Cover of Slave Revolt on Screen by Alyssa Goldstein Sepinwall / credit: University of Mississippi Press
Slave Revolt on Screen: The Haitian Revolution in Film and Video Games by Alyssa Goldstein Sepinwall (Jackson: University Press of Mississippi, 2021)
Chris Rock’s 2014 film “Top Five” is a scathing critique of Hollywood and its sometimes open, sometimes underhanded censorship of critical movies. Rock’s character, “Andre Allen,” emerges as a movie star because of his role as the ridiculous, crime fighting “Hammy the Bear.” Resentful of being known for only this goofy role, Allen produces a film called “Uprize,” playing the role of the Haitian rebel vodou priest, Dutty Boukman. However, “Top Five” grossed $25 million, while the animated film, “Madagascar,” in which Chris Rock played “Marty the Zebra,” netted $200 million. This shows the powers that be have no interest in amplifying the message of arguably the single most important event of the 19th century: The enslaved can rebel and they can win!
“Top Five” was used as an example in the recently published book, Slave Revolt on Screen: The Haitian Revolution in Film and Video Games. In it, historian Alyssa Goldstein Sepinwall explores how the 1804 Haitian Revolution has been misrepresented and censored on screen.
Poster for 2013 film, “Tula: The Revolt”
For example, funding was blocked for an epic film, “Tula: The Revolt,” which highlighted the mass revolt and its forward-thinking leadership, namely Toussaint L’ouverture, Jean Jacques Dessalines, Henry Christophe, Sanite Bélair and Capois La Mort. Starring actor Danny Glover, the film sought to answer the question: “Why has this monumental achievement been so erased from our history and from our consciousness?” Sepinwall writes the film aimed to suggest “enslaved people were capable of formulating their own resistance plans” (p. 53). However, Glover was unsuccessful in raising funds to produce the film at the level other Hollywood films have been produced.
It is here that Karl Marx’s 1848 quote-turned-maxim is more relevant than any other: “The ideas of the ruling class are in every epoch the ruling ideas, i.e. the class which is the ruling material force of society is at the same time its ruling intellectual force.”
Beyond a Great White Hope
Sepinwall contrasts the different historiographies that guided both mainstream, underground, and unfinished and unfunded films.
Poster for 1948 film, “Lydia Bailey”
McCarthyism acted to dilute producers’ ability to convey a new image of Haiti and Black leadership in the 1948 film, “Lydia Bailey.” After years of censorship as well as calling key actors and producers, such as Michael Blankfort and William Marshall, to testify before the House Un-American Activities Committee, the film became a shadow of its former self when it finally hit the screen.
Poster for 1933 film, “Emperor Jones”
Paul Robeson’s role in “Emperor Jones” (1933) is severely curtailed by racism, causing one African-American critic to call Eugene O’Neill’s play “a travesty of the Negro race” (p. 29).
A major thread in this book is Hollywood’s insistence on having a “great white hope” character who paternalistically shows the enslaved how to fight. The professor cites “Burn” (1969) and the French miniseries, “Toussaint L’ouverture” (2012), as but two examples.
The elite of Hollywood always sent a clear message: They would never endorse a film depicting revolutionary violence against the white slave-owning class, lest this generation of Toussaints, Jean Jacques and Cecile Fatimans are inspired to emulate this historical example of reclaiming their own self-determination.
Poster for 2012 film, “Toussaint L’ouverture”
Chapter 7, “Haitian Reflections of the Revolution’s Legacy,” is perhaps the most politically problematic and imbalanced chapter in the book. The four films Sepinwall reviews are “Dimanche 4 Janvier (Sunday January 4th),” “Moloch Tropical,” “GNB v. Attila” and “Haiti, la fin des chimeres (Haiti, the End of the Thugs).” They all share an anti-Aristide bent. This is curious considering Roger Noriega, the Clintons, the Bushes, the U.S. State Department and U.S. intelligence services always shared this same worldview against Haitian President Jean Bertrand Aristide, twice orchestrating coups against his government and kidnapping him (See “Aristide: The Endless Revolution,” 2005).
