Kenya’s Deadly Land Tussles Make Forest Safer Than Houses

As anger over incoming tax hikes boils over in Kenya, African Stream takes a deep dive into the role the International Monetary Fund (IMF) has played in ramming austerity down Africans’ throats. It boils down to neocolonial debt slavery, a system designed to oppress Africans, while oiling the wheels of otherwise faltering Western economies. African Stream’s Kenneth Kaigua breaks down this complex issue.

By Lesley Becker

Activism and Art are a potent combination for addressing problems that are both enduring and unendurable. The play, Eclipsed, transports the audience into the intimate dwelling of women struggling to survive while living as sexual slaves in a rebel forces encampment at the end of the Liberian civil war in 2003. The story follows a 15-year-old African girl as she escapes from the encampment to become a child soldier in the rebel forces.

Written by Zimbabwean-American playwright Danai Gurira, Eclipsed made history by being the first Broadway show with an all-female cast, and the first all African-American cast, and an all-female creative team. Eclipsed was on Broadway in 2016, with Oscar winner Lupita Nyong’o in the lead role.

The playwright wants to create awareness about injustices encountered by girls and women around the world by the stories in her plays.  “Narrative is in my toolbox, and what I find powerful about narrative is that it actually allows people to be connected, to be disarmed, to see other people across the world that they might perceive of as statistics, [rather than] as actual fellow people that they care about and that they want to see freed to live self-determined lives,” she said in an interview.

Gurira’s work transcends the rationalizations created by terms such as “rape as a weapon of war” that are used to characterize the human experience of sexual violation and violence. Her work portrays the humanity of the captive women, and the difficult choices they must make during a time of war, and how the trauma of those experiences, particularly rape, changes them.

Why is Eclipsed relevant now? In September of 2020, President George Weah of Liberia declared rape a national emergency following a three day protest in the capital city of Monrovia. There were 5,000 anti-rape protesters, and there were violent clashes with authorities. Police tear-gassed thousands of anti-rape protesters. It is difficult to collect meaningful statistics as to the rate of rape in Liberia. A World Health Organization report estimated 75% of women in Liberia at the end of the civil war had experienced rape. That statistic was challenged by American writers because, they wrote, it seems like an improbably high rate.  However, the current situation in Liberia, where Covid-19 restrictions have increased the number of Sex and Gender-based attacks by fifty percent, is compared to the same high rate of attacks during the Liberian civil war (1999-2003)
which is the setting of Eclipsed.

The impetus for writing the play came from a 2003 photo appearing in the Western press of Liberian women fighters. Gurira was struck by their attractive appearance, the fierce and intense look in their eyes, and by their guns and their stylish fighting gear. In 2003, the Wall Street Journal interviewed a 20-year-old fighter calle1d Black Diamond, and described her appearance in an almost romantic way: “A pistol and a cellular phone hung from her trendy, wide leather belt. Her jeans were embroidered with roses. Her fellow guerrillas were equally fashionable, wearing tight-fitting jeans, leopard-print blouses and an assortment of jewelry. The number of women in her unit, she said, is a military secret.”

Gurira traveled to Liberia in 2007, setting off on a journey that would reveal that the intensity of the young women fighters in the photo was not empowerment, or a fierce loyalty to the rebel forces and brotherly rebel male fighters. Instead, the style and swagger of the young women covered over the deep trauma of having lived through unspeakable horrors during the civil war including being gang-raped, watching family members murdered, their homes looted and mothers and sisters raped by soldiers. Gurira interviewed thirty women including former women soldiers and women in the Peace Movement who are credited with forcing an end to the Civil War. The characters in the play reflect the histories of those women, as well as Gurira’s research, including the award winning. documentary Pray the Devil Back to Hell and the Human Rights Watch report “Roles and Responsibilities of Child Soldiers”.

Gurira weaves together a story that brings the audience into the women’s lives, using experiences that we can identify within our own lives. The women fuss about their hair, clothing and what will there be for dinner, even as they hide the fifteen-year-old girl from their abuser, the Commanding Officer. The fifteen-year-old, who is called “The Girl,” arrives at the camp as a bright, energetic child, able to read, and having plans to go to school to become a doctor or constitutional lawyer.

