Jacqueline Luqman on the U.S. State Controlling Hollywood

Editor’s Note: This review contains spoilers.

Millions of people in the United States believe the justice system—from the cops in the street right on up to the judges in the courthouse—is fair and unbiased. Millions of people also believe systemic racial and class biases are relics of a bygone era washed away by progressivism, the election of the First Black President, and the great healer called Time.

But those millions of people need to wake up and watch Jason Pollock’s documentary, “Finding Kendrick Johnson” (2021), for a healthy and horrifying dose of reality.

The film begins with Kendrick Johnson, a 17-year-old Black student, who was found dead in 2013 inside a rolled-up mat that was propped up against a little-used wall in the gymnasium of Lowndes High School in Valdosta, Georgia.

If the justice system in this country was fair, this documentary would not exist. But it does because everything about this case—from the moment Kendrick’s body was found—reveals how this system still is excruciatingly racist and classist.

The callousness of the police, officials at Lowndes High School and even other parents is revealed early in the documentary. For example, the police dismissed Kendrick’s mother, Jacqueline Johnson, when she reported her son had not returned home, which was unlike him. Police said Kendrick was probably “laid up with some fast-tail girl.” Later, when Kendrick’s body was found in the gym during school hours, neither the police nor school administrators locked down or closed the school, allowing classes to go on as if everything was normal. Meanwhile, police refused to allow Kendrick’s mother into the gym to see her son’s body and openly disrespected her grief. Then as a local TV news station reported news of Kendrick’s death, one of the parents—a white woman—tearfully told the reporter she was thankful it wasn’t her son. She also wondered how people would retaliate, even though no one knew what happened. Why would she assume anyone would retaliate? Why did she feel comfortable saying she was thankful it wasn’t her son, rather than express any sympathy for the mother whose son had been found dead?

But this was the attitude of not only those at every level of authority. This also was the way much of the community that was not connected to the Johnson family related to the case as the family doggedly pursued the truth behind Kendrick’s murder.

And it is accurate to characterize what happened to Kendrick Johnson as a murder. As the documentary points out, the police quickly gave an explanation for Kendrick’s death, in what could not under any circumstances be called an investigation. That is ridiculous from a purely logical standpoint. As the documentary goes on to reveal, no physical or forensic evidence from the scene corroborated the explanation.

Kendrick’s father, Kenneth, raised grave questions about how the medical examiner’s office handled his son’s body. He also realized the official police narrative that no foul play was involved was grotesquely untrue.

Pollock offers a gripping examination of the similarities between Kendrick Johnson’s case and that of Emmett Till, the 14-year-old Black boy who was lynched in Mississippi in 1955 after a white woman lied that he inappropriately interacted with her. Pollock also places the questionable actions of the Federal Bureau of Investigation (FBI) within the context of the racism upon which the agency was founded and continues to carry out.

We also witness the lonesome pursuit for justice that Kendrick’s family embarked on. We are shown a grieving family, knowing their child has died from circumstances that are neither natural nor accidental, regardless of what the police continued to say. And so, they fought for the truth the only way they knew how: Through protest and direct action. Beginning with sidewalk sign-holding and community marches, to ultimately blocking the entrance to the courthouse to demand an actual investigation into their son’s death, the contempt with which they were treated by the cops, the school administrators, and the racist community was stomach-churning to watch, but too important to turn away from. We are reminded these protests took place in 2014 and 2015 in a community where Kendrick’s aunt recounted white community members still request Black employees not wait on them in stores.

And Pollock also connects modern-day racism to the long history of racism and lynching in the area around Valdosta, Georgia, highlighting the town is named after a slave-owner’s plantation. It becomes clear while the town is majority Black, the political power continues to reside in the hands of the white minority, because that is what white supremacy is.

The vice-grip on power that white supremacy has in the town remains so tight, when Kendrick’s family paid an independent investigator for a second autopsy because of the sham city investigation, they found out their son’s remains were desecrated in the process and his organs were replaced by crumpled balls of newspaper. Yet, no one has been held accountable for that desecration.