The Role of Video Games
The California State professor’s final chapters make the case that what has been banned on the big screen has reached millions through a most unlikely medium: Video games. Sepinwell reviews “Playing History 2—Slave Trade” (2013) and “Freedom!” (1992) as examples of video games that are “callous approaches to the subject” of slavery and revolution (p. 186). She reviews “Assassin’s Creed: Freedom Cry” (2013) and the work of Muriel Tramis and Patrick Chamoiseau as “counterhegemonic commemorations of slavery” (p. 207).
Screenshot from video game “Assassin’s Creed” / credit: GameSpot
Haiti is again trending, for all of the wrong, stereotypical and racist reasons. The mainstream media incessantly using terms like “crisis-ridden,” “helpless,” “pitiful” and “poorest country in the Western Hemisphere” are nauseating for those who understand the only break Haiti needs is from U.S. imperialism. At this critical time, Sepinwall’s scholarly study has a great deal to teach us about those who have used cinema to challenge age-old white supremacist views on Haiti.
Just as Chris Rock’s character, “Andre Allens,” seeks to emerge from under and from within white supremacy, so too does an entire history that culminated in 1804, a history that—more than ever—threatens to unlock answers for the future.
Danny Shaw is a professor of Caribbean and Latin American Studies at the City University of New York. He frequently travels to Haiti to stay with the mass anti-imperialist movement. A Senior Research Fellow at the Center on Hemispheric Affairs, Danny is fluent in Haitian Kreyol, Spanish, Portuguese and Cape Verdean Kriolu.
Editor’s Note: This lightly edited article was originally published by The Real News.
Unless you’re buck naked as you read this, chances are that you’re wearing at least one garment manufactured in the Haitian apparel factories of Port-au-Prince, Caracol and Ouanaminthe. Those Hanes or Fruit-of-the-Loom briefs in your dresser drawer; the classic Levi’s denim jacket hanging in your closet; or that cheapo, trendy, puff-sleeved H&M frock you hope to add to your spring wardrobe—all of them were likely made by men and women in Haiti earning the barest of minimum wages.
Since 2019—until the government announced a modest, unsatisfactory hike just two weeks ago to quell the workers’ fighting spirit—the Haitian minimum wage for garment workers making clothing for export has been 500 gourdes a day (or $4.82 USD). The math is even crueler than expected: In exchange for an eight-hour work day, around 57,000 Haitian garment workers have been earning almost three cents less per hour than the average incarcerated worker in the United States makes, which is only 63 cents per hour.
With their products sold at major outlets like Walmart, Target, Zara and The Gap, 62 U.S. brands have profited handsomely for years by paying miserly, unlivable wages to Haitian workers. But on February 9 and 10, too poor even for strike accoutrement like matching tee-shirts or printed placards, workers marched out of the factories en masse in the first of several strategic strikes. Pouring into the streets, they raised their voices in protest of the daily exploitation and destitution they endure. Their only protest swag consisted of common leafy twigs held high in affirmation of their right to a portion of this earth’s abundance in their lifetimes. Poetry in motion; they do not stand alone.
On behalf of its 50 million members worldwide, the secrétaire général of the IndustriALL global union in Geneva, Atle Høie, wrote to Haiti’s Acting Prime Minister and President, Ariel Henry, urging wage relief for workers whose earning power is being crushed by inflation. Since then, the tidal wave of support for the Haitian strikers has continued to swell. Workers United, the successor union in North America to the International Ladies and Garment Workers Union, issued a statement of solidarity. Secretary Treasurer Edgar Romero admonished U.S. companies for their silence as their workers were being assaulted by state police, and reminded them that their actions are not invisible:
The world is watching, and will call to task the companies that are profiting manyfold on the backs of our Haitian brothers and sisters. It’s time for corporations, especially our American companies who import garments manufactured in Haiti to step up, and pay workers what they deserve.
Your brand is at stake.
Exploitation of Workers Is Stitched In
According to Ose Pierre, a representative of the Solidarity Center, the largest U.S.-based international worker rights organization, who is working to support the labor movement in Haiti, a typical Haitian garment worker starts their workday at 6:30 a.m. Too early to cook and eat before they leave home, many workers buy breakfast from vendors, a meal referred to in Haiti as “lunch before work.” With food and drink, “lunch before work” costs about 100 gourdes, Pierre told The Real News. They also buy their “manje midi,” or noon meal (a plate of rice, beans and meat), for about 200 gourdes. Transportation, depending on where they live, could cost 100 gourdes. With four-fifths of their day’s earnings wiped out by necessities, the only way to get marginally ahead is to volunteer for “the wages of production.”