The commander, called the “CO” by the women, attacks The Girl when she goes outside to go to the bathroom, then designates her as the “number four” wife. After The Girl is raped by the CO, she returns to the shed where the Wives live together. She is listless and unresponsive to questions from the women about what happened, except to say the CO “did it” to her. Soon after, the CO arrives at the women’s shed, and with dread and anxiety they must line up for him, as he chooses which woman he will take away next.

The women in the play go by their ranking as “Wives,” a system set by the CO, and they do not use each other’s names, but address each other with their number in the ranking. Wife Number One, the eldest wife, was captured when she was twelve, and has been held captive for ten years. Number Two was ousted from the women’s shed and has become a rebel fighter. Number Three is six months pregnant with the CO’s child.

After the CO’s officers loot a village, he gives clothing and other items to Wife Number One, and she finds a book about Bill Clinton. The Girl reads parts of it to some of the other Wives, and their struggle to make sense of Clinton’s troubles provides some comic relief to an otherwise intense and harrowing play.

Wife Number Three calls Monica Lewinsky,“Wife Number Two,” and the woman express wonder at the U.S. Congress trying to remove Clinton as president for having two wives. They remark on the closeness they feel as Liberians to the United States, since it was the United States that set up the founding of their country.

Wife Number Two returns to visit the women’s shed, carrying a large gun and dressed in jeans and a slinky top. She has brought food for the Wives, offering a bag of rice because they have none.  Wife Number One has moral authority, and will not accept the food, because Number Two is involved in war atrocities. Number Three, pregnant and bemoaning the shortage of food, wants to accept the rice. The apparent freedom that Number Two has as a soldier appeals to The Girl.

Number Two entices The Girl to become a soldier so that she can get a gun and protect herself from being raped. The Girl follows Number Two and becomes a child soldier. She finds she is required to participate in looting, killing and (much to her dismay) rounding up girls from the ransacked villages to bring to soldiers to be raped.

A woman from the Liberian Woman’s Peace movement secretively visits the Wives to tell them that the war will be ending soon. The unendurable trauma of their war experience has unraveled the Wives’ identities, and they struggle to remember what their names were before the war. Rita, the Peace Woman, coaxes Number One to remember. Finally, she whispers her name, and Rita writes “Helena” in the dirt of the shed floor. The educated and upper-class Peace Woman, Rita, has her own story. Her daughter has disappeared, and she searches the rebel camps in hopes of finding her. Gurira lays bare Rita’s struggle with her classism when Rita airs the complaints of the Peace Women to Helena, saying that the CO is “trying to treat us like we’re village girls they rob from the bush,” without awareness that Helena herself was a 12-year-old girl running from an attack on her family’s home in a village, and captured when she was hiding in the bush.

The play ends when Charles Taylor leaves Liberia, signaling the winding down of the long civil war. The Girl has to choose whether to give up her gun in order to go with the Peace Women group; or to keep her gun and go back to the camp of rebel fighters. Helena (Number One) struggles with her decision to leave at first because her identity is her rank in the camp. Number Two cannot believe that she will be safe if she gives up her gun, and she returns to the rebel fighters’ camp. Number Three has her baby, and she chooses to stay with the C.O., believing that he will take care of her and her baby girl. She named the girl Clintine, after Bill Clinton. The naming of this Liberian child, begotten by rape at a rebel commanders’ camp during wartime, may symbolize Liberia’s call for support from their parent country.

Liberia was founded by the American Colonization Society in the early 1800’s as the first free country in Africa, as part of the “Back to Africa” movement designed by U.S. government to avoid abolishing slavery. For many years,  U.S. involvement in Liberia was significant, especially in the exploitation of resources (rubber, diamonds and gold) by the Firestone Tire and Rubber Company starting in the 1920’s. The U.S. supported the violent and repressive government of Samuel Doe (1980-1990) but has been gradually but continuously disengaging since the end of the Cold War. In 1990, at the beginning of the brutal, 14 year Liberian Civil War, the U.S. citizens were evacuated and U.S. involvement, for practical purposes, ended.

