
Off the Page and Into the Streets: A Graphic History of SDS
From Art Spiegelman's Maus to Alison Bechdel's Fun Home, the graphic form has proved a powerful narrative tool. Combining memoir and social commentary in a visually appealing package, such illustrated stories blur the boundaries of art and history, reality and fantasy. It should be no surprise, then, that social movements-those rare hybrids of reality and fantasy-are finding themselves increasingly illustrated. Walter Benjamin's argument that radicalism politicizes art seems more relevant now than ever.