Pollock goes on to expose the heights that white supremacy reaches outside of Valdosta to protect the two white boys implicated in Kendrick’s death. This is because not only are they white, they are sons of an FBI agent, Rick Bell. Bell resigned as a result of the investigation into his involvement as well as his sons’ connection. But the large web of complicity involving the people who refused to investigate Bell and his sons includes seven judges who recused themselves from the case. SEVEN.

But it is the evidence uncovered by Pollock—an independent filmmaker—that makes the documentary truly worth the emotional investment required to sit through it. Not because the evidence legitimizes the allegations of a cover-up that Kendrick’s family makes. How the facts have been tossed around like a nuclear potato over the years makes it clear a cover-up was involved. 

Pollock did not find evidence because an informer clandestinely provided documents or because they were secretly accessed in a hack. All it took was researching the FBI’s case files. Just another addition to the lexicon of the FBI’s racist legacy. This entire case should serve as another reminder of why we don’t trust the police to serve the interest of the people.

Seeing the evidence the FBI refused to pursue was too much for the parents. A Black homicide detective, who once served in Washington, D.C.’s Metropolitan Police Department, was so shocked at seeing footage that was withheld from him during his independent investigation, he was overcome with emotion. But this should be a lesson for Black people trying to change the system from the inside: The inside won’t ever treat us like them. We are never as “inside” the system as we think we are.

The ending of the documentary, with the family talking to the now-deceased Kendrick, is just heartbreaking. But it also speaks to the strength and enduring love of family, even in the face of the horrific injustice we have had to deal with in this god-forsaken white-supremacist country. We should not still have to have this kind of strength. But as this documentary, “Finding Kendrick Johnson,” proves, we do.

This film can be viewed on several platforms.

Jacqueline Luqman is a radical activist based in Washington, D.C.; as well as co-founder of Luqman Nation, an independent Black media outlet that can be found on YouTube (here and here) and on Facebook; and co-host of Radio Sputnik’s “By Any Means Necessary.”

 

 

Editor’s Note: The following represents the writers’ opinion.

A free and transparent media is critical for any democracy. But in every society, defending the integrity of the media requires constant vigilance. We found ourselves drawn into the work of exercising this vigilance by complete chance.

When the independent left publication New Frame closed down after four years of operations, the liberal media rushed in, in unseemly haste, to put the boot in. Perhaps the worst of the attacks was penned by Sam Sole and Micah Reddy of the investigative journalism outfit amaBhungane. They alleged, based on nothing more than salacious gossip, that there was an attempt to influence public discourse in South Africa by the Chinese state. Not a shred of evidence was provided for this conspiracy theory by Sole and Reddy in an article that was largely based on innuendo. They abused the institutional authority of amaBhungane as a trusted publication to give credence to a conspiracy theory, one that aligned closely with the
key tropes being driven by the United States in the New Cold War.

The hostility towards us in this story can only be because our new organization, the Pan-African Institute for Socialism (PAIS), aims to create a non-sectarian space on the left to reach consensus on a pragmatic minimum program to increase the prospects for the Black poor and working-class majority in South Africa, Africa and the Global South.

PAIS has never had any sort of connection to New Frame aside from a single meeting held at their offices to inquire about the process for submitting opinion pieces for consideration, something that never actually happened in the end. But, to our complete astonishment, we found PAIS, a new and entirely unfunded organization, drawn into the conspiracy theories recycled by Sole and Reddy. This quite bizarre experience led us to wonder who funded amaBhungane, and what the drivers were for such vehemence by publications that claim to be fair, even-handed, and balanced. Those questions soon led us to an intricate web of relationships that are clearly designed to hide the influence of powerful funders and networks.