The commanders in the Civil War illegally, according to the Geneva Convention, used over 15,000 children under the age of 18 as soldiers in fighting in Liberia between 2000 and 2002. Many people question U.S. disengagement with Liberia, a country considered to be the “stepchild” of the United States. One U.S. expert says that Liberia sees itself as the 51^st state. However, while there are significant straightforward needs in Liberia now, such as DNA machines used to determine the perpetrator of a rape and technicians who know how to operate them, there are questions as to why the U.S. has continued to be unresponsive to Liberia’s crisis.

Despite declaring rape to be a national emergency last September, President Weah has not followed through with establishing a special prosecutor for rape, or setting up a national sex offender registry, or establishing Criminal Court E for hearing rape cases across the 15 counties in Liberia. In March of 2021, President Weah unveiled a DNA testing machine to be used to aid prosecution of rape cases. However, media reports indicate that there are no trained technicians who know how to operate the machine in Liberia.

In Our Bodies, Their Battlefields, Christine Lamb writes that rape is the cheapest weapon known to man.” And also one of the oldest, as some scholars analyze the Book of Deuteronomy’s “Law of the Beautiful Captive Woman” to support a view that women may be treated as “spoils of war”. There were many wartime atrocities, but in particular, the weaponizing of raping women and children leaves a lasting imprint on the cultural integrity of a society. The society in Liberia after the war has been called a “culture of impunity” where there is no penalty for attacking women and children.

Danai Gurira founded a website, newsletter and blog called Love Our Girls which raises awareness about girls in African who are abused and forgotten. She writes there:

“As a writer, scripting narratives is my act of resistance, my way of bringing that unheard African female voice front and center and allowing it   to manifest its astounding value. I have always had a passion for women and girls, a hope to see them function on the same playing field as men and  have the same opportunities and appropriate protections. I want to be more   than an actress and storyteller but an advocate for women, not only in underdeveloped countries but all over the world.”

The play’s central theme is that the light inside of each of these women, a light that can be seen clearly in The Girl when she first arrives at the camp, is eclipsed by the trauma of rape and captivity. For the women who become fighters, this is compounded by the horror of the acts of war they witness and participate in.

Eclipsed is about how the light within these women was blocked by the reign of terror of the warlords, their soldiers, and soldiers of the government.

It is an open question as the curtain comes down: what will become of these girls and women when the war has ended? And it is an open question as well: what will it take, locally and globally, to repair the shattered norms that allow rape of children and women to be happening at alarming rates, and to muster the political will to prosecute and convict those who commit those crimes? Gurira uplifts the stories of women and girls in war and invites audiences to see the lives of women and girls who are subjected to repetitive rape, deprivation of food and freedom, by not showing them as “flailing victims” but instead “… these are dynamic women and girls, in the most treacherous of circumstances, and I want the audience to feel at home with them.” The play provokes the empathy that is necessary for social justice.

Lesley Becker is a playwright and director living in Vermont and a Reparative Board member at the Burlington Community Justice Center. Her plays are available to read on New Play Exchange; she is a member of the Dramatist Guild.

 

 

 

 

Editor’s Note: This article is the first in a series Toward Freedom has launched to examine the real impact and reasons for U.S. “humanitarian interventions.”

From the U.S. military intervention launched under the banner of democracy and human rights to restored warlords and the resuscitated Taliban regime, Afghan women have never stopped fighting for their rights.

When Taliban forces entered Kabul on August 15, appearing to have taken control of Afghanistan two weeks before the United States was set to complete its troop withdrawal, shock and fear for women’s fate under the Islamist group’s repressive rule quickly multiplied inside the country and globally.

After nearly 20 years of a U.S.-led coalition’s presence, a costly two-decade war, the very force the United States had tried to push out of power, in the name of its “War on Terror,” took over again. This time it occurred with stunning rapidity, in the wake of U.S. President Joe Biden’s hasty, chaotic military withdrawal.

