Jacqueline Luqman on the U.S. State Controlling Hollywood

Australian embassy officials in Peru were surprised when they met Dr. Rodrigo Acuña’s revolutionary Chilean parents. They wondered how the both of them had managed to escape the 1973 U.S.-backed coup unharmed. But before approving their refugee application, embassy officials isolated Acuña’s mother, asking her to promise she wouldn’t engage in political activities in Australia. Later, on the flight to Sydney, his father ended up having what Acuña describes as a “post-traumatic stress disorder episode.”

“When he arrived at Sydney International Airport, he had to be placed on a stretcher and given medical attention,” Acuña told Toward Freedom. “That’s how my family arrived in Sydney, Australia.”

Now, Acuña, an academic, is part of a group representing Chilean exiles in Australia. The group has written an open letter to Minister for Foreign Affairs Marise Payne, expressing its dismay at revelations Australia may have collaborated with the United States in the events that led to the removal of democratically-elected Chilean socialist President Salvador Allende. 

🙏🏽 @GreenLeftOnline for sharing the letter lawyer Navarro (@Adriana22974030) & I wrote to @MarisePayne @ausgov. It was signed by 70 🇨🇱-🇦🇺 citizens who fled #Pinochet’s regime of State terror which #ASIS & the #CIA helped install. https://t.co/EZcIip9wt8

— Rodrigo Acuña (@rodrigoac7) September 20, 2021

 

What Documents Reveal

The letter includes several demands, the most controversial being files be fully declassified and details about Australia’s involvement with the CIA and the Pinochet regime be made available to the public. 

Declassified documents already reveal the U.S. Central Intelligence Agency (CIA) and the Australian Secret Intelligence Service (ASIS) were complicit in undermining the government of the sovereign Latin American country in the run-up to the military coup.

Documents prove ASIS installed offices in Santiago, Chile, from 1970 to 1973, with the sole purpose of undermining Allende’s socialist project, leading up to and even after the coup. For example, Australian parliament member E. Gough Whitlam stated in 1977, “… Australian intelligence personnel were still working as proxies and nominees of the CIA in destabilizing the government of Chile.” However, ASIS could not be reached for comment.

The fall-out that followed the coup was devastating for the normally politically stable country that, until then, had enjoyed a tradition of democracy. Allende was voted into presidency in 1970 with a social-justice agenda that included nationalizing its assets, including its lucrative copper mines, in which U.S. copper conglomerate Anaconda held a huge stake. Chile’s incoming radical agenda threatened the markets and international investors, so the United States began pouring huge sums of money into destabilizing Allende’s Popular Unity administration. Tactics included public relations smear campaigns via CIA-funded right-wing newspaper El Mercurio. 

It’s estimated the United States spent $8 million on misinformation campaigning during Allende’s three years in office. Though much is known about the U.S. role in Allende’s ouster, what Australia’s surveillance agency did is much less widely understood.

That’s why Acuña said it’s important to denounce Australia’s role in the violent 1973 coup. 

“How dare Australia interfere in the internal affairs of a sovereign state in a region as far away as Latin America to please a request from Washington,” he said. “The Allende government was far from perfect, but it was democratically elected by the people of Chile.”

The documents released to Dr. Clinton Fernandes, former intelligence analyst and Australian academic, are just the tip of the iceberg. His repeated requests for further declassification have been denied on grounds the revelations are far too damaging and “must remain secret.” But Chilean coup victims strongly disagree.

“This denunciation of ASIS’ role in the 1973 coup in Chile must be made because we, as first-, second- or even third-generation Chileans, have the right to express it,” Acuña said.

 

Australia’s Double Talk

Australia is no stranger to taking in Chilean political exiles. The first one was ex-Chilean President General Ramón Freire in 1838. In the aftermath of the 1973 coup, between 100,000 to 500,000 Chileans were expelled from the country or displaced across the globe.

Many sought refuge in the United States and in Europe (Sweden, France, Germany, Austria, Italy, Spain and the United Kingdom), while around 6,000 were taken in by Australia. The newly arrived refugees experienced severe trauma, because their friends and family members had been disappeared, and the majority had been tortured. 