What is the real project of these U.S.-led imperialists and their surrogates in South Africa? A common thread has been the use of proxies to stymie the liberation of the majority of South Africans, particularly the Black working class and rural poor. First was Inkatha.¹ Then came the DA. Lately, it is a hodge-podge of xenophobic opportunists. In addition, there are organizations that pose as being ‘Left’ and the so-called independent media. They all have one thing in common. They have an agenda to drive the ANC vote below 50 percent, in towns, cities, provinces and ultimately nationally.²

While PAIS may irritate them because we shine a spotlight on these reactionaries, their real target is the liberation movement. They wish to stymie the realization of the National Democratic Revolution, the as-yet unrealized goal of the struggle.

We have been stunned by the extent of the capture of much South African media by the U.S. state and how most of it is hiding in plain sight. The first article to come out of our ongoing research project, “Manufacturing consent: How the United States has penetrated South African media”³ noted a few key points, including the following:

1. The National Endowment for Democracy (NED) was created in 1983 during the Reagan era to conduct operations and functions previously carried out by the CIA.⁴ It supported the mujahideen in Afghanistan and the Contras in Nicaragua and has been involved in many U.S.-backed coups.⁵ It now has vast tentacles across Africa.⁶
2. The NED funds the Mail & Guardian’s (M&G) weekly publication The Continent⁷ via its own non-profit arm, Adamela Trust, and international organisations like the International Fund for Public Interest Media (IFPIM),⁸ and the Media Institute of Southern Africa (MISA),⁹ all of which are linked to key people and organisations in the South Africa media. The editor-in-chief of the Continent is Simon Allison, former Africa editor of M&G, Africa correspondent of Daily Maverick, and a former consultant with Open Society Foundation (OSF)-funded Institute for Security Studies.^{10 11} It is noteworthy that the NED has continued its program through Republican and Democratic administrations, from Reagan through to Biden, and was headed by Carl Gershman from its inception until 2021. Its agenda has not changed.
   3. The OSF and Luminate, another major foundation, are official U.S. government partners that often work closely with the NED and other parts of the U.S. state, strategically taking on and funding projects that the U.S. state cannot or does not wish to directly undertake.¹² Among the many examples of direct collaboration is that the NED and the OSF jointly founded Global Forum for Media Development (GFMD).¹³ The Center for International Media Assistance (CIMA) is an official initiative of NED that coordinates this work and lists OSF as a partner.¹⁴ Luminate, together with the MIDF, has facilitated “dedicated coaching and newsroom expertise in topics such as marketing, newsletters, community building, and audience development” for M&G.¹⁵
   4. Key senior people in publications like the M&G and amaBhungane, including three former editors-in-chief of the M&G have gone on to work for U.S. and Western government-supported organizations, including three separate projects funded by the NED.^{16 17 18}
   5. At least fifteen people who passed through the fellowship program run by
   amaBhungane have been directly tied to U.S. government organizations and programs including the Voice of America.¹⁹ amaBhungane has also led the formation of a regional investigative journalism network, IJ Hub.²⁰
   6. The M&G, the Daily Maverick and amaBhungane, as well as smaller projects like the M&G-linked Daily Vox and the local U.S. embassy-linked Africa Check,²¹ are part of a list of at least 24 publications that have been funded by one or more of the major funders that regularly partner with the U.S. government.²²

As we continue with our research we are finding more NED links. For instance the NED has funded the Institute for Race Relations (IRR),²³ which publishes the Daily Friend,²⁴ a publication that is ostensibly liberal, but veers towards the reactionary right wing weltanschauung. Sam Sole, the editor of amaBhungane, is a member of the International Consortium of Investigative Journalists (ICIJ),²⁵ which is funded by the NED.²⁶ We are also finding more and more links between organizations, like the OSF and Luminate, and the U.S. state. It is also likely that some journalists are funded directly by organizations, so that the claim to independence of organizations can be upheld.

