The Yemeni Army and Houthi rebels each exchanged 21 prisoners in a historic exchange on April 16 / credit: Anadolu Agency
Peace in Yemen One Step Closer After Historic Prisoner Exchange
The Saudi-backed government forces in Yemen and the rebel Houthis completed a three-day prisoner exchange on April 16. Close to 900 prisoners have been exchanged between the two warring sides through mid-April. The exchange is the result of an agreement reached in Switzerland in March as part of a round of ongoing peace and reconciliation talks between the Houthis and Saudi Arabia—the primary supporter of the Yemeni government.
The historic peace talks are seen as a result of the rapprochement between Iran and Saudi Arabia brokered by China. A resolution toward ending the years-long war in Yemen was reportedly one of the key issues in the Saudi-Iran rapprochement.
The prisoner exchange has been widely recognized as an important step towards peace in a war that has already claimed over 1.5 million lives, according to the Houthi-backed administration in Sana’a, and displaced millions. As a consequence of the Saudi-imposed blockade, millions of people, including at least 2.2 million children, have also suffered from acute malnutrition and hunger.
UN Special Envoy for Yemen, Hans Grundberg, who helped broker the prisoner exchange agreement in Switzerland, commented, “This release operation comes at a time of hope for Yemen as a reminder that constructive dialogue and mutual compromises are powerful tools capable of achieving great outcomes. Today, hundreds of Yemeni families get to celebrate Eid with their loved ones because the parties negotiated and reached an agreement. I hope this spirit is reflected in ongoing efforts to advance a comprehensive political solution.”
Palestinian activists take part in a protest in solidarity with Palestinian prisoners / credit: MEMO
On Prisoners’ Day, Palestinians Stand in Solidarity With Their 5,000 Comrades in Israeli Occupation Jails
On April 16, the eve of Prisoners’ Day, the Palestinian Prisoners’ Society (PPS) stated that a jailed Palestinian, Khader Adnan, is in a critical state and needs immediate hospitalization. Adnan is currently on an indefinite hunger strike against his unlawful detention by the Israeli occupation forces.
Adnan, aged 45, has completed over 70 days of his hunger strike and is currently inside Israel’s notorious Ramla prison clinic, despite repeated appeals to shift him to a proper hospital. The PPS claimed that Adnan is already suffering from serious health issues and “Israel’s refusal to move him to a hospital aims at causing him chronic diseases that are difficult to treat later.”
Adnan has been arrested 12 times in the last 20 years and has spent over eight years altogether in Israeli administrative detention. He has been on hunger strike since the beginning of his present incarceration, in the first week of February. This is his sixth hunger strike and his longest so far.
Palestinians mark Prisoners’ Day every year on April 17 to express solidarity with their freedom fighters inside Israeli prisons. According to a joint report published on the occasion, there are around 4,900 Palestinians inside different Israeli prisons, including 31 women and 160 children.
Most Palestinian prisoners face widespread atrocities from the Israeli prison authorities, including denial of family meetings, restrictions on interactions with other prisoners, and torture.
Sam Durant, Untitled (drone), 2016-2021 (rendering). Proposal for the High Line Plinth. Commissioned by High Line Art. Courtesy of the High Line.
At the High Line, a popular tourist attraction in New York City, visitors to the West side of Lower Manhattan ascend above street level to what was once an elevated freight train line and is now a tranquil and architecturally intriguing promenade. Here walkers enjoy a park-like openness; with fellow strollers they experience urban beauty, art and the wonder of comradeship.
In late May, a Predator drone replica, appearing suddenly above the High Line promenade at 30th Street, might seem to scrutinize people below. The “gaze” of the sleek, white sculpture by Sam Durant, called “Untitled, (drone),” in the shape of the U.S. military’s Predator killer drone, will sweep unpredictably over the people below, rotating atop its 25-foot-high steel pole, its direction guided by the wind.
Unlike the real Predator, it won’t carry two Hellfire missiles and a surveillance camera. The drone’s death-delivering features are omitted from Durant’s sculpture. Nevertheless, he hopes it will generate discussion.
“Untitled (drone)” is meant to animate questions “about the use of drones, surveillance, and targeted killings in places far and near,” said Durant in a statement “and whether as a society we agree with and want to continue these practices.”
Durant regards art as a place for exploring possibilities and alternatives.
In 2007, a similar desire to raise questions about remote killing motivated New York artist, Wafaa Bilal, now a professor at NYU’s Tisch Gallery, to lock himself in a cubicle where, for a month, and at any hour of the day, he could be remotely targeted by a paint-ball gun blast. Anyone on the internet who chose to could shoot at him.
