Editor’s Note: This article originally appeared in Peoples Dispatch.
At least eight civilians were killed and 28 others injured by UN forces in the Democratic Republic of Congo’s eastern province of North Kivu on Tuesday, February 7. The killings took place after confrontations between the local population and forces of the UN peacekeeping mission (MONUSCO) near Kanyaruchinya in the Nyiragongo territory.
The casualties were confirmed by Lieutenant General Constant Ndima on Wednesday, February 8, who added that civilians in the area were opposing the passage of the UN convoy, following which MONUSCO soldiers had fired “warning shots.” The people killed had been displaced by attacks of the M23 rebel group, increasingly acknowledged to be a proxy force backed by neighboring Rwanda, in the territories of Rutshuru and Nyiragongo.
The provinces of North and South Kivu have witnessed renewed unrest over past weeks as affected populations have accused foreign forces, now including the East African Community (EAC) Regional Force, of “passivity” and a failure to stop the offensive of the M23 rebel group.
In a statement on Tuesday, MONUSCO said that its convoy was returning from a supply mission to a base in Kiwanja, and was on its way to the provincial capital of Goma when it was stopped near Munigi. It added that the vehicles had been forced to stop after demonstrators had barricaded the roads, after which “attackers” set fire to the convoy’s trucks before stealing their cargo.
“Three people unfortunately lost their lives during the scuffles, while peacekeepers and the FARDC (Congolese troops) tried to protect the convoy,” the statement said. MONUSCO has said that a joint investigation with Congolese authorities will determine the exact circumstances of the deaths.
Unrest Grows As Clashes Continue
The killings on Tuesday took place less than a year after over 30 people were killed during major protests demanding the withdrawal of MONUSCO, citing its failure to ensure the security of the people. Amid the protests, it was also reported that members of MONUSCO’s Force Intervention Brigade had shot and killed two people in Kasindi, North Kivu, while returning from leave.
The mission has been present in the country for two decades. It was established by the UN Security Council (UNSC) in 1999 following the second invasion of the DRC by Rwanda and Uganda in 1998. With a current annual budget of approximately USD one billion, MONUSCO is the UN’s largest and most expensive peacekeeping operation.
In the wake of growing anti-MONUSCO protests, the UNSC renewed the mission’s mandate for one more year in December, with a troop ceiling of 16,161, of which 13,500 would be military personnel. The mission’s strategic priorities would be centered around the protection of civilians, support for the stabilization and strengthening of state institutions, and governance and security reforms.
Meanwhile, tense conditions were also reported in Goma on Tuesday, where protestors had set up barricades since February 5, cutting off major roads and districts and bringing public and commercial activities to a standstill.
People have condemned the occupation of the areas of Rutshuru, Nyiragongo, and Masisi by the M23, demanding that either the EAC forces fight the rebel group in these areas, or withdraw from the DRC altogether.
Fighting between the FARDC and M23 resumed in North Kivu’s territory of Masisi on Tuesday, about 20 kilometers from the town of Sake. The Congolese army was reportedly able to successfully repel the attack. The rebel group had captured the town of Kitchanga by the end of January, following which the FARDC announced that it had withdrawn from the area in an effort to “protect the civilian population.”
Civil society groups in Masisi have raised SOS appeals amid reports of massive displacement. According to UN figures, over 520,000 people had been displaced by fighting between the M23 and Congolese forces between March 2022 and the end of last year .
Clashes were reported a few kilometers from Sake, which lies less than 30 kilometers from Goma, on Thursday, February 9, as video footage showed people carrying their belongings and moving along the Sake-Goma road to reach the capital city. As of 2:40 pm local time, the city was still reported to be under the control of the FARDC.
Fighting has continued just days after the 20th Extra-Ordinary Summit of the EAC Heads of State held in Bujumbura, Burundi, on February 4. The final communique calls for an immediate ceasefire by “all parties,” and the withdrawal of all foreign armed groups, while calling upon Kinshasa to “facilitate the deployment of troops” from South Sudan and Uganda in the EACRF.