The Oppenheimer family, whose wealth was wrung from the super-exploitation of Black labor in the mines, have long had considerable influence over political life in South Africa, including during the negotiations where the right of capital to continue to exploit was affirmed.²⁷ But it is clear that, like OSF and Luminate, the Oppenheimers are also key partners of the U.S. state. The Oppenheimers fund amaBhungane²⁸ and are given the red carpet treatment by the Daily Maverick to platform for their surrogates such as Greg Mills to propagate their pro-Western worldview.²⁹ Founded by Branko Brkic, the Daily Maverick does list some funders, but asks you to take a leap of faith that a group of ten trusts, companies, and individuals that own anything between 0.1 percent and 15 percent of its investment holding company, are not compromised or party to any external leverage, as a cohort or as individual opaque entities. It also raises questions that the Daily Maverick and its biggest shareholder, Inkululeko Media, are indexed by Google as sharing the same office address in St. George’s Mall, Cape Town.^{30 31} Their opaqueness flies in the face of the Daily Maverick’s claims of transparency, which are merely a marketing strategy. Since their reader covenant was drafted in 2009, the Daily Maverick has become an important and influential player in the polity. It has evolved beyond being a blog with an angle that punched above its lightweight class and has accrued a tremendous amount of institutional authority in shaping discourse and curating narratives. With this power comes the responsibility to precisely disclose its funding. In short, it’s time for Daily Maverick to grow up, just like its peers in the mediascape.

The Oppenheimers also fund the Institute for Race Relations (IRR),³² the South African Institute for International Affairs,³³ and their own foundation, the Brenthurst Foundation³⁴. In each case, the links to the U.S. state are clear. Chester Crocker, who was Ronald Reagan’s point man in southern Africa at the height of the Cold War³⁵ is an “honorary life member” and board member of the IRR.³⁶ The Brenthurst Foundation has clear and open links of various kinds to NATO. The director of the Brenthurst Foundation, Greg Mills,³⁷ served as a special advisor to the NATO Commander David Richards, who commanded the Western coalition forces as they stomped their way across Afghanistan.³⁸ Greg Mills³⁹ is one of four foreign policy right-wing hawks who are “allowed” to write on geopolitical affairs by the Daily Maverick. The other three are former U.S. diplomat Brooks Spector,⁴⁰ former editor of M&G and president of consultancy group Calabar Consulting, Phillip van Niekerk,⁴¹ and lifetime foreign affairs hawk and stenographer of Western imperial interests, Peter Fabricius. Fabricius and Spector are also linked to the South African Institute of International Affairs as “experts”.⁴² The SAIIA is funded by USAID and the U.S. Department of State.⁴³ But the systemic capture of much of our mediascape by the U.S. state and its partners extends beyond questions of funding, training programs, revolving doors, boards and collaborations of various kinds. There is also the question of editorial lines. In a number of publications, there is a systemic bias towards pro-U.S. positions, and very, very little critique of U.S. imperialism. There are a number of people writing as independent analysts, who are in fact embedded in the U.S. state in various ways. We also see that while the media has often served the interests of the public in terms of uncovering corruption in government, it has often done comparatively little in terms of doing the same in terms of private sector corruption, abuse of workers and control of policy.

All this is just scratching the surface. We are finding much, much more evidence of widespread media capture with every hour of research. Already some key questions are emerging for future research and articles. They include the following:

1. Why is the Daily Maverick’s funding not fully and precisely disclosed—including, in particular, the details on all equity, loan, or subsidy transactions?
2. How are the amaBhungane fellowship and training programs funded? Are there project costs, fees and expenses received from programs funded directly or indirectly from U.S. government agencies? Why do such large numbers of the fellows go on to work for U.S. government funded projects?
3. Which publishers, editors and journalists have attended the regular events for editors held by the U.S. consulate in Cape Town? What are the details of other briefings held by U.S.-directly or -indirectly funded organizations that senior leaders of South African media attend?
4. Who are the former publishers, editors and journalists who now work for the U.S. state or for U.S.-state directly or -indirectly funded organizations?
5. What other media projects are funded by the NED, OSF, Luminate and the Oppenheimers?
6. What is the percentage of articles in our “independent” media on geopolitics that support the U.S. line on international affairs and the percentage of those that are critical?

