Sam Durant, Untitled (drone), 2016-2021 (rendering). Proposal for the High Line Plinth. Commissioned by High Line Art. Courtesy of the High Line.

Art Against Drones

In late May, a Predator drone replica, appearing suddenly above the High Line promenade at 30th Street, might seem to scrutinize people below. The “gaze” of the sleek, white sculpture by Sam Durant, called “Untitled, (drone),” in the shape of the U.S. military’s Predator killer drone, will sweep unpredictably over the people below, rotating atop its 25-foot-high steel pole, its direction guided by the wind. 

Moving on, Reflecting Back—Charlotte Dennett’s Editorial Tenure Ends

Now that my Toward Freedom guest editorship has come to an end, I am reflecting back on the stories we ran for the past 6+ months and the writers who wrote them.

The scenes coming out of Modi’s India and its pandemic nightmare have been particularly horrific, causing me to inquire about the health of Toward Freedom contributor Sanket Jain. Sanket is a freelance journalist based in western India. TF ran two of his stories in December and February about how India’s poorest citizens were barely coping with Covid. He emailed me back: “Fortunately, I am safe. For the past few weeks, I have been on the field documenting the disaster that’s unfolding in remote villages of India. Last week, I was shooting photos at the crematorium to see how many people have died of COVID because the Government is hiding official numbers. It’s a nightmare to see a human disaster unfolding at such a massive scale. From lack of oxygen, improper vaccination policy, COVID patients facing ostracism in the village, to frontline healthcare workers facing verbal abuse and even physical assault, India is witnessing a humanitarian crisis. I hope we come out of this disaster soon.” read more