Though the phrase might sound innocuous, wages of production is a discretionary bonus system based on over-and-above production, wherein a line of 10 or so workers make side deals with their bosses. “An importer decides, ‘Well, you were going to make 5,000 of these, but if you do 7,000 you can have some extra money,’” Pierre explained. “The workers have to work extra hard and fast.”
Almost every economic hardship in modern Haiti can be traced back to the unprecedented reparations debt that Haiti, the victor over France in its revolutionary war, was saddled with in 1825 in exchange for recognition of its independence and sovereignty—the equivalent of $21 billion, which has been paid over 122 years, and was resolved only in 1947. As a consequence, Haiti’s development has been strangled and mauled at every turn, a structural power inequality that has led to a neocolonial dependency on foreign investment that has proven impossible for any Haitian government to overcome. All of former Prime Minister Jean-Bertrand Aristide’s efforts to significantly increase wages—in 1991, 1994 and 2004—were answered with coups, sanctions, smears or all of the above.
Similarly, many of the political hardships Haiti faces today, like the ongoing instability and insecurity in the aftermath of the July assassination of Haitian President Jovenel Moïse, can be traced back to the Core Group. Imposed upon Haiti by the United Nations in 2004 after the U.S.-backed coup that ousted Aristide, the Core Group is a multi-national supervisory body with the nebulous mission of “steering the electoral process.” Its creation was originally proposed as a six-month interim transition support measure, yet it endures to this day.
Proponents of the Montana Accord, a civil society proposal put forward by a coalition of 70 political organizations and social groups, want to plan for a transition of power to stabilize the country and move toward free and fair elections by 2023 without outside interference. By contrast, acting President and Prime Minister Ariel Henry, who is answerable to the Core Group, has been pushing for elections later in 2022, which will again presumably be “steered” in service of the interests of the oligarchic forces within Haiti and the forces of international capital at the expense of another generation of Haitian workers.
Garment Workers Forced to Strike, Face Tear Gas and Live Rounds
In tension with these systemic constraints, the Haitian constitution (Section 35: Freedom to Work) explicitly guarantees workers certain rights and duties: Among them the right to a fair wage, rest, vacation and bonus, and to unionize and strike. But legal ideals aside, for decades, garment workers have been denied anything approaching the standard of fairness.
In theory, the Superior Council of Wages (SCW) is responsible for analyzing socioeconomic factors and ensuring that the minimum wage reflects changes in the cost of living at scheduled reporting intervals. Additionally, any rise in inflation over 10 percent triggers a requirement for action under Article 137 of the Haitian Labor Code. But the SCW hasn’t fulfilled its charge; thus, on January 17, noting a current inflation rate of 22.8 percent, a coalition of nine trade unions representing or affiliated with garment workers in Haiti sent an open letter to Henry seeking a wage increase from 500 gourdes ($4.82) per day to 1,500 gourdes ($14.62). With that, the unions fired their opening salvo in what Mamyrah Prosper, international coordinator of the Pan-African Solidarity Network, called in her March 2 piece for Black Agenda Report, a “Different Fight for 15.”
In February, having been ignored by Henry, the unions joined the workers in the execution of a number of strategic, multi-day strikes to force the issue. Interested onlookers could follow events as they unfolded on the “Madame Boukman—Justice 4 Haiti” Twitter account, after she began posting about ValDor Apparel, a Florida-based company that shuttered its factory in Haiti on December 31, absconding with its workers’ wages. Madame Boukman told The Real News that, building on the positive international responses to her tweets, she’s seeing growing support for the workers’ movement in and outside of Haiti.
“It’s a movement that can transfer immense power from the small, but powerful, economic elite to the poor masses,” she observed. “Haiti’s minimum wage is the lowest in the region due to years of violent suppression by external and internal forces. With a near non-existent parliament, a de facto prime minister and no president, the masses are taking it into their own hands to set a path to a living wage.”
Their actions have started to move the needle. Talks between the government, foreign factory owners, and the unions have resulted in several incremental advances and concessions on wages and proposed supports, like transportation to work. But so far the negotiations have fallen short of the strikers’ primary demand: On February 21, the SCW acted to raise the minimum wage across sectors, and the highest wage, applicable to garment workers who are part of the import/export tranche, is now 770 gourdes, which amounts to roughly half of what garment workers are demanding.