What of Congo’s Sovereignty?
The M23 had initially announced that it had agreed to a ceasefire, as decided by the Mini-Summit on Peace and Security in the Eastern Region of the DRC, held in Luanda, Angola, on November 23, 2022. The ceasefire was set to take effect on November 25, and would also be accompanied by the withdrawal of M23 forces from all occupied areas.
However, days into the ceasefire, the Congolese government accused the M23 of violating the ceasefire and massacring over 300 civilians in Kishishe, 70 kilometers from Goma. The killings were corroborated by MONUSCO and the UN Joint Human Rights Office (UNJHRO) in a report on December 7, which stated that at least 131 civilians had been killed.
In a report released on February 7, the UNJHRO revised the death toll to 171, affirming that the M23 had killed civilians in Kishishe and Bambo in retaliation “for their supposed collaboration with national defense and security forces and rival armed groups.”
On December 6, after the conclusion of the EAC-facilitated 3rd Inter-Congolese Dialogue in Nairobi, Kenya, the M23 announced that it was ready to “start disengagement and withdraw.”
Importantly, the Luanda summit’s final communique called for the “creation of the conditions of M23 currently controlled zones, by the EAC Regional Force,” and not the FARDC.
On December 23, the M23 announced that it was handing over the strategic town of Kibumba to the EACRF, a move the FARDC denounced as a “sham” meant to serve as a distraction while the rebels reinforced their positions elsewhere.
However, a confidential UN report covering the period between December 26 and January 3 stated that the group’s “total withdrawal from the area had not been confirmed” and that “suspected M23 movements were still sighted in the area.” It further noted that the group had taken control of further areas, “notably threatening Kitchanga, Mweso, Sake, Kilorirwe, Mushaki, and Nyamilima.”
Addressing the summit in Burundi, which was also attended by fellow EAC member Rwanda’s President Paul Kagame, the DRC’s President Felix Tshisekedi told the EACRF commander Major General Jeff Nyagah: “Don’t favor the M23. It would be a shame if the population took it out on you. You have come to help us and not to have problems, be attentive to this, communicate with the population.”
A press release issued by the Congolese Foreign Affairs Ministry on February 5 highlighted that the summit’s participants had “unanimously noted” the implementation of the Luanda Mini-Summit roadmap by the M23.” Importantly, the statement added that the Congolese government “wishes to recall that the mandate of the regional force is, unequivocally, offensive.”
Despite being authorized to use force against the M23, the EACRF has reportedly not opted to do so yet. The president of Congo’s National Assembly, Christophe Mboso, has warned that “if within a reasonable time that the Regional Force (EACRF) is unable to support us against the aggressor and that its soldiers take pleasure in supporting or helping our enemies, we will ask the supreme commander of the armed forces, who is the President of the Republic… to take the necessary decision.”
Millions of Congolese are estimated to have died in the decades of invasion and war in the mineral-rich eastern provinces of the DRC. The theft and exploitation of the country’s resources by foreign armies and armed groups has long been acknowledged as a key driver of the war. In 2022, Uganda was ordered by the International Court of Justice to pay $325 million in reparations to the DRC, including for the damage caused to its natural resources.
The protests against MONUSCO—and, importantly, the EAC forces—have taken place in the context of increasing fears of Balkanization of the eastern provinces of the DRC to serve the interests of regional forces.
Protests against the force were held in Goma in January after the EACRF erected a buffer zone around Kibumba, prohibiting access to the area to the FARDC. “It is very serious to prevent the loyalist force from accessing a part of its territory formerly occupied by the enemy,” a member of a local group had said.
As concerns remain about what shape the EACRF’s presence might take in the DRC and what the outcomes of the Luanda and Nairobi processes may be, the Congolese people have always remained steadfast in their demand that the territorial integrity and sovereignty of the DRC must be respected.
Editor’s Note: The following represents the writers’ opinion.
A free and transparent media is critical for any democracy. But in every society, defending the integrity of the media requires constant vigilance. We found ourselves drawn into the work of exercising this vigilance by complete chance.
