴ See The Brenthurst Foundation, “Our Story”.
³⁵ Interestingly, a 1983 New York Times profile of the Oppenheimer empire opens with the following: “In an oracular vein, an academic named Chester A. Crocker once said of South Africa: That country is by its nature a part of the West. It is an integral and important element of the Western global, economic system. Mr. Crocker, who has since become the State Department’s top Africa hand and author of the Reagan Administration’s policy of “constructive engagement” with South Africa’s white minority Government, was openly embracing a premise found in both South African propaganda and the arguments of Marxist analysts: that the West’s formal condemnations of apartheid mask an enormous stake in the outcome of the shadowy struggle between the races there.” See Joseph Lelyveld, “Oppenheimer of South Africa,” The New York Times, May 8, 1983.
³⁶ See South African Institute of Race Relations, 92nd Annual Report, 2021, p. 6.
³⁷ See The Brenthurst Foundation, “Greg Mills”.
³⁸ See Greg Mills, From Africa to Afghanistan: With Richards and NATO to Kabul, Wits University Press, 2007.
⁴⁰ See J. Brooks Spector author page at Daily Maverick.
⁴¹ See Phillip van Niekerk author page at Daily Maverick.
⁴² See South African Institute of International Affairs “Expert” pages for Peter Fabricius and Brooks Spector.
⁴³ See South African Institute of International Affairs, “Funders”.