With the U.S. exit from Afghanistan, hundreds of thousands of Afghan nationals were abandoned at the mercy of the Taliban, amid concern the fundamentalist movement would re-impose its hard-line interpretation of Islamic law on women and girls.

But securing women’s rights was used from the beginning to justify the U.S. military intervention. The Biden administration’s irresponsible pull-out in tandem with the swift, untroubled Taliban return speaks volumes about Washington’s lack of interest to secure respect for human rights and improve women’s lives. Humanitarian interventions have been used to deploy U.S. troops and drones in Iraq, Libya, Syria and other countries. As a consequence, 1 million people have been killed and an estimated 38 million have been forced to become refugees.

 

Condemning Humanitarian Interventions

The Revolutionary Association of the Women of Afghanistan (RAWA), the oldest feminist organization in Afghanistan, stated in its response to the Taliban takeover: “It is a joke to say values like ‘women’s rights,’ ‘democracy,’ ‘nation-building,’ etc., were part of the U.S./NATO aims in Afghanistan!”

The women’s association mentioned the United States’ geostrategic motives for its invasion, namely causing regional instability to encircle its rival powers, China and Russia in particular, and to undermine their economies via regional wars.

“Right from the start, RAWA members have been saying that freedom can’t be brought through bombs, war and violence,” Sonali Kolhatkar, co-director of the Afghan Women’s Mission (AWM), a U.S.-based organization that funds RAWA’s work, told Toward Freedom. “How can they liberate women while they’re killing their husbands, brothers and fathers?”

Afghan women have long known that the U.S.-staged war on terrorism—and any foreign meddling—was not going to make their country safer. Women took the brunt of the backlash of war, military invasion and, again, today’s uncertain aftermath.

“[Afghan women] have always rejected outside interference, and maintained that Afghans need to fight for their freedom from inside,” Kolhatkar said.

For decades, active women have been at the forefront of opposing fundamentalism, warlordism and imperialism in Afghanistan.

Leading political activist and human-rights advocate Malalai Joya publicly denounced the presence of warlords and war criminals in the Afghan parliament in 2003 while serving as a member of parliament (MP), which resulted in her dismissal. An outspoken critic of the United States and NATO, she has continued to denounce the 20-year U.S./Western occupation. She has condemned U.S.-led drone attacks and bombings, clandestine raids carried out by U.S. and Afghan special forces into civilian homes, all of which have killed thousands of Afghans.

Between 2001 and 2020, more than 46,000 civilians were killed and 5.9 million Afghans displaced as a result of the war’s ongoing violence.

 

U.S. Brings Taliban Back to Power

Activists at the Afghan Women’s Network (AWN), an NGO launched in the mid-1990s, have criticized the United States for allegedly bribing and empowering warlords, then resuscitating the Taliban’s power in the 2020 U.S.-led negotiations in Doha, which translated into replacing one fundamentalist regime in Afghanistan with another.

“I do not understand the United States for undoing and now redoing the Taliban in Afghanistan, whose ruling will affect women’s lives the most, which will be ruined yet again,” prominent human-rights activist Mahbooba Seraj, member of AWN, said in a interview with TRT World.

Talking to Toward Freedom, Alia Rasoully, an Afghan based in the United States who founded WISE Afghanistan, an organization that aims to provide women access to health and education, underlined how the Doha talks were conducted solely in the United States’ interest. She said many Afghans are not aware of the agreement’s details.

“Afghan women feel betrayed,” Rasoully said. “Although some women were included in the negotiations, none of their demands for basic human and Islamic rights are being met today.”

Spozhmay Maseed, a U.S.-based Afghan rights activist, deplored the seemingly unconcerned U.S. pull-out. “It was shocking to everyone,” she told Toward Freedom. “U.S. forces were combating terrorists for 20 years, today they’re dealing with them. Who were they fighting then? What was that fight for?”

RAWA member Salma, whose real name must be concealed to protect her security, relayed similar concerns to Toward Freedom.