Transparency is a basic democratic value. It is time we knew who the masters of our media really are. It cannot be acceptable that while the editors and reporters of these publications demand accountability and transparency of those in government, labor and, occasionally, in business, they arrogate to themselves the right to not meet the same standards.

Our research project is growing in scope and urgency by the day. We need help from all interested citizens of South Africa who wish to contribute to media reform in the interests of transparency and the important work of defending and deepening our democracy. As a start, we welcome suggestions for further questions for us to explore and, in due course, to present to the South African National Editors’ Forum (SANEF). Please do contact us at [email protected] and share the questions that you think should be raised.

Phillip Dexter and Roscoe Palm are co-founders of the Pan-African Institute for Socialism, which can be found on Twitter at @PaisSocialism.

 

Footnotes

¹ The Inkatha Freedom Party (IFP) started as a cultural movement in present day KwaZulu-Natal, but quickly morphed into a political movement to oppose the ANC’s liberation struggle. See “Inkatha Freedom Party (IFP),” South African History Online.
² For example, in a recent opinion piece in Financial Times, Gideon Rachman wrote, “The best thing [the ANC] could do for the country’s future would be to lose the next election and leave power.” Gideon Rachman, “South Africa’s fear of state failure,” Financial Times, Aug. 15, 2022
³ See Ajit Singh and Roscoe Palm, “Manufacturing consent: How the United States has penetrated South African media,” MR Online, Aug. 8, 2022.
⁴ See David Ignatius, “Innocence Abroad: The New World of Spyless Coups,” The Washington Post, Sept. 22, 1991 (“‘A lot of what we do today was done covertly 25 years ago by the CIA,’” agrees [Allen] Weinstein.” Weinstein was a co-founder of the NED.)
⁵ See David K. Shipler, “Missionaries for Democracy: U.S. Aid for Global Pluralism,” The New York Times, June 1, 1986.
⁶ For example, in FY2021 alone, the NED’s Africa program granted $41.5 million dollars across 34 countries and hundreds of projects. See National Endowment for Democracy, 2021 Annual Report.
⁷ See National Endowment for Democracy, “Regional: Africa 2021,” Feb. 11, 2022.
⁸ See International Fund for Public Interest Media, “About”.
⁹ See National Endowment for Democracy, Awarded Grants Search, (search: “Media Institute of Southern Africa”). Additionally, MISA has received funding from and is a “key partner” of the U.S. Agency for International Development. See United States. Congress. House. Committee on Appropriations. Subcommittee on Foreign Operations, Export Financing, and Related Programs, Foreign Operations, Export Financing, and Related Programs Appropriations for 2002: Hearings Before a Subcommittee of the Committee on Appropriations, House of Representatives, One Hundred Seventh Congress, First Session, U.S. Government Printing Office, 2001, p. 870.
10 See Simon Allison LinkedIn.
11 See Institute for Security Studies, “How we work”.
12 “Private sector funding of independent media abroad … has several advantages over public financing. Private funders can be more flexible … and their programs can operate in countries where U.S. government-funded programs are unwelcome. “In many places around the world, the people we train are more open to participating in programs funded by private sources than those funded by the U.S. government,” says Patrick Butler, ICFJ [International Center for Journalists] vice president.” National Endowment for Democracy, Center for International Media Assistance, Empowering Independent Media Inaugural Report: 2008, Ed. Marguerite Sullivan, (cited in Manufacturing consent article).
¹³ According to the Global Forum for Media Development, OSF and NED are its “core funders.” See Global Forum for Media Development, “Partnerships”.
¹⁴ See Center for International Media Assistance, “Partners”.
¹⁵ See Luminate Group, “Sixteen media selected for Membership in News Fund,” Feb. 4, 2021.
¹⁶ Roper became editor-in-chief of M&G in 2009 and left in 2015 to become the Deputy CEO of Code for Africa (CfA). CfA is a member of Code for All, which is funded by the NED. Additionally, Roper was a Knight Fellow at the International Center for Journalists, which is also funded by the NED. See, Chis Roper LinkedIn profile; Code for All, “Our Supporters”; International Center for Journalists, Impact Report, 2022, p. 17.