However, alongside refugees, Australia also took in a number of former Chilean secret-service agents responsible for the torture, interrogation and possibly the disappearance of left-wing activists in Chile. For example, Bondi Nannie Adriana Rivas is fighting extradition to Chile, where she will face charges of crimes against humanity. She worked at Cuartel Simón Bolívar, the infamous interrogation center in the capital of Santiago, as secretary to Manuel Contreras, the notorious head of operations for Chile’s secret police, Dirección de Inteligencia Nacional (DINA). Rivas is accused of participating in the torture and kidnapping of seven members of the Communist Party, including Victor Diaz, who, like many of Pinochet’s victims, remains missing. 

Lawyer Adriana Navarro and Acuña state in the letter that unknown agents harassed many Chilean political exiles in Australia because they supported the return of democracy to Chile. Their political activities included writing letters to local parliament ministers and staging protests in cities like Sydney, Melbourne, Brisbane, Perth and Canberra. Acuña said he suspects that like how Australia’s intelligence organizations have a close relationship with the CIA to share intelligence, the ASIS likely also has a close relationship with U.S. allies like Chile.

“That is the only logical explanation as to how someone with such a profile like Rivas even made it into Australia in the first place,” Acuña said. “We Chilean-Australians would not have any dignity or self-respect if we did not denounce in the harshest language Australia’s role in the violent coup in Chile in 1973, demanded an apology and asked for a full declassification of ASIS activities in Chile in the 1970s.”

However, the official state position that revelations may severely harm Australia’s reputation means campaigners may face a lengthy legal battle to uncover the truth.

Carole Concha Bell is an Anglo-Chilean writer and Ph.D. student at King’s College London.

This webinar took place December 2, 2021.

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Toward Freedom has 69 years of experience publishing independent reports and analyses that document the struggles for liberation of the majority of the world’s people. Now, with a new editor, Julie Varughese, at its helm, what does the future look like for Toward Freedom and for independent media? Join Toward Freedom’s board of directors to formally welcome Julie as the new editor. She will be reporting back on her time covering Nicaragua’s critical presidential election. New contributors Danny Shaw and Jacqueline Luqman also will speak on their work for Toward Freedom as it relates to the value of independent media. Danny will touch on the rising Pink Tide in Latin America while Jacqueline will discuss an increase in films that have documented the Black struggle in the United States.

Toward Freedom tiene 69 años de experiencia en la publicación de informes y análisis independientes que documentan las luchas por la liberación de la mayoría de la población mundial. Ahora, con una nueva editora, Julie Varughese, a la cabeza, ¿cómo se ve el futuro para Toward Freedom y para los medios independientes? Únase a la junta directiva de Toward Freedom para darle la bienvenida formal a Julie como nueva editora. Ella informará sobre su tiempo cubriendo las elecciones presidenciales críticas de Nicaragua para Toward Freedom. Los nuevos colaboradores Danny Shaw y Jacqueline Luqman también hablarán sobre su trabajo para Toward Freedom en lo que se refiere al valor de los medios independientes. Danny tocará sobre la creciente Marea Rosa en América Latina, mientras que Jacqueline hablará sobre un aumento en las películas que han documentado la lucha negra en los EEUU.

Editor’s Note: This review contains spoilers.

“Don’t Look Up” uses satire to magnify the outrageous responses of fictional U.S. politicians, media, corporations and the population to a fictional comet that is about to collide with Earth and wipe out all life. But the film’s depiction isn’t too far from reality, considering how the real-life U.S. government has failed to address climate change, which could cost all of us our lives.

Leonardo DiCaprio effectively plays astronomist “Dr. Randall Mindy,” mentoring younger female doctoral student “Kate Dibiasky,” played by Jennifer Lawrence. Mindy is portrayed as a typically dull and bland scientist type, with a dull and bland wife and family life. This reflects the stereotype of scientists being boring and uninteresting, and helps to set up for the drastic change Mindy undergoes later in the film when he is exposed to the limelight.

