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Toward Freedom has 69 years of experience publishing independent reports and analyses that document the struggles for liberation of the majority of the world’s people. Now, with a new editor, Julie Varughese, at its helm, what does the future look like for Toward Freedom and for independent media? Join Toward Freedom’s board of directors to formally welcome Julie as the new editor. She will be reporting back on her time covering Nicaragua’s critical presidential election. New contributors Danny Shaw and Jacqueline Luqman also will speak on their work for Toward Freedom as it relates to the value of independent media. Danny will touch on the rising Pink Tide in Latin America while Jacqueline will discuss an increase in films that have documented the Black struggle in the United States.
Toward Freedom tiene 69 años de experiencia en la publicación de informes y análisis independientes que documentan las luchas por la liberación de la mayoría de la población mundial. Ahora, con una nueva editora, Julie Varughese, a la cabeza, ¿cómo se ve el futuro para Toward Freedom y para los medios independientes? Únase a la junta directiva de Toward Freedom para darle la bienvenida formal a Julie como nueva editora. Ella informará sobre su tiempo cubriendo las elecciones presidenciales críticas de Nicaragua para Toward Freedom. Los nuevos colaboradores Danny Shaw y Jacqueline Luqman también hablarán sobre su trabajo para Toward Freedom en lo que se refiere al valor de los medios independientes. Danny tocará sobre la creciente Marea Rosa en América Latina, mientras que Jacqueline hablará sobre un aumento en las películas que han documentado la lucha negra en los EEUU.
The assassination of Haitian President Jovenel Moïse didn’t seem to make a difference for the average Haitian.
“We woke up hungry Tuesday,” said Jean Paul, 26, a resident of the sprawling ghetto of Laforcette in Haiti’s second capital, Cap-Haïtien. “Wednesday, we woke up with the same hunger.”
This is how one person, speaking for many, experienced the July 7 assassination of Moïse, a U.S.-backed, neoliberal stooge.
Moïse did not have popular support. In an interview with TeleSUR, political analyst Patrick Mettelus described the widespread feeling across Haiti that foreigners had no right to intervene. “The social movements sought for months and years to remove Moïse from office but never to harm him.” His removal was popularly deemed the historic task of the Haitian people.
Furthermore, many Haitians find it peculiar that the governments most under scrutiny for the assassination have been tasked to lead the investigation. For a media outlet like CNN, it is an afterthought that “members of the U.S. delegation met with rival contenders for the country’s leadership on Sunday.” The U.S. government continuing to appoint itself as the custodian of Haiti’s immediate and long-term future has nothing to do with altruism and everything to do with U.S. economic and geopolitical interests.
David Oxygène, spokesperson of MOLEGHAF (Mouvement de Liberté, Égalité des Haïtiens pour la Fraternité or the Haitian Movement of Liberty, Equality and Fraternity) commented on the contradiction.
“The apprentice is gone, but the master, the boss and teacher are still there,” Oxygène said. “Their illegitimate proxy isn’t there, but the master, U.S. imperialism, is.”
Mtg of Haitian peasant leaders. The masses continue to stand up, march forward & mobilize to overthrow this regime. Jovenel is not there but the PHTK regime still is. “We will never agree with foreign domination, with elections under foreign control & PHTK crimes” #Haiti 🇭🇹 pic.twitter.com/7yGRHRjYcf
Absent from any mainstream analysis focused on palace intrigue and throwing us off the scent of 26 Colombian paramilitaries and DEA agents involved in the murder is what the Haitian people are saying and living.
The power scramble now gives the regime of the Parti Haitien Tèt Kale (The Baldheaded Party or PHTK) carte blanche to persecute any of their political enemies. Demonstrations against PHTK’s state and paramilitary violence were planned for July 7 and 8, which was designed to culminate in a protest against the PHTK on July 11, where diverse social actors would have taken back the momentum and the streets. All of these actions were cancelled and postponed once Moïse was assassinated because of fears of state repression.
Organizer Pierre Chanel: devaluing a ppl’s currency damages our economy & self-esteem. An incompetent state isn’t just responsible for ongoing massacres & political assassinations but for hunger & inflation. The #Haitian goud is now 104 for 1 US dollar. #Haiti 🇭🇹 pic.twitter.com/fLRBWVEfGK
Mainstream headlines predictably obfuscate, engaging in racist tropes and sensationalism. As the sentiment Jean Paul expressed, in the last week, nothing objectively changed in the lives of the millions of workers, peasants, and the under- and unemployed across Haiti. The Haitian currency is highly devalued. One U.S. dollar converts into 94.69 gourdes. Gasoline scarcity causes serpentine queues and a black market price of $10 dollars per gallon. Millions of Haitians wake up hungry every day. Foreign-owned sweatshops and giant plantations, like the Savanne Diane, continue to produce for export, paying Haitian workers an average wage of $4 a day.