¹⁷ Former editor-in-chief Khadija Patel (2016-2020) left the M&G to chair the NED-sponsored International Press Institute. In 2021, Patel became head of programs at the NED-funded International Fund for Public Interest Media (IFPIM). See fn. 2 (above) (NED funding of IFPIM); International Press Institute, “Supporters and Partners”; International Press Institute, “Executive Board”; International Fund for Public Interest Media, “About”.
¹⁸ Former editor-in-chief Phillip van Niekerk (1997-2000) left the M&G to take up a senior position at the International Consortium of Investigative Journalists (ICIJ) in Washington D.C. ICIJ is funded by the NED. See “New editor of M&G,” Mail & Guardian, Mar. 20, 1997; “Over to you, Dr Barrell,” Mail & Guardian, Dec. 15, 2000; International Consortium of Investigative Journalists, “Our Supporters”.
¹⁹ See “Manufacturing consent: How the United States has penetrated South African media.” Full citation at fn. 3.
²⁰ AmaBhungane “is incubating the Hub… As incubator, amaBhungane has continued to support the Hub administratively.” IJ Hub, Annual Narrative Report 2021/21.
21 See Africa Check, “Partners” (“The U.S. Embassy in South Africa is proud to team up with Africa Check to tackle misinformation and disinformation in the media.”).
²² In addition to their own media-related grants, OSF and Luminate jointly founded the South African Media Innovation Program, a multi-million dollar media investment initiative managed by the Media Development Investment Fund, which is also funded by OSF and Luminate. See South Africa Media Innovation Program; Luminate Group, “South Africa Media Innovation Program (SAMIP) launched by Open Society Foundation of South Africa (OSF-SA), Omidyar Network, and Media Development Investment Fund,” Aug. 29, 2017.
²³ See i.e. South African Institute of Race Relations, 86th Annual Report, 2015, p. 7. Additionally, the IRR has partnered with the International Republican Institute, which is one of NED’s four core institutes. See International Republican Institute, “Democratic Governance in Africa”; National Endowment for Democracy, “How We Work”. The IRR is also a member institute of the NED’s Network of Democracy Research Institutes. (See National Endowment for Democracy, “NDRI Member Institutes” (https://www.ned.org/ideas/network-of-democracy-research-institutes-ndri/ndri-member-institutes/#Top).
²⁴ “The Daily Friend is the online newspaper of the Institute of Race Relations.” Daily Friend, “About” (https://dailyfriend.co.za/about/).
²⁵ See International Consortium of Investigative Journalists, “Sam Sole”.
²⁶ See International Consortium of Investigative Journalists, “Our Supporters”.
²⁷ See Sampie Terreblanche, “The New South Africa’s original ‘State Capture’”, Africa Is a Country, Jan. 28, 2018.
²⁸ See amaBhungane, “About Us”.
²⁹ See https://www.dailymaverick.co.za/author/ray-hartley-and-greg-mills
³⁰ See https://www.sayellow.com/view/south-africa/daily-maverick-in-cape-town
³¹ See footer on Inkululeko website for address.
³² See Oppenheimer Memorial Trust, “All Beneficiaries – S”
³³ See Oppenheimer Memorial Trust, “All Beneficiaries – S”
³⁴ See The Brenthurst Foundation, “Our Story”.
³⁵ Interestingly, a 1983 New York Times profile of the Oppenheimer empire opens with the following: “In an oracular vein, an academic named Chester A. Crocker once said of South Africa: That country is by its nature a part of the West. It is an integral and important element of the Western global, economic system. Mr. Crocker, who has since become the State Department’s top Africa hand and author of the Reagan Administration’s policy of “constructive engagement” with South Africa’s white minority Government, was openly embracing a premise found in both South African propaganda and the arguments of Marxist analysts: that the West’s formal condemnations of apartheid mask an enormous stake in the outcome of the shadowy struggle between the races there.” See Joseph Lelyveld, “Oppenheimer of South Africa,” The New York Times, May 8, 1983.
³⁶ See South African Institute of Race Relations, 92nd Annual Report, 2021, p. 6.
³⁷ See The Brenthurst Foundation, “Greg Mills”.
³⁸ See Greg Mills, From Africa to Afghanistan: With Richards and NATO to Kabul, Wits University Press, 2007.
⁴⁰ See J. Brooks Spector author page at Daily Maverick.
⁴¹ See Phillip van Niekerk author page at Daily Maverick.
⁴² See South African Institute of International Affairs “Expert” pages for Peter Fabricius and Brooks Spector.
⁴³ See South African Institute of International Affairs, “Funders”.