When the independent left publication New Frame closed down after four years of operations, the liberal media rushed in, in unseemly haste, to put the boot in. Perhaps the worst of the attacks was penned by Sam Sole and Micah Reddy of the investigative journalism outfit amaBhungane. They alleged, based on nothing more than salacious gossip, that there was an attempt to influence public discourse in South Africa by the Chinese state. Not a shred of evidence was provided for this conspiracy theory by Sole and Reddy in an article that was largely based on innuendo. They abused the institutional authority of amaBhungane as a trusted publication to give credence to a conspiracy theory, one that aligned closely with the
key tropes being driven by the United States in the New Cold War.
The hostility towards us in this story can only be because our new organization, the Pan-African Institute for Socialism (PAIS), aims to create a non-sectarian space on the left to reach consensus on a pragmatic minimum program to increase the prospects for the Black poor and working-class majority in South Africa, Africa and the Global South.
PAIS has never had any sort of connection to New Frame aside from a single meeting held at their offices to inquire about the process for submitting opinion pieces for consideration, something that never actually happened in the end. But, to our complete astonishment, we found PAIS, a new and entirely unfunded organization, drawn into the conspiracy theories recycled by Sole and Reddy. This quite bizarre experience led us to wonder who funded amaBhungane, and what the drivers were for such vehemence by publications that claim to be fair, even-handed, and balanced. Those questions soon led us to an intricate web of relationships that are clearly designed to hide the influence of powerful funders and networks.
What is the real project of these U.S.-led imperialists and their surrogates in South Africa? A common thread has been the use of proxies to stymie the liberation of the majority of South Africans, particularly the Black working class and rural poor. First was Inkatha.1 Then came the DA. Lately, it is a hodge-podge of xenophobic opportunists. In addition, there are organizations that pose as being ‘Left’ and the so-called independent media. They all have one thing in common. They have an agenda to drive the ANC vote below 50 percent, in towns, cities, provinces and ultimately nationally.2
While PAIS may irritate them because we shine a spotlight on these reactionaries, their real target is the liberation movement. They wish to stymie the realization of the National Democratic Revolution, the as-yet unrealized goal of the struggle.
We have been stunned by the extent of the capture of much South African media by the U.S. state and how most of it is hiding in plain sight. The first article to come out of our ongoing research project, “Manufacturing consent: How the United States has penetrated South African media”3 noted a few key points, including the following:
The National Endowment for Democracy (NED) was created in 1983 during the Reagan era to conduct operations and functions previously carried out by the CIA.4 It supported the mujahideen in Afghanistan and the Contras in Nicaragua and has been involved in many U.S.-backed coups.5 It now has vast tentacles across Africa.6
The NED funds the Mail & Guardian’s (M&G) weekly publication The Continent7 via its own non-profit arm, Adamela Trust, and international organisations like the International Fund for Public Interest Media (IFPIM),8 and the Media Institute of Southern Africa (MISA),9 all of which are linked to key people and organisations in the South Africa media. The editor-in-chief of the Continent is Simon Allison, former Africa editor of M&G, Africa correspondent of Daily Maverick, and a former consultant with Open Society Foundation (OSF)-funded Institute for Security Studies.10 11 It is noteworthy that the NED has continued its program through Republican and Democratic administrations, from Reagan through to Biden, and was headed by Carl Gershman from its inception until 2021. Its agenda has not changed. 3. The OSF and Luminate, another major foundation, are official U.S. government partners that often work closely with the NED and other parts of the U.S. state, strategically taking on and funding projects that the U.S. state cannot or does not wish to directly undertake.12 Among the many examples of direct collaboration is that the NED and the OSF jointly founded Global Forum for Media Development (GFMD).13 The Center for International Media Assistance (CIMA) is an official initiative of NED that coordinates this work and lists OSF as a partner.14 Luminate, together with the MIDF, has facilitated “dedicated coaching and newsroom expertise in topics such as marketing, newsletters, community building, and audience development” for M&G.15 4. Key senior people in publications like the M&G and amaBhungane, including three former editors-in-chief of the M&G have gone on to work for U.S. and Western government-supported organizations, including three separate projects funded by the NED.16 17 18 5. At least fifteen people who passed through the fellowship program run by amaBhungane have been directly tied to U.S. government organizations and programs including the Voice of America.19amaBhungane has also led the formation of a regional investigative journalism network, IJ Hub.20 6. The M&G, the Daily Maverick and amaBhungane, as well as smaller projects like the M&G-linked Daily Vox and the local U.S. embassy-linked Africa Check,21 are part of a list of at least 24 publications that have been funded by one or more of the major funders that regularly partner with the U.S. government.22