“The U.S. invasion of Afghanistan after 9/11 was a military operation orchestrated by the CIA that brought in Northern Alliance puppet leaders, who are as extremist and misogynist as the Taliban, and painted them as ‘democratic’ and ‘liberal,’” she said.

“What’s the result of these 20 years?” Salma asked. “[The United States] spent more than $2 trillion on the war to bring back the same Taliban, and it turned the country into a corrupt, drug-mafia and unsafe place, especially for women.”

The façade of democracy the United States had poured trillions of dollars into maintaining was lifted when former President Ashraf Ghani abandoned the presidential palace on August 15 by reportedly dashing onto a helicopter with close to $200 million in tow.

“How breakable that ‘democracy’ was, and how rotten the U.S.-backed puppet government was!” Salma asserted.

 

The Work of RAWA

On its website, RAWA has documented through its reports, photos and videos the horrific conditions facing Afghan women at the hands of the mujahideen and the Taliban, as well as the destruction and bloodshed during the U.S. occupation, which was rarely reported in the media.

“This indigenous women’s movement had long been trying to draw international attention to the atrocities against their people, in particular the ultra-woman-hating acts they were witnessing,” AWM’s Kolhatkar stressed. “It was only after September 11, when the world discovered there were terrible things happening to women in Afghanistan.”

Unlike many other Afghans, RAWA members have stayed, striving to give voice to the deprived women of Afghanistan in the struggle for women’s rights.

RAWA, which was established in 1977 as an independent political organization of Afghan women struggling for women’s rights, is driven by the belief that only a democratic, secular government can ensure security, independence and equality among Afghan people. It became involved in the struggle for resistance following the Soviet intervention called for by the then-socialist government of Afghanistan in 1979. Over the last four decades, RAWA spoke out against the anti-Soviet resistance (known as mujahideen) in the 1980s, fought against the Taliban regime in the mid-1990s, denounced the role of the Pakistani state in creating the Taliban and has rejected the U.S. occupation of the last 20 years.

The women’s organization has been involved in various social and political activities to include literacy classes, schools for girls and boys in villages and remote areas, health and income-generation projects for women to help them financially, and political agitation. It has also worked with refugee Afghan women and children in Pakistan, running nursing, literacy and vocational training courses. In 1981, it launched a bilingual magazine in Persian and Pashto, Payam-e-Zan (Woman’s Message), spreading social and political awareness among Afghan women.

Due to its pro-democracy, pro-secularist and anti-fundamentalist stance, RAWA has always operated as a clandestine organization, including in the last two decades under the U.S. occupation and the so-called “democratic government,” which it never recognized.

Using pseudonyms, concealing their identities, turning their homes into office spaces, often changing locations to avoid attention, its members have been active in different areas across Afghanistan. They would run underground schools for girls and women where they would use their burqa as a way to hide their books, and disseminate copies of Woman’s Message, secretly aiming to raise awareness among women of their rights and change their minds.

As an unregistered organization carrying out political work and home-schooling, if authorities found about its existence and illicit activity they could react punitively with any member caught up.

Since the assassination of its founder, Meena Kamal, the feminist association has been working more underground as anyone openly identified as member would risk being arrested or even killed. Despite it becoming increasingly dangerous to organize, the movement continues to stand.

“This is the time our women need us the most in Afghanistan,” Salma said. “We have to continue to be the voice of the voiceless who are here.”

 

Women’s Rights at What Cost?

Afghan women saw improvement in their lives over the past 20 years in terms of access to education, healthcare and employment, as well as economic, social and political empowerment. But the gap between urban centers and rural areas never really narrowed. In rural areas, where it is estimated 76 percent of Afghanistan’s women reside, women still rely on men in their families for permission to attend school and work. Girls are typically allowed to have primary or secondary education, then their families proceed with arranged marriages. In 2020, as little as 29.8 percent of women could read and write.

“Progress was slower in rural areas,” Rasoully remarked. “We worked hard in advocating to convince parents that their girls could safely go to school in a very culturally appropriate environment that they were comfortable with.”