Youth from the forgotten #Haiti explains how he survived the everyday violence of a turf war between Bannan and Chada. 8 bullets later he is still here 🇭🇹 pic.twitter.com/v8P780xzKs
Gangs and paramilitary units have been involved in a pitched turf war, killing hundreds of Haitians while displacing thousands. While Jimmy “Barbecue” Cherezier, a strongman from Port-au-Prince ghettos Delma 6 and Lasaline, has shifted his rhetoric as of late, innocent families continue to be trapped in neighborhood feuds. For a deeper examination of the role of Barbecue and the heavily armed G-9, or the Confederation of Nine Gangs, Democracy Now hosted a debate on July 8. Mintpress News pressed about the potential of the 3-million-strong lumpen proletariat (those members of the working class who are unable to sell their labor for wages) to organize themselves against their class enemy.
No Further U.S./UN/OAS Intervention in Haiti
The slogan, “no foreign intervention in Haiti,” is misleading. Haiti is a neocolony. Foreign intervention is everywhere in Haitian society. Now, U.S. imperialism and their junior partners are attempting to use this power vacuum to launch yet another invasion of Haiti.
Mainstream outlets have shown images of Haitians asking for help outside the U.S. embassy in Port-au-Prince. How did a proud, dignified people—an example of self-determination for the world—get reduced to dreaming of a visa to escape their country’s woes? Only a thorough examination of the neocolonial model and all of its far-reaching tentacles of economic, political, diplomatic, military, educational and psychological domination can begin to address this question.
Walter Rodney’s analysis in the “Politics of the African Ruling Class,” (Black World View, 1976) offers an introduction to Haiti’s subservient position today:
“They [the dependent countries] were brought into the world economy as fractions during the colonial period. They have not yet transcended this state of affairs. And, therefore it follows that they have not yet attained the stage where we can talk about national economies.”
The Western media is expert in ignoring this history of foreign repression and resistance. Instead, it presents Haiti as an isolated basketcase.
A NACLA article by Haitian scholar and activist Mamyrah Dougé-Prosper and professor and organizer Mark Schuller offers insights into how to support a people’s agenda. The Commission de Recherche pour une Solution Haïtienne à la Crise is a coalition warning of another U.S. intervention and fighting for a “sali piblik,” or a Haitian solution.
In the protracted national liberation struggle, the Haitian people must have the last word. As David Oxygène said, “We are standing up, marching forward and mobilizing to overthrow this regime. Jovenel is not there, but the PHTK regime is still there. MOLEGHAF will never agree with foreign domination, with elections under foreign control, PHTK crimes with or without Jovenel. Imperialism ate him up and threw him away. No longer needing him, they discarded him. MOLEGHAF continues the battle against the imperialists and neocolonialism. The struggle continues! Stronger! Long live the Haitian revolution!”
Danny Shaw is a professor of Caribbean and Latin American Studies at the City University of New York. He frequently travels to Haiti to stay with the mass anti-imperialist movement. A Senior Research Fellow at the Center on Hemispheric Affairs, Danny is fluent in Haitian Kreyol, Spanish, Portuguese and Cape Verdean Kriolu. He has reported for Toward Freedom on Haiti and he recently wrote a book review.
Ashley O’Shay’s documentary “Unapologetic” is an examination of the lives of Black women and queer activists in Chicago as they navigate the response in the streets to the police killings of Rekia Boyd in 2012 and Laquan McDonald in 2014. While the documentary provides a chilling revelation of just how long the process for “justice” for these two police killings took, it also, and perhaps more importantly, focuses on the struggles on multiple levels that the people who took to the streets and organized behind the scenes to demand that justice endured during that time. Two of those people are Janea Bonsu, an organizer with Black Youth Project 100 (BYP100), and Ambrell “Bella” Gambrell, a scholar and raptivist (a rapper who is involved in political or social activism).
After an introductory soliloquy in which viewers are let in on the meaning behind the film’s title, footage appears from a direct action in what looks to be a ritzy eatery in one of Chicago’s whiter areas. Agitators—and I use that term quite intentionally and with the utmost respect—interrupt the relaxed regular dining of the mostly white patrons with a coordinated call and response, indicting the dismissal of the suffering of poor Black families struggling to put food on their tables, who were probably not far from where the visibly uncomfortable white folks were sitting. They all sat there and chit-chatted over meals that were probably overpriced.