As we continue with our research we are finding more NED links. For instance the NED has funded the Institute for Race Relations (IRR),23 which publishes the Daily Friend,24 a publication that is ostensibly liberal, but veers towards the reactionary right wing weltanschauung. Sam Sole, the editor of amaBhungane, is a member of the International Consortium of Investigative Journalists (ICIJ),25 which is funded by the NED.26 We are also finding more and more links between organizations, like the OSF and Luminate, and the U.S. state. It is also likely that some journalists are funded directly by organizations, so that the claim to independence of organizations can be upheld.
The Oppenheimer family, whose wealth was wrung from the super-exploitation of Black labor in the mines, have long had considerable influence over political life in South Africa, including during the negotiations where the right of capital to continue to exploit was affirmed.27 But it is clear that, like OSF and Luminate, the Oppenheimers are also key partners of the U.S. state. The Oppenheimers fund amaBhungane28 and are given the red carpet treatment by the Daily Maverick to platform for their surrogates such as Greg Mills to propagate their pro-Western worldview.29 Founded by Branko Brkic, the Daily Maverick does list some funders, but asks you to take a leap of faith that a group of ten trusts, companies, and individuals that own anything between 0.1 percent and 15 percent of its investment holding company, are not compromised or party to any external leverage, as a cohort or as individual opaque entities. It also raises questions that the Daily Maverick and its biggest shareholder, Inkululeko Media, are indexed by Google as sharing the same office address in St. George’s Mall, Cape Town.30 31 Their opaqueness flies in the face of the Daily Maverick’s claims of transparency, which are merely a marketing strategy. Since their reader covenant was drafted in 2009, the Daily Maverick has become an important and influential player in the polity. It has evolved beyond being a blog with an angle that punched above its lightweight class and has accrued a tremendous amount of institutional authority in shaping discourse and curating narratives. With this power comes the responsibility to precisely disclose its funding. In short, it’s time for Daily Maverick to grow up, just like its peers in the mediascape.
The Oppenheimers also fund the Institute for Race Relations (IRR),32 the South African Institute for International Affairs,33 and their own foundation, the Brenthurst Foundation34. In each case, the links to the U.S. state are clear. Chester Crocker, who was Ronald Reagan’s point man in southern Africa at the height of the Cold War35 is an “honorary life member” and board member of the IRR.36 The Brenthurst Foundation has clear and open links of various kinds to NATO. The director of the Brenthurst Foundation, Greg Mills,37 served as a special advisor to the NATO Commander David Richards, who commanded the Western coalition forces as they stomped their way across Afghanistan.38 Greg Mills39 is one of four foreign policy right-wing hawks who are “allowed” to write on geopolitical affairs by the Daily Maverick. The other three are former U.S. diplomat Brooks Spector,40 former editor of M&G and president of consultancy group Calabar Consulting, Phillip van Niekerk,41 and lifetime foreign affairs hawk and stenographer of Western imperial interests, Peter Fabricius. Fabricius and Spector are also linked to the South African Institute of International Affairs as “experts”.42 The SAIIA is funded by USAID and the U.S. Department of State.43 But the systemic capture of much of our mediascape by the U.S. state and its partners extends beyond questions of funding, training programs, revolving doors, boards and collaborations of various kinds. There is also the question of editorial lines. In a number of publications, there is a systemic bias towards pro-U.S. positions, and very, very little critique of U.S. imperialism. There are a number of people writing as independent analysts, who are in fact embedded in the U.S. state in various ways. We also see that while the media has often served the interests of the public in terms of uncovering corruption in government, it has often done comparatively little in terms of doing the same in terms of private sector corruption, abuse of workers and control of policy.