Strikers returned to the streets again on February 23, but this time they were met with lethal state violence meant to terrorize them back to their sewing machines at any price. Pierre suspects this police violence has had the opposite effect and has stiffened strikers’ resolve, though videos of the police assault against peacefully demonstrating strikers are certainly shocking.
“The workers were protesting: They have their mobiles with music, and Haitian music is playing, and they’re dancing, and they have their flyers saying what they want—their demands,” he explained. “Then the Haitian National Police came. They used tear gas.”
Besides choking on the gas, some of the workers were burned by canisters that hit their bodies and feet. Amid the mayhem, another unknown police force reportedly came and shot into the crowd.
“Masked police without any identification badges came in white cars with generic plates… and they shot the peaceful workers, and three journalists,” Pierre said. Photojournalist Maxihen Lazarre was killed, and two other journalists were injured. Another worker was shot in the foot, three people were hospitalize and many others were injured, according to local reporting. The factories were then closed—ostensibly, the closures were for Carnival celebrations, but more likely they were intended to allow worker outrage, like the toxic gas fired by police, to dissipate.
“People ask me if I am safe in Haiti, and I say, ‘I am not safe, but I am quiet,’” Pierre said.
A History of Unaccountability Pervades the International Community’s “Investments” in Haiti
Sandra Wisner, senior staff attorney for the Institute for Justice and Democracy in Haiti, thinks it’s time the international community acknowledged its role in creating these conditions on the ground. “It needs to take a look at itself,” she told The Real News, “and focus on providing a long-term, rights-based approach to development in the country instead of prioritizing foreign interests.”
The Caracol Industrial Park, where the recent spate of garment worker actions started, is a good case study.
In 2010, after the devastating earthquake, it was decided by foreign actors—the United States and the Inter-America Development Bank—to locate a new garment center in the northeast district, distant from the epicenter. But in the process of building the garment center where they did, Wisner explained, Haitians were dispossessed of valuable fertile land, replacing subsistence farming with a textile industry that exploits cheap labor. A dozen years later, hundreds of farmers and their families are still waiting to get paid for the seizure of their land and the loss of their livelihoods.
“It was slated to provide 65,000 new jobs to the country,” Wisner said of the original plan for the garment center. “But as of two years ago, it had only provided around 14,000 jobs. When the international community comes into the country and decides what development is going to look like, no matter the repercussions for Haitians, there needs to be accountability for that.”
“Where is the accountability for that?” she asks.
Frances Madeson writes about liberation struggles and the arts that inspire them. She is the author of the comic political novel, Cooperative Village. Follow her on Twitter at @FrancesMadeson.
From Here to Equality by William A. Darity, Jr., and A. Kristen Mullen (University of North Carolina Press, 2020)
This year represents a pivotal moment in U.S. history and presents a unique opportunity to explore the primary cause behind its great wealth. In August 1619, about 20 enslaved Africans aboard an English ship called “White Lion” arrived from present-day Angola on the shores of what is now Hampton, Virginia. Over the next three centuries, multitudes of enslaved Africans would go on to endure some of the most oppressive, degrading and inhumane treatment in world history under the rule of U.S. law, while helping build the economic foundation that would allow the United States to become one of the wealthiest countries.
On July 4, 1776, the U.S. Declaration of Independence was signed into law, thus declaring the original 13 colonies free from British rule and paving the way for the formation of the United States of America. July 4, 2022, marked the 246th anniversary of this document. What cannot be overlooked is the amount of time that has passed between July 1776 and now: 246 years and three months. In the meantime, slavery in United States officially began in August 1619 and was legally abolished on December 18, 1865, due to the 13th Amendment. From August 1619 to December 18, 1865, is a timespan of 246 years and four months. That means that the institution of slavery in the United States is one month older than the country’s history as a state free from British rule.
