Source: Outside the Circle
At the first meeting of a “popular assembly” last week here in my temporary Montreal neighborhood this summer, someone mentioned that street art — in the form of posters, but I’d apply it more broadly to cultural creation — should be two-way, sparking a dialogue. I’ve been thinking about that ever since, in an expansive sense: from dialogues that we have in our own heads when we see images, to dialogues between people looking at the same image at the same time, to street art that’s dialoguing with a current moment or social issue. And so much more. After posting that one Harpy piece yesterday — and some sixty-seven Facebook shares and counting later — “dialogue,” however, seems necessary but not sufficient. The debate that ensued over “Fuck Yoga. Smash the State” seems a far better role for art that finds its way on to the walls, parking meters, streetlamps, sidewalks, bus stops, and other “public” places that are no longer ours in any meaning sense.