All this is just scratching the surface. We are finding much, much more evidence of widespread media capture with every hour of research. Already some key questions are emerging for future research and articles. They include the following:
Why is the Daily Maverick’s funding not fully and precisely disclosed—including, in particular, the details on all equity, loan, or subsidy transactions?
How are the amaBhungane fellowship and training programs funded? Are there project costs, fees and expenses received from programs funded directly or indirectly from U.S. government agencies? Why do such large numbers of the fellows go on to work for U.S. government funded projects?
Which publishers, editors and journalists have attended the regular events for editors held by the U.S. consulate in Cape Town? What are the details of other briefings held by U.S.-directly or -indirectly funded organizations that senior leaders of South African media attend?
Who are the former publishers, editors and journalists who now work for the U.S. state or for U.S.-state directly or -indirectly funded organizations?
What other media projects are funded by the NED, OSF, Luminate and the Oppenheimers?
What is the percentage of articles in our “independent” media on geopolitics that support the U.S. line on international affairs and the percentage of those that are critical?
Transparency is a basic democratic value. It is time we knew who the masters of our media really are. It cannot be acceptable that while the editors and reporters of these publications demand accountability and transparency of those in government, labor and, occasionally, in business, they arrogate to themselves the right to not meet the same standards.
Our research project is growing in scope and urgency by the day. We need help from all interested citizens of South Africa who wish to contribute to media reform in the interests of transparency and the important work of defending and deepening our democracy. As a start, we welcome suggestions for further questions for us to explore and, in due course, to present to the South African National Editors’ Forum (SANEF). Please do contact us at [email protected] and share the questions that you think should be raised.
Phillip Dexter and Roscoe Palm are co-founders of the Pan-African Institute for Socialism, which can be found on Twitter at @PaisSocialism.
Footnotes
1 The Inkatha Freedom Party (IFP) started as a cultural movement in present day KwaZulu-Natal, but quickly morphed into a political movement to oppose the ANC’s liberation struggle. See “Inkatha Freedom Party (IFP),” South African History Online. 2 For example, in a recent opinion piece in Financial Times, Gideon Rachman wrote, “The best thing [the ANC] could do for the country’s future would be to lose the next election and leave power.” Gideon Rachman, “South Africa’s fear of state failure,” Financial Times, Aug. 15, 2022 3 See Ajit Singh and Roscoe Palm, “Manufacturing consent: How the United States has penetrated South African media,” MR Online, Aug. 8, 2022. 4 See David Ignatius, “Innocence Abroad: The New World of Spyless Coups,”The Washington Post, Sept. 22, 1991 (“‘A lot of what we do today was done covertly 25 years ago by the CIA,’” agrees [Allen] Weinstein.” Weinstein was a co-founder of the NED.) 5 See David K. Shipler, “Missionaries for Democracy: U.S. Aid for Global Pluralism,”The New York Times, June 1, 1986. 6 For example, in FY2021 alone, the NED’s Africa program granted $41.5 million dollars across 34 countries and hundreds of projects. See National Endowment for Democracy, 2021 Annual Report. 7 See National Endowment for Democracy, “Regional: Africa 2021,” Feb. 11, 2022. 8 See International Fund for Public Interest Media, “About”. 9 See National Endowment for Democracy, Awarded Grants Search, (search: “Media Institute of Southern Africa”). Additionally, MISA has received funding from and is a “key partner” of the U.S. Agency for International Development. See United States. Congress. House. Committee on Appropriations. Subcommittee on Foreign Operations, Export Financing, and Related Programs, Foreign Operations, Export Financing, and Related Programs Appropriations for 2002: Hearings Before a Subcommittee of the Committee on Appropriations, House of Representatives, One Hundred Seventh Congress, First Session, U.S. Government Printing Office, 2001, p. 870. 