He was shot at more than 60,000 times by people from 128 different countries. Bilal called the project “Domestic Tension.” In a resulting book, Shoot an Iraqi: Art Life and Resistance Under the Gun, Bilal and co-author Kary Lydersen chronicled the remarkable outcome of the “Domestic Tension” project.
Along with descriptions of constant paint-ball attacks against Bilal, they wrote of the internet participants who instead wrestled with the controls to keep Bilal from being shot. And they described the death of Bilal’s brother, Hajj, who was killed by a U.S. air to ground missile killed Hajj in 2004.
Grappling with the terrible vulnerability to sudden death felt by people all across Iraq, Bilal, who grew up in Iraq, with this exhibit chose to partly experience the pervasive fear of being suddenly, and without warning, attacked remotely. He made himself vulnerable to people who might wish him harm.
Three years later, in June of 2010, Bilal developed the “And Counting” art work in which a tattoo artist inked the names of Iraq’s major cities on Bilal’s back. The tattoo artist then used his needle to place “dots of ink, thousands and thousands of them — each representing a casualty of the Iraq war. The dots are tattooed near the city where the person died: red ink for the American soldiers, ultraviolet ink for the Iraqi civilians, invisible unless seen under black light.”
Bilal, Durant and other artists who help us think about U.S. colonial warfare against the people of Iraq and other nations should surely be thanked. It’s helpful to compare Bilal’s and Durant’s projects.
The pristine, unsullied drone may be an apt metaphor for twenty-first-century U.S. warfare which can be entirely remote. Before driving home to dinner with their own loved ones, soldiers on another side of the world can kill suspected militants miles from any battlefield. The people assassinated by drone attacks may themselves be driving along a road, possibly headed toward their family homes.
U.S. technicians analyze miles of surveillance footage from drone cameras, but such surveillance doesn’t disclose information about the people a drone operator targets.
In fact, as Andrew Cockburn wrote in the London Review of Books: “the laws of physics impose inherent restrictions of picture quality from distant drones that no amount of money can overcome. Unless pictured from low altitude and in clear weather, individuals appear as dots, cars as blurry blobs.”
On the other hand, Bilal’s exploration is deeply personal, connoting the anguish of victims. Bilal took great pains, including the pain of tattooing, to name the people whose dots appear on his back, people who had been killed.
Contemplating “Untitled (drone),” it’s unsettling to recall that no one in the U.S. can name the thirty Afghan laborers killed by a U.S. drone in 2019. A U.S. drone operator fired a missile into an encampment of migrant workers resting after a day of harvesting pine nuts in Afghanistan’s Nangarhar province. An additional 40 people were injured. To U.S. drone pilots, such victims may appear only as dots.
In many war zones, incredibly brave human rights documentarians risk their lives to record the testimonies of people suffering war-related human rights violations, including drone attacks striking civilians. Mwatana for Human Rights, based in Yemen, researches human rights abuses committed by all sides to the war in Yemen. In their report, Death Falling from the Sky, Civilian Harm from the United States’ Use of Lethal Force in Yemen, they examine 12 U.S. aerial attacks in Yemen, 10 of them U.S. drone strikes, between 2017 and 2019.
They report at least 38 Yemeni civilians—nineteen men, thirteen children, and six women—were killed and seven others were injured in the attacks.
From the report, we learn of important roles the slain victims played as family and community members. We read of families bereft of income after the killing of wage earners, including beekeepers, fishers, laborers and drivers. Students described one of the men killed as a beloved teacher. Also among the dead were university students and housewives. Loved ones who mourn the deaths of those killed still fear hearing the hum of a drone.
Now it’s clear that the Houthis in Yemen have been able to use 3-D models to create their own drones which they have fired across a border, hitting targets in Saudi Arabia. This kind of proliferation has been entirely predictable.
The U.S. recently announced plans to sell the United Arab Emirates fifty F-35 fighter jets, eighteen Reaper drones, and various missiles, bombs and munitions. The UAE has used its weapons against its own people and has run ghastly clandestine prisons in Yemen where people are tortured and broken as human beings, a fate awaiting any Yemeni critic of their power.
The installation of a drone overlooking people in Manhattan can bring them into the larger discussion.
Outside of many military bases safely within the U.S. – from which drones are piloted to deal death over Iraq, Afghanistan, Yemen, Somalia, Syria and other lands, activists have repeatedly staged artistic events. In 2011, at Hancock Field in Syracuse, thirty-eight activists were arrested for a “die-in” during which they simply lay down, at the gate, covering themselves with bloodied sheets.
