Art and Activism: Danai Gurira’s Play, “Eclipsed,” Is More Relevant Than Ever

Activism and Art are a potent combination for addressing problems that are both enduring and unendurable. The play, Eclipsed, transports the audience into the intimate dwelling of women struggling to survive while living as sexual slaves in a rebel forces encampment at the end of the Liberian civil war in 2003. The story follows a 15-year-old African girl as she escapes from the encampment to become a child soldier in the rebel forces.

The World is My Country: A Stunning New Film about World Citizen Garry Davis

He was best known as “World Citizen # 1.”.He was a former WWII bomber pilot who was so pained about having bombed a civilian city that, in 1948, he gave up his US national citizenship and declared himself a citizen of the world.  Many more acts of defiance would follow, landing him in prison 34 times.  Now, the late Garry Davis (1921-2013), whose obituary appeared on the front page of the New York Times, is the subject of a newly released documentary by Arthur Kanegis and Melanie N. Bennett called The World is My Country. It is now airing on  public television stations across the country -- including Vermont broadcasts on May 2.

Hunting in Yemen, Hunger Striking in Washington DC

We all have a responsibility to listen for the screams of children gunned down as they flee in the darkness from the rubble of their homes. We all have a responsibility to listen for the gasps of little children breathing their last because starvation causes them to die from asphyxiation. “It’s not normal for people to live like this,” says Iman Saleh, now on her 17th day of a hunger strike demanding an end to war in Yemen.

Understanding the Fossil Fuel Industry’s Legacy of White Supremacy

Last October, reporter Hiroko Tabuchi tweeted that she’d “been thinking a lot about fossil fuels and white supremacy recently,” noting that nearly every oil industry official she’d encountered as a reporter was white and male. ExxonMobil complained the tweet was a “baseless claim alleging industry links to white supremacy,” and Tabuchi later deleted it. But according to University of Notre Dame historian Darren Douchuk, Tabuchi’s tweet reflected something real.