Dibiasky on the other hand is the stereotypical hip, loner Geek Girl, rapping along with Wu Tang Clan’s “Wu-Tang Clan Ain’t Nuthin’ Ta F’ Wit,” while she scours the stars in her school’s observatory and discovers the comet. But, as brilliant as she is, Dibiasky is portrayed as socially awkward and unsophisticated, with a demeanor that is actually direct, especially considering the circumstances, but is characterized as sullen and snarky, and used against her later in the film.

As the scientists’ discovery is brought to the attention of the president of the United States, played with wacky deviousness by Meryl Streep, their warnings are dismissed and spun in ridiculous ways. But when we consider how real-life politicians approach policy—and even science—not from a people-centered approach, but with a primary focus on polling and elections, the scenes depicting the president with her advisors and cabinet members aren’t so ridiculous after all.

The film also takes a very pointed jab at the media; vapid morning talk shows, in particular. Even those that are allegedly political, with their focus on keeping the banter and topics light, rather than focusing on whatever existential crisis humanity is facing, and there are lots of them, but in this case the impending extinction-level collision of a comet with Earth. But print media is not spared, as the lack of journalistic integrity is critiqued when a major print newspaper also goes with the narrative that polls well, rather than the truth of the story leaked to them that the talk news shows and the government ignored.

The stereotype of the sex-crazed, airhead talk-show personality is played boozily by Cate Blanchette, throwing herself at the (arguably) sexy male scientist, Mindy, while insisting that the serious Dibiasky never return to the show. But, in truth, too many female television personalities do play the role of the pretty, bleached-blond giggler anchoring “news” shows that millions watch every day, without delivering an ounce of real, truthful news about any of the issues that impact those people’s lives. And the film presents the misinformation those regular people receive from politicians and the media effectively in rabid “Don’t Look Up” advocates convinced that the comet is a tool being used by “them” to make people live in fear.

Meanwhile, Tyler Perry portrays Blanchette’s male co-anchor. He plays just as much of an airhead as his female colleague, refusing to deal with the seriousness of the comet, but he does so with a strain of vindictiveness as he makes jokes about the comet destroying his ex-wife’s house. I think there’s something to be said for the lengths some Black people will go to maintain the status quo, even when the lives of others are at stake and they know it. Particularly in the media.

Even citizen activism is touched on in the movie, with the fervent efforts to educate and inform people are drowned out by powerful politicians, the media and the military. And even celebrity advocacy is skewered for the feel-good-but-oftentimes-vanity project that it usually is.

Corporations are not spared in this pointed satire, as a creepy/robotic/absentminded professor/evil genius-like tech company CEO with a cult-like following named Peter Isherwell—played by English actor Mark Rylance—floats a truly diabolical idea to the president on how to deal with the comet. Isherwell’s company, BASH Cellular, is an obvious portrayal of the tech behemoths Apple, Google and Facebook have become. BASH is so ubiquitous, the fictional tech company is able to detect people’s moods and present them with visual content to help them feel better. That isn’t out of the realm of reality, because who doesn’t enjoy a great cat video right now? I sure do. But that the government capitulated to him isn’t ridiculous at all in light of the current corporate control of the real-life U.S. government, and viewers should not miss the film’s condemnation of the illogical, insane, life-threatening capitalist greed in the whole plan. What people may miss is the implied imperialism when the fictional U.S. government breaks a treaty with China, India and Russia, and the coincidental (not at all) mysterious (not at all) disaster that befalls the aforementioned countries’ plan.

It is true that the film is co-written by David Sirota, former-Clintonite-turned-progressive. But Sirota and his crew are spot on with much of the political commentary. Where it misses is the film is very… Eurocentric, with only a lone Indigenous dancer near the end, which might signify the people nobody listened to. But I’m not quite sure. That scene honestly seemed like an afterthought. 

Otherwise, “Don’t Look Up” is a funny film because the responses of the fictional politicians, media figures and regular folks are so utterly and breathtakingly ridiculous and portrayed so well by the cast. But I think it also is a horror movie because we know every depiction of the real-life people and institutions those actors play is absolutely true.

Jacqueline Luqman is a radical activist based in Washington, D.C.; as well as co-founder of Luqman Nation, an independent Black media outlet that can be found on YouTube (here and here) and on Facebook; and co-host of Radio Sputnik’s “By Any Means Necessary.”