The title of Sam Durant’s sculpture – “Untitled (drone)” – means that in a sense it is officially nameless, like so many of the victims of the U.S. Predator drones it is designed to resemble.
People in many parts of the world can’t speak up. Comparatively, we don’t face torture or death for protesting. We can tell the stories of the people being killed now by our drones, or watching the skies in terror of them.
We should tell those stories, those realities, to our elected representatives, to faith-based communities, to academics, to media and to our family and friends. And if you know anyone in New York City, please tell them to be on the lookout for a Predator drone in lower Manhattan. This pretend drone could help us grapple with reality and accelerate an international push to ban killer drones.
Kathy Kelly ([email protected]) is a peace activist and author working to end U.S. military and economic wars. At times, her activism has led her to war zones and prisons.
Photo Credit: Sam Durant, Untitled (drone), 2016-2021 (rendering). Proposal for the High Line Plinth. Commissioned by High Line Art. Courtesy of the High Line.
This week, Toward Freedom’s Board of Directors bids farewell to guest editor Charlotte Dennett, welcomes Toward Freedom’s new editor, Julie Varughese, and extends a heartfelt thanks to Sam Mayfield who stepped down as President of Toward Freedom’s Board of Directors in December, 2020.
Charlotte Dennett stepped in as Toward Freedom’s guest editor last October. Her decades-long experience as a scholar, author and activist allowed Charlotte to seamlessly step into the position serving Toward Freedom’s mission, “to publish international reporting and incisive analysis that exposes government and corporate abuses of power, while supporting movements for universal peace, justice, freedom, the environment, and human rights.”
Charlotte contributed not only her editorial and writing skills, but also her great depth of geopolitical knowledge, as well as her enthusiasm for working with other writers. She went above and beyond the call of duty to mentor new writers, guiding them through the editing process, which resulted in the publication of many articles about places and issues not covered by any other English-language media. You can read Charlotte’s reflections about her time as guest editor here. Thank you, Charlotte!
Earlier this month, Julie Varughese came on board as Toward Freedom’s new editor. Julie comes to us having worked as a newspaper reporter, video producer and communications professional in a variety of settings. She has been working with the Black Alliance for Peace since its inception, supporting their impressive growth over the past four years. Julie’s strong writing, editing, video, graphics and social media skills will be a boon to Toward Freedom as we expand and grow to serve a more diverse audience and cover different parts of the world. This past week, Julie edited and published stories on Colombia, Haiti, Afghanistan, Palestine, and drones in Iraq, Afghanistan and Yemen. Please drop her a line at [email protected] with any comments or suggestions. Welcome, Julie!
Sam Mayfield led the organization during a period of transition in our operations, finances, and governance, with a clear vision and commitment to high-quality reporting and analysis of global events and grassroots movements from an anti-imperialist perspective. Her principled leadership, strong work ethic, and experience as a reporter and filmmaker were invaluable as we navigated multiple challenges over the past several years. Thank you, Sam!
Check out towardfreedom.org for all the latest, and expect to see increased presence of Toward Freedom stories on Facebook, Twitter and Instagram in the coming weeks.
Thanks to you Toward Freedom readers for your continued support!
On behalf of the Toward Freedom Board of Directors,
Residents of the Palestinian neighborhood, Jabal al-Mukaber, protested on March 20 the proposed demolition of their homes to make way for an expansion of a highway that would connect Israeli settler neighborhoods / credit: Jessica Buxbaum
Correction: The majority of homes to be razed were built after 1967. A previous version of this article stated otherwise.
EAST JERUSALEM—For the fifth week in a row, residents of Jabal al-Mukaber, a Palestinian neighborhood in Occupied East Jerusalem, demonstrated outside city hall against a municipal plan to demolish their homes.
Banging drums, blaring fog horns and blowing whistles, protesters demanded on March 20 that the municipality freeze 62 home demolition orders. Residents received these notices in January as part of a plan to expand the American Road, a highway cutting through Jabal al-Mukaber and largely viewed as a bypass serving illegal Israeli settlements throughout Jerusalem.
“This is a political target by the municipality to push the residents of Jabal al-Mukaber to take their stuff and live outside of Jerusalem,” said Mohamed Nas, who received a demolition order.
A map depicting the American Road as well as its proposed expansion / credit: The Middle East Eye
East Jerusalem’s ‘Urban Renewal’ Plan
The American Road was first proposed in 1996. It is named after a much narrower road U.S. contractors had abandoned midway through construction because the Six-Day War had begun in 1967. By the 2019, plans were underway to turn the rural road into an urban highway. The latest $250 million construction began in 2020.