Though some of the patrons tried to appear patient and listen attentively, many more tried even harder to ignore the agitators and get on with their meal despite them, which is the perfect representation of the way much of white U.S. society responds to Black suffering and death in general. But the comments of the testy restaurant employee, dressed in what appears to be an elf costume—which makes his testiness all the more comical and infuriating—really bring home the point that the documentary endeavors to make, but also the point that the agitators were making.
The documentary proceeds to follow Janae as she completes her doctoral dissertation while organizing with BYP100, and Ambrelle as she uses her talent as a rapper and her exposure to the criminal justice system through family incarceration as the foundation of her activism. One should not mistake the difference in these two women being one of class—both are residents of the Southside of Chicago, and both have attended and graduated college. The difference appears to be the paths each takes with that foundation that the documentary shows contributes to their organizing efforts in different ways. One pursuing a Ph.D. based on pursuing alternatives to the disastrous impact on Black women that social services and interactions with the police have. The other eschews pursuit of further education in the system that she excoriates in one of her poems recited at an early protest.
And this is one contradiction that the documentary raises, or should raise, among its audience regarding academia and organizing—how useful is academia in organizing? Because while Janae is clearly passionate about working to find solutions to the very real problems of the negative impacts of the social services system on Black women, can solutions be found inside the very systems that perpetuate those problems? There are already plenty of educated folks in the social work field and even in policing, many of them Black. When we see in the documentary how Janae’s doctoral chair counsels her that she doesn’t have to talk about everything in her dissertation, isn’t this a reflection of how the established institutions respond to Black people when we raise the alarms about that system and its impact on us? A question to ponder, but not with the aim of besmirching Janae’s pursuit of her Ph.D., because the contradiction isn’t one regarding personal choice, but it is about systemic realities and being realistic about them.
Conversely, rather than go the academic route, Ambrelle took to the streets in the pursuit of organizing her own space, especially on behalf of Black women—and particularly queer women—who have experienced victimization by the carceral state. Clearly a skilled wordsmith and masterful with rap technique, she also draws upon her own experiences with multiple generations of family exposure to incarceration, using the experience of her mother’s incarceration and then her brother—still incarcerated at the time of the making of the documentary—to help other Black women deal with the trauma of that systemic victimization.
Both women actually have experience with the carceral system impacting their families, and both connect the repression of the state as part of the “War on Drugs” to the ongoing war on Black and poor people, and how this repression destroyed the stability of even economically struggling Black communities like in the Southside of Chicago.
That both women highlight the need to elevate the voices of young, Black and queer women in the new efforts at organizing is a central theme in the documentary. The role women play in organizing—that has been too often overlooked throughout the historical reflection of the long fight for liberation for Black people—is an important and well-highlighted discussion that both women and others throughout the documentary raise. In organizing meetings and in the streets, the documentary points out several instances throughout when Black men literally take the mic from Black women while they were speaking or talk over them, thereby dominating the discussion. It seems the film focuses on the organizing that occurred after Rekia Boyd’s killing precisely because few outside of Chicago probably understood how much focus the people in the streets DID pay to her killing, despite people outside of Chicago saying that the movement writ large doesn’t pay much attention to Black women killed by police.
However, there are contradictions even in these discussions in the film, as Ambrelle particularly describes Black men as being only interested in their position to power and as oppressors of Black women. But even with this troubling discourse about Black men, other voices in the documentary point out other possibilities, chief among them that Black men who exhibit misogynistic behavior toward Black women are largely unconscious of how some of their behavior negatively impacts Black women because they, too, are oppressed and do not realize the depth of their oppression. Just as in the questions surrounding the utility of academia in the movement, raising this contradiction is not a dig on Ambrelle, but an occasion to examine how we all talk about Black men in the spaces we all occupy in the movement.
Those contradictions that we all must wrestle with aside, the documentary delves into the hectic, exhausting, emotionally taxing life of Black organizers, activists and agitators—whatever you want to call them. The work that is done to confront city councils that refuse to listen to the demands of the people most impacted by police violence that is literally funded by their tax dollars, the difficulty balancing organizing and personal lives, the importance of strong family ties and support, and the difficulties even pursuing romantic interests are all issues among several others that remind the viewer that organizing is not a hobby. Nor is it a lifestyle. It is—for many of us—our life, our whole life. And it is such because our lives depend on it. But as the two women show in the various ways that they stay connected and grounded when they are not organizing or agitating, the necessity of having those connections and making that time for them outside of organizing and agitating is critical to their survival, too.