The nearly equidistant relationship between the duration of slavery and the history of the United States as a “free nation” is relevant for several reasons. History is essentially the study of events that have taken place over a given time-period. Some people seek to minimize U.S. slavery’s economic and social impact by pushing it into the distant past. When Joe Biden was running for the U.S. presidency in 2020, his remarks from the 1970s about reparations resurfaced: “I’ll be damned if I feel responsible to pay for what happened 300 years ago.” At the time, the United States was barely 100 years removed from slavery. The issue with his declaration is it not only lacks a factual foundation. It also goes against the wartime order of “40 acres and a mule” that Union General William Tecumseh Sherman made in 1865 during the Civil War. Following his presidential victory in 1865, Andrew Johnson issued a proclamation that reversed Sherman’s attempt to redistribute land to former slaves. Nearly all the land redistributed during the war was restored to its pre-war white owners.
What makes From Here to Equality (2020) poignant is its ability to effectively quantify the economic and social impact of slavery, while elucidating a simple and just solution: Reparations. The book begins with Darity and Mullen highlighting initial attempts for reparations by Black activists like Frederick Douglass, Callie D. Guy House and others following the aftermath of slavery. In 1898, House joined forces with Isaiah Dickerson to charter the National Ex-Slave Mutual Relief, Bounty, and Pension Association (MRBP) in Nashville, Tennessee. According to Darity and Mullen (pg. 24), the MRBP’s mission was four-fold:
“identify ex-slaves and add their names to the petition for a pension;
lobby Congress to provide pensions for the nation’s estimated 1.9 million ex-slaves—21 percent of all African-Americans by 1899;
start local chapters and provide members with financial assistance when they became incapacitated by illness; and
provide a burial assistance payment when the member died.”
However, many people within the U.S. government felt threatened by the organization’s push for reparations.
As a result, House was convicted and jailed for almost a year due to claims that (pg. 25) “they (MRBP) had obtained money from the formerly enslaved by fraudulent circulars proclaiming that pensions and reparations were forthcoming.” The practice of U.S. government officials interfering with organizations that seek the liberation of Black people would continue well into the 1900s. Black leaders like Marcus Garvey, Elijah Muhammad, the Rev. Dr. Martin Luther King, Jr., and others would all experience U.S. government repression. In 1999, the U.S. government was found guilty of conspiring to assassinate Dr. King.
From Here to Equality effectively articulates the relationship between slavery and the extreme wealth gap that exists between Black people and white people. (pg. 26)
“It is important to acknowledge that whites control political and economic power in this country. No shift in the power relationship will be possible unless the society as a whole takes action to transform the structural conditions to make racial equality a real possibility. Given the existing distribution of financial and real resources, blacks cannot close the racial wealth gap by independent and autonomous action.”
According to the 2016 Survey of Consumer Finances, “median black household net worth ($17,600) is only one-tenth of white net worth ($171,000).” The main reason is because after slavery ended, no lasting reparations were given to Black people in the form of land or wealth. Therefore, the myth that Black people can close the wealth gap through “hard work and determination” is completely illogical.
From Here to Equality is unlike any other book written about slavery, its impact on the global economy, and what’s owed to the descendants of slaves. The present moment represents a unique opportunity for the U.S. government to earnestly reckon with one of the greatest sins of its past and implement a reparations program that can help repair the conditions of Black people in the United States. Darity and Mullen close out their work by introducing (pg. 487) “several compelling calculations for monetary restitution.”
One of the more conservative estimates shows that each eligible Black descendant of U.S. slavery is owed $267,000. While H.R. 40, the 2021 congressional bill that establishes the Commission to Study and Develop Reparations Proposals for African Americans is a step in the right direction, significant pressure should be applied to not only Congress but all politicians to ensure that reparations are paid out to the Black descendants of U.S. slavery.
Timothy Harun is a writer and actor based in Los Angeles. He holds a B.A. in journalism from Hampton University.
Cover of On the Ho Chi Minh Trail (University of Chicago Press, 2021)
On the Ho Chi Minh Trail, by Sherry Buchanan (University of Chicago Press: Chicago, Illinois, 2021)
The U.S. war on Vietnam is one of the most popularly and publicly criticized U.S. wars in the West—perhaps only now being superseded by the wars on Iraq and Afghanistan. Many filmmakers took their shot at a “critical” portrayal of the imperialist conflict—Stanley Kubrick’s “Full Metal Jacket,” Oliver Stone’s “Platoon,” Francis Ford Coppola’s “Apocalypse Now” and so on. Though, the context behind the conflict, what happened during the war, its repercussions, and—most importantly—the Vietnamese people’s perspective all still remain widely misunderstood, misinterpreted, and vastly oversimplified in the minds of the majority of those who live in the belly of the beast (the U.S. empire).