“The Prison Within” (2021) is a provocative and intriguing documentary produced by Katherin Hervey, a former public defender and prison instructor. Provocative, because we are presented with adult male inmates in San Quentin Prison in northern California struggling with unidentified and untreated multi-generational trauma. Intriguing because the documentary presents a compelling argument for restorative justice, yet it stops short of sparking a larger conversation about what to do about prisons in a truly civilized society.

The documentary focuses on the Victim Offender Education Group (VOEG) program conducted by the Insight Prison Project (IPP) at San Quentin Prison. The IPP describes the VOEG program on their website as

“…an intensive 18-month group program for incarcerated people who wish to understand themselves better, how their life experiences and decisions led them to prison and how their crimes have impacted their victim(s). The purpose of the training is to help incarcerated people understand and take responsibility for the impact of the crime(s) they have committed. The class culminates with participants meeting with victims for a healing dialogue.”

Though this is not highlighted in the documentary quite as clearly as the purpose of the program, it does give some insight into why the documentary deals with restorative justice within the prison system, as opposed to a society-wide imperative.

The documentary provides quite an extensive discussion into how unaddressed and unresolved trauma helps affect the way victims see the world around them, and how they see and feel about themselves and others. It presents this idea largely through the stories of several men who are in the VOEG program, as they recount the paths that led them to prison.

We are presented with the real-life cause-and-effects of neglect, abuse and generational trauma, and how they all can turn inward into self-doubt, self-hate and fear, eventually compelling anti-social behavior that inflicts trauma onto others. Unresolved anger at the person or persons who inflicted the trauma was a common theme.

A promising discussion was raised by one man about how he served time in the military, which led him to more violence. But this time, it was state-sanctioned violence. However, the discussion did not expand into how the military reinforces violence as a solution to problems, while also exposing millions of traumatized people to more violence, which produces even more trauma in the form of disorders such as Post-Traumatic Stress Disorder (PTSD). That is then not treated by the very military that trains people to commit barbarous acts against other human beings. This documentary on justice feels like a lost opportunity to connect militarism with the devaluation of human life and U.S. imperialism.

However, one imprisoned man seems to conflate the systemic racism with the inward and outward expressions of unresolved trauma that his father and even he experienced because of racism. I think that is where the documentary misplaces forgiveness as a response to systemic racism. Racism is based on irrational, illogical fears and emotions based on stereotypes, lies, and propaganda against a group of people that is used to deny them human rights. Trauma is the result of real and tangible abuses, emotions, and fears. Yes, trauma can result because of racism, but can it be said that racism happens because racists are traumatized, as it seems the documentary is attempting to suggest? I think this is the danger in relating to racism, and especially racist violence, as another expression of unresolved trauma.