The American Road recently was widened by 52 feet. But now plans are underway to expand the highway by another 105 feet, where the 62 houses slated for demolition are located.
An estimated 800 housing units also are being threatened with demolition to develop both sides of the highway, mostly for commercial and office use.
Sari Kronish, an architect with Israeli planning rights organization Bimkom, explained the municipality is hoping to turn the area around the American Road into an urban center. But without an adequate proportion reserved for residential use, the municipality’s urban renewal scheme fails in addressing the neighborhood’s main issue—a lack of housing.
“Equitable housing solutions are what drive the market,” Kronish said. “If we compare it to other places in the country, you have a minimum of 50 percent housing here.”
According to Kronish, residential building rights are included in this development plan, but do not allow for legalizing existing homes. Therefore, the houses in Jabal al-Mukaber will need to be razed and rebuilt into 8-floor units to meet the municipality’s new standards.
While only 62 homes in Jabal al-Mukaber have received official demolition orders, residents say municipal building plans suggest a total of 862 homes on about 94 acres are at risk of demolition because of the highway’s outlined development and proposed commercial center.
“Projects of urban renewal and evacuation and construction are being led, in cooperation and in dialogue with the residents,” said a municipality spokesperson, referencing reaching a joint compromise with the Bashir family in Jabal al-Mukaber.
However, the municipality did not respond when asked to elaborate on this agreement. Nas said any proposed settlements in Jabal al-Mukaber are false.
Israeli forces try to disperse Palestinian residents as a Palestinian building, located in Zif village, is demolished by Israel allegedly for being “unlicensed,” in Hebron, West Bank on February 15 / credit: Mamoun Wazwaz / Anadolu Agency
Denying the Right to Build
In a statement to Toward Freedom, the municipality said they will not permit illegal construction in the city. The majority of homes in Jabal al-Mukaber, and throughout East Jerusalem, lack building permits.
According to Jerusalem municipality data obtained by settlement watchdog group, Peace Now, only 16 percent of Jerusalem’s Palestinian neighborhoods received building permits from 1991 to 2018, compared to 38 percent of construction permits approved for Israeli settlements in East Jerusalem. The extreme difficulty Palestinians experience in getting construction permits forces many to build without the necessary approvals or live in homes deemed illegal.
Not only do Palestinians face a labyrinth of bureaucratic procedures when building, but a lack of available land as well. Palestinians in East Jerusalem can only build on 17 percent of the land, while 35 percent is labeled as green spaces or conservation areas. In Jabal al-Mukaber, nearly 70 percent of the land is designated as “open space.”
Mohammad Mashal, 71, received his first demolition notice in 1994. He’s paid 200,000 shekels, or $62,000, in fines over nearly three decades. Mashal consistently applied for a permit, but was always rejected. Just last month, he received another demolition order as part of the 62 cases slated for demolition.
Ahmad Akmasri, 25, explained his father built their home before 1967 and decided to extend it in 2006. In 2010, the family started applying for a permit. But, until now, no building rights have been issued.
“We’re talking about 12 years in which we paid up to 100,000 shekels [$31,000] in fees, applications for the engineers, lawyers, all of what you can imagine, and it’s still not yet done,” Akmasri said.
Akmasri’s family is also embroiled in a separate building obstacle due to the Kaminitz Law. Passed by the Israeli parliament in 2017, it allows officials unlimited power in cracking down on unauthorized building, specifically in granting extensions on demolition orders. In addition to the 62 demolition cases in Jabal al-Mukaber, 70 other cases are related to the Kaminitz Law, including Akmasri’s family. With this new legislation, the family faces yet another fine after being unable to secure an extension in 2020 over administrative issues spurred by the coronavirus pandemic.
Raed Bashir, the lawyer representing the neighborhood, submitted repeated objections to the municipal court against the demolition orders—all of which were rejected. But the movement remains steadfast as Bashir plans to submit next month an objection to Israel’s Supreme Court.
Mousa Jumah, 61, received a demolition notice about a decade ago.
“We have no rest in our life,” he said, describing a tense environment not unlike the atmosphere of the March 20 protest. “We are under pressure, and pressure leads to explosion.”
Amid the beating of drums and marching demonstrators inching closer and closer to barricaded city hall doors, Jumah captured the sentiment under the loud chanting: A sense of perpetual uncertainty.
“We have no future,” Jumah said. “We are wasted in this world.”
Jessica Buxbaum is a Jerusalem-based freelance journalist reporting on Palestine and the Israeli occupation. You can follow her on Twitter at @jess_buxbaum.