This was the deficit which author Sherry Buchanan purported to, in part, address in her book, On the Ho Chi Minh Trail. The cover insert of the book explains:
“Buchanan reveals the stories of the women who defended the Trail against the sustained American bombing campaign—the most ferocious in modern warfare—and of the artists who drew them. She focuses on what life was really like for the women and men under fire, bringing a unique perspective to the history of the Vietnam War.”
The prospect of approaching the conflict from an art-centered perspective with a focus on the women who were absolutely vital to the trail—and, as such, the triumph of the revolution—was welcome, refreshing and exciting. However, throughout the book the author demonstrates her inability to remove her red-, white- and blue-colored glasses as well as a clear lack of understanding peoples’ liberation movements that struggle against imperialism, ultimately leaving the reader with an experience that is more trite than enlightening.
Cover of On the Ho Chi Minh Trail (2021)
Buchanan’s book follows the author as she re-traces the trail—known locally as the Trường Sơn Road—from the north to south. The country was split in half during the war, with the north pumping out Vietnamese communist guerilla fighters and the south occupied by the U.S. military. Along the way, she visits historic sites and conducts interviews. Beginning in Hanoi, the author looks to loosely follow the trail as history unfolded. She visits Hòa Bình province, where revolutionaries trained before setting off on the trail, and the site of the infamous U.S. Marine Corps base at Khe Sanh. She takes us through the country of Laos, where the Trail Command had been headquartered during the Tết Offensive, and winds up in Ho Chi Minh City—the current name of Saigon, the former capital of the U.S.-backed puppet state, South Vietnam. Interviews with artists who traveled the trail as cultural troops for the People’s Army provide some fascinating anecdotes about life on the trail. Former combatants and youth volunteers shared stories of how they struggled against occupation and a bombing campaign that dwarfed the campaigns of the allies in WWII combined. During this war, 3 million people died. Most were Vietnamese, while only 58,000 were U.S. military personnel.
Despite the author’s ignorance, which prevented any contextualization of her interviews, their impact is nonetheless profound. By the end of the book, the collective commitment the Vietnamese people had to their revolutionary struggle is unquestionable. Almost every exchange Buchanan and her companions had with non-Westerners on their journey both underscored this theme and humanized the war. This is what—intentionally or not—the author successfully conveys in her book.
A woman serving as a Viet Cong guerilla during the U.S. war on Vietnam / credit: Bộ Quốc phòng
Each chapter is dedicated to one of several locations she visited. In an introduction and at the beginning of every chapter, Buchanan provides brief historical context about these sites, which includes explaining the events in the war that involved them. She’s eager to be critical of the United States here, offering statistics and figures that easily show the grotesque violence the empire unleashed during the war. The author even goes as far as questioning official U.S. government statistics and countered with the Vietnamese state’s data. (p. 165) However, this is where Buchanan’s book falls into the banal trap of performative criticism. Reminiscent of Oliver Stone’s TV series, “Untold History of the United States” (2012-13), providing facts and statistics that counter the imperial narrative (while important) do not nearly equate to an anti-imperialist analysis. While Buchanan is critical of the war, she is not critical of U.S. imperialism or, by extension, the question of national self-determination, which was at the core of the conflict covered in her book.
Buchanan wastes no time making her position clear in the first chapter. She includes a long, melodramatic interview with an actor who had joined the National Liberation Front (or Việt Cộng). But decades after the country reunited as one Vietnam, that person is critical of the revolution. The author is sure to include a tirade that frames China as an enemy of the Vietnamese people, standing in opposition to the United States’ “rule of law” and “freedom.” (p. 47) She continues this Cold War-era hysteria by leveling stereotypical anti-communist criticisms against the current communist-run Vietnamese state—authoritarianism, repression, corruption. But where is the “unique perspective” described on the cover flap? Buchanan provides no context, no opposing arguments, no critical thinking. She continues this theme of intentional ignorance throughout the rest of the book. In chapter 2, when visiting the Temple of Lady Triệu, she questions whether the revolution was feminist. (p. 67) This despite quoting Ho Chi Minh’s thoughts on the oppression of women under colonialism and Buchanan noting that the Women’s Union funds the feminist temple. Interestingly, the author fails to ask any of the Vietnamese women she interviewed about the feminist character of the revolution, nor makes any attempt to answer with statistics. In fact, the performative question in and of itself displays her ignorance about the goals of the revolution and the subject she claims to cover in the book.