She called for greater efforts to address the urban-rural divide, noting the international community made the mistake of taking an inequitable approach to offering educational opportunities to Afghan girls, as it directed its programs at young women in cities.

In her view, the insecurity brought on by the war into rural communities was a major impediment that kept girls out of school and prevented women from working.

Many villages experienced for years the devastation of heavy fighting between the Taliban, foreign militaries, government forces and local militias. The loss of husbands, brothers and fathers to the war further compromised women’s ability to go about everyday life.

Salma made clear progress in women’s status in the past two decades has been the result of a “natural process.” During that time, Afghan women acquired basic freedoms that had been withheld from them under the Taliban regime. But the foreign military presence could not be credited for that.

Kolhatkar specified that while the United States had boots on the ground in Afghanistan and it supported women’s rights on paper, the United States allowed the opposite in practice by “working with fundamentalists every step of the way.”

She explicitly said the issue of women’s rights was never a concern for Washington. Rather, it was a pretext to make its long, protracted occupation “palatable.”

“RAWA had been warning the Americans since the early phase of the invasion not to embrace the Taliban, nor the warlords,” Kolhatkar, AWM’s joint director, reminded. “It shouldn’t at all surprise us that the U.S. administration finally left Afghanistan, with misogynist hardliners in charge once again.”

With the Taliban back in control on August 15, a wave of civil resistance mainly was initiated by Afghan women. The protests have built momentum, hitting different parts of the war-ravaged country in the last month.

Further, a new generation has grown up in a country that is connected to the rest of the world through the Internet. That has increased political and social awareness among the general public, especially among young people.

Today, groups of women—small and large—are disobeying Taliban restrictions, protesting in Herat, Kabul, Mazar-e Sharif and other Afghan cities to demand their fundamental rights. They are bravely defying the extremist group, refusing the idea of returning to the grim days that women lived through.

Under the Taliban’s previous rule (1996-2001), the Islamist militants enforced strict rules on women and girls, forcing them to cover their bodies from head to toe, prohibiting them from leaving home without a male family member, and banning them from going to school or work. If they did not abide by the rules, they could face severe punishment, such as imprisonment, torture or execution.

Rasoully expressed concern that the progress made by 35 million Afghans throughout the last two decades, especially young women and girls, may go to waste. She personally mentored girls in medical school, in areas like Kandahar, over the last five years. 

“But today, we are being told girls cannot go to school beyond sixth grade,” she said. “This will take us back to the stone ages.”

Maseed, the U.S.-based Afghan activist, insisted today’s Afghan women are better educated and more politically aware than in the 1990s, and will keep pushing for their rights.

“If women go backward, they think it’s better to come out on the streets and be killed than to follow these regressive rules and die inside every day,” the activist affirmed.

Resisting oppression with exceptional resilience—even under the new Taliban rule—they intend to keep up their struggle. They also are appealing to the international community not to grant recognition to the Taliban as a legitimate political actor.

In the past weeks, Afghan associations and supporters in the diaspora have joined Afghan women’s calls to refuse to recognize the Taliban. But they also have criticized the U.S. role in creating a disaster, at both political and humanitarian levels. And it is clear from U.S. machinations that ordinary Afghans will suffer starvation with recent efforts at keeping the Taliban from accessing funds stored in foreign banks.

“Perhaps things were better for many Afghan women under a U.S.-supported government, but it is also the United States’ violent intervention, which has led to the situation in Afghanistan today,” Nida Kirmani, a feminist sociologist and professor at Pakistan’s Lahore University of Management Sciences, wrote in a tweet. “One cannot disconnect the two.”

 

Using women’s rights again as a means of framing US imperialism. Perhaps things were better for many Afghan women under a US-supported government, but it is also the US’s violent intervention, which has led to the situation in Afghanistan today. One cannot disconnect the two. https://t.co/RYNX9COIvL

— Nida Kirmani (@NidaKirmani) September 11, 2021

Alessandra Bajec is a freelance journalist specializing in West Asia and North Africa. Between 2010 and 2011, she lived in Palestine. She was based in Cairo from 2013 to 2017, and since 2018 has been based in Tunis.