The documentary presents a difficult-to-sit-with conversation about the ways race and ethnicity shield some people from scrutiny and prosecution while they commit crimes, while others face the brunt of the state. This discussion is difficult because it shows how messy it is to try to put people into “good/bad” categories. Is someone who is the victim of sexual abuse and other traumas a “bad” person if they act violently toward others? If we believe that “hurt people hurt people,” why do we not believe this for people in prison, who are mostly poor and predominantly people of color? And if we do not, why do we condemn and throw away one, but not the other? For many people, confronting these questions can be difficult, and the documentary does a good job of helping viewers think about class and race biases in these matters.

Another very important issue raised in the documentary is fathers not expressing love and acceptance with their boys. The lack of affection and protection from their fathers—even if they were present—while receiving hostility or outright abuse is a recurring theme in many of the stories imprisoned men told. Society so easily falls back on the trope that so many men—especially Black men—turn to crime because they had no fathers or father figures in their early lives. Yet, we hear from these men that emotionally distant or abusive fathers—who often acted that way because they were acting out the trauma they experienced in their youth—that exposed these imprisoned men to their first and lasting traumas.

Yet another issue discussed is male children who are artistic or creative not being accepted because they are not expressing their “maleness” in traditional ways or in ways that are acceptable to the older men in the family. This drives them to seek acceptance by acting in destructive and risky ways that may also be outside of their nature. Further, the documentary explores how rejection teaches young boys to suppress their natural, normal emotions, and conditions them to view others who express those emotions as weak, too.

A very interesting twist on the “hurt people hurt people” idea is presented when the widow of a murdered cop comes to terms with her role in advocating for the death sentence for her husband’s murderer. This aspect of the documentary provides insight into one person’s journey toward peace, but should it be an instructive for how millions in this society view the death penalty as a just form of punishment? Are they all “hurt people” who support the death penalty and even may relish in it in some regards out of unresolved pain and trauma? The documentary does touch on how people in the United States are convinced—basically indoctrinated—to believe the death penalty is not only reasonable, but necessary. Perhaps focusing on an individual journey of healing as a reflection of or as a potential remedy for systemic human-rights violations via the death penalty is a deeply flawed and potentially dangerous premise. Especially considering the work the widow in question is revealed as pursuing or, more precisely, who she serves in her work, as we learn at the documentary’s end.

The film lays out in clear, concise and emotionally compelling ways both the cycle of unaddressed and untreated trauma that leads people to prison—an environment that thrives off and perpetuates more trauma—is unaddressed in prison, and that communities have no tools to address the issue with released prisoners.

But an opportunity to discuss prison’s utility in the just and supportive society we claim to be fighting for—as well as with what to replace prisons—is not present in this documentary.

Surely, abolition cannot be achieved without an agreed-upon alternative to prisons. But if the goal is to not just reform prisons to make them “better,” but to create a society in which prisons are obsolete, the following must be discussed: 1) Methods of accountability and restoration for individuals who commit acts that break the social contract and 2) the state’s responsibility in its part of the social contract to ensure every person’s human rights are respected in the provision of housing, education, jobs that pay a living wage, comprehensive healthcare, etc., so traumas are not systematically inflicted on people as an inherent aspect of the system, but also so individual traumas are addressed as an inherent aspect of the system.

Prison reform is certainly needed to immediately stop the cycle of trauma the prison-industrial complex and the penchant for retribution indoctrinated into the American psyche creates. But any effort at prison reform that doesn’t involve dismantling capitalism, white supremacy and classism will only uphold the system. Although “The Prison Within” makes a few fleeting mentions of expanding treatment and mitigation programs to keep traumatized people from going to prison in the first place, restorative justice is presented inside the narrow construct of reforming prisons to make them “better.” That all makes sense when the discussion is not intended to be about replacing prisons with humane and truly restorative systems.

Jacqueline Luqman is a radical activist based in Washington, D.C.; as well as co-founder of Luqman Nation, an independent Black media outlet that can be found on YouTube (here and here) and on Facebook; and co-host of Radio Sputnik’s “By Any Means Necessary.”