Women’s Special Forces Division 6 studies maps of Saigon’s District 7 during the Tet Offensive / credit: bqllang.gov
Buchanan doesn’t stop at feigned ignorance. She actively stokes the racist, anti-communist fires within the Western psyche. In this way, the author completely fails the people whose perspective she claimed to value. Throughout the chapters, she does not shy away from throwing unsubstantiated claims of despotism or repression at the Vietnamese state. Yet, she spends no energy or effort speaking to the gains of the revolution. It’s as if Buchanan is uninterested in the obstacles that the people—including women—overcame to rebuild after the war or what the state has been able to provide its citizens. This is an excusable error for a book that claims to portray the experiences of the women who fought and defended the Ho Chi Minh trail. The author underlines her imperialist opinion of Vietnamese feminism with the usual Red Scare trimmings. She puts “liberated” in quotation marks when referring to territory from which the People’s Army and Việt Cộng expelled the imperialists, uses the term “indoctrinated” when referring to those who fought for the north, and even quotes a deacon who complains church land was “stolen by the locals” following the triumph of the revolution. (p. 208) In fact, in the final chapter, the author almost unconsciously praises what she perceives as capitalism creeping into the country, salivating over the presence of restaurants that serve $200 meals (p. 233) and designer stores (p. 246). If only Buchanan could see her own internalized indoctrination here, celebrating inaccessibility while belittling a popular guerilla movement which resisted the most violent war machine ever created.
Toward the conclusion of the book, as Buchanan enters Ho Chi Minh City, she intensifies her hollow attacks on the Vietnamese state. She devotes a large portion of the final chapter to another sensationalized scene when they visit two cemeteries—one for soldiers who fought for the revolution and one for those who fought for imperialist interests. Rather than contemplate the complex legacy of a Cold War-era invasion that divided a people or the violent colonialism that made the long war for liberation a necessity, she simplistically insinuates the state is vengeful and petty. Perhaps the most telling interaction Buchanan records in the book, though, is an unplanned encounter with a U.S. veteran who fought for the empire. Again here, the author fails to seek a “unique perspective.” Instead, she glorifies the invader, who claims he “worked with fighter pilots to help them do what they could to not injure civilians” (p. 220), and empathizes with his crocodile tears about being called a “baby killer” upon his return to the United States. Buchanan feigns pushback against his unproven claims that “the government (of Vietnam) treated [the highland indigenous peoples] terribly, cutting off women’s breasts and men’s achilles tendons,” and that “when [he] got to Vietnam [he] was told (reviewer’s italics) that the Việt Cộng came into villages and routinely killed a baby or a child to terrorize the people.” (p. 221) In the epilogue, she returns to this interaction by honoring the “courage” it took for this vet to return to the country to “do something (reviewer’s italics).” (p. 249)
Sherry Buchanan’s On the Ho Chi Minh Trail, while exciting in its proclaimed focus, is yet another example of the pitfalls of liberalism. The author’s misconception that criticizing a few isolated events equates to a “unique,” let alone anti-imperialist, perspective leads the book to speak more to the depressing ignorance of so-called progressives in the West than to the experiences of Vietnamese women during the war. While many of the anecdotes conveyed in the book humanized the war in a way that was certainly refreshing, Buchanan’s displaced patriotism undermines any meaningful significance. Despite her supposedly critical view of the war, the author ultimately served to defend pillars that uphold U.S. imperialism. If anything, what the book highlights for the reader is the importance of understanding what anti-imperialism means. Without it, criticisms of the West coming from liberals essentially equate to nothing more than white saviorism. The only allyship from the West of any value is true, revolutionary solidarity—solidarity that rejects Western capitalist assumptions of supremacy and stands firm in its defense of all anti-imperialist movements.
Nick Flores is a co-founder of and organizer with Bushwick, Brooklyn-based G-REBLS, a grassroots organization as well as a member organization of the Black Alliance for Peace’s Solidarity Network. Nick holds a double-major bachelor’s degree in history and Latin American studies.