The documentary also presents a detailed timeline of the response of the Chicago Police Oversight Board and the mayor’s office to the police killings of Boyd and McDonald. In that timeline, we see the way now-Mayor Lori Lightfoot conducted herself in the presence of these agitators as they demanded the cop who killed Rekia be fired, but also the cold detachment as Rekia’s brother testified before the Chicago Police Board that Lightfoot presided over as president.
Watching it, you wonder how in the hell did she get away with presenting herself as a progressive after the despicable way in which she responded to these incidents and the people in that community demanding action be taken against the cops who committed them. Lightfoot’s recorded comments from that time period, and those of Rahm Emanuel, are repulsive and one wonders how the hell Lightfoot was elected mayor after the revelations of her boss Rahm Emanuel’s attempts to cover up evidence of the McDonald killing and the corruption of the Chicago District Attorney’s Office that was connected to Emanuel’s shady dealings. The politics of identity divorced from class analysis and good ol’ Democratic lesser-evilism are at play here, but it is not pointed out in the documentary. That is unfortunate, because these issues are critical drivers behind continued political malaise and stagnation among the very community the agitators are agitating on behalf of.
“Unapologetic” is a much-needed exposé into the actual lives of actual activists. It reveals that the “people in the streets” are ordinary folks struggling with ordinary life, but they also have the extraordinary desire to challenge and change this system because, as Black women and Black queer people, they also struggle with the extraordinary burdens heaped upon them by this society. That seems to be the primary focus of the documentary, though it also looks at how those ordinary people are pushed to be unapologetic about their activism and agitation—and that is a good thing. However, it leaves out the deeper discussions we need to have about the gender relations between Black men and Black women, classism, and identity reductionism that exist within this important work, all of which we cannot afford to ignore if we ever want to be healthy enough—mentally, emotionally, and as a community—to endure this continued struggle.
Jacqueline Luqman is a radical activist based in Washington, D.C.; as well as co-founder of Luqman Nation, an independent Black media outlet that can be found on YouTube (here and here) and on Facebook; and co-host of Radio Sputnik’s “By Any Means Necessary.”
This week, Toward Freedom’s Board of Directors bids farewell to guest editor Charlotte Dennett, welcomes Toward Freedom’s new editor, Julie Varughese, and extends a heartfelt thanks to Sam Mayfield who stepped down as President of Toward Freedom’s Board of Directors in December, 2020.
Charlotte Dennett stepped in as Toward Freedom’s guest editor last October. Her decades-long experience as a scholar, author and activist allowed Charlotte to seamlessly step into the position serving Toward Freedom’s mission, “to publish international reporting and incisive analysis that exposes government and corporate abuses of power, while supporting movements for universal peace, justice, freedom, the environment, and human rights.”
Charlotte contributed not only her editorial and writing skills, but also her great depth of geopolitical knowledge, as well as her enthusiasm for working with other writers. She went above and beyond the call of duty to mentor new writers, guiding them through the editing process, which resulted in the publication of many articles about places and issues not covered by any other English-language media. You can read Charlotte’s reflections about her time as guest editor here. Thank you, Charlotte!
Earlier this month, Julie Varughese came on board as Toward Freedom’s new editor. Julie comes to us having worked as a newspaper reporter, video producer and communications professional in a variety of settings. She has been working with the Black Alliance for Peace since its inception, supporting their impressive growth over the past four years. Julie’s strong writing, editing, video, graphics and social media skills will be a boon to Toward Freedom as we expand and grow to serve a more diverse audience and cover different parts of the world. This past week, Julie edited and published stories on Colombia, Haiti, Afghanistan, Palestine, and drones in Iraq, Afghanistan and Yemen. Please drop her a line at [email protected] with any comments or suggestions. Welcome, Julie!
Sam Mayfield led the organization during a period of transition in our operations, finances, and governance, with a clear vision and commitment to high-quality reporting and analysis of global events and grassroots movements from an anti-imperialist perspective. Her principled leadership, strong work ethic, and experience as a reporter and filmmaker were invaluable as we navigated multiple challenges over the past several years. Thank you, Sam!
Check out towardfreedom.org for all the latest, and expect to see increased presence of Toward Freedom stories on Facebook, Twitter and Instagram in the coming weeks.
Thanks to you Toward Freedom readers for your continued support!
On behalf of the Toward Freedom Board of Directors,