10 See Simon Allison LinkedIn. 11 See Institute for Security Studies, “How we work”. 12 “Private sector funding of independent media abroad … has several advantages over public financing. Private funders can be more flexible … and their programs can operate in countries where U.S. government-funded programs are unwelcome. “In many places around the world, the people we train are more open to participating in programs funded by private sources than those funded by the U.S. government,” says Patrick Butler, ICFJ [International Center for Journalists] vice president.” National Endowment for Democracy, Center for International Media Assistance, Empowering Independent Media Inaugural Report: 2008, Ed. Marguerite Sullivan, (cited in Manufacturing consent article). 13 According to the Global Forum for Media Development, OSF and NED are its “core funders.” See Global Forum for Media Development, “Partnerships”. 14 See Center for International Media Assistance, “Partners”. 15 See Luminate Group, “Sixteen media selected for Membership in News Fund,” Feb. 4, 2021. 16 Roper became editor-in-chief of M&G in 2009 and left in 2015 to become the Deputy CEO of Code for Africa (CfA). CfA is a member of Code for All, which is funded by the NED. Additionally, Roper was a Knight Fellow at the International Center for Journalists, which is also funded by the NED. See, Chis Roper LinkedIn profile; Code for All, “Our Supporters”; International Center for Journalists, Impact Report, 2022, p. 17. 17 Former editor-in-chief Khadija Patel (2016-2020) left the M&G to chair the NED-sponsored International Press Institute. In 2021, Patel became head of programs at the NED-funded International Fund for Public Interest Media (IFPIM). See fn. 2 (above) (NED funding of IFPIM); International Press Institute, “Supporters and Partners”; International Press Institute, “Executive Board”; International Fund for Public Interest Media, “About”. 18 Former editor-in-chief Phillip van Niekerk (1997-2000) left the M&G to take up a senior position at the International Consortium of Investigative Journalists (ICIJ) in Washington D.C. ICIJ is funded by the NED. See “New editor of M&G,”Mail & Guardian, Mar. 20, 1997; “Over to you, Dr Barrell,”Mail & Guardian, Dec. 15, 2000; International Consortium of Investigative Journalists, “Our Supporters”. 19 See “Manufacturing consent: How the United States has penetrated South African media.” Full citation at fn. 3. 20AmaBhungane “is incubating the Hub… As incubator, amaBhungane has continued to support the Hub administratively.” IJ Hub, Annual Narrative Report 2021/21. 21 See Africa Check, “Partners” (“The U.S. Embassy in South Africa is proud to team up with Africa Check to tackle misinformation and disinformation in the media.”). 22 In addition to their own media-related grants, OSF and Luminate jointly founded the South African Media Innovation Program, a multi-million dollar media investment initiative managed by the Media Development Investment Fund, which is also funded by OSF and Luminate. See South Africa Media Innovation Program; Luminate Group, “South Africa Media Innovation Program (SAMIP) launched by Open Society Foundation of South Africa (OSF-SA), Omidyar Network, and Media Development Investment Fund,” Aug. 29, 2017. 23 See i.e. South African Institute of Race Relations, 86th Annual Report, 2015, p. 7. Additionally, the IRR has partnered with the International Republican Institute, which is one of NED’s four core institutes. See International Republican Institute, “Democratic Governance in Africa”; National Endowment for Democracy, “How We Work”. The IRR is also a member institute of the NED’s Network of Democracy Research Institutes. (See National Endowment for Democracy, “NDRI Member Institutes” (https://www.ned.org/ideas/network-of-democracy-research-institutes-ndri/ndri-member-institutes/#Top). 24 “The Daily Friend is the online newspaper of the Institute of Race Relations.” Daily Friend, “About” (https://dailyfriend.co.za/about/). 25 See International Consortium of Investigative Journalists, “Sam Sole”. 26 See International Consortium of Investigative Journalists, “Our Supporters”. 27 See Sampie Terreblanche, “The New South Africa’s original ‘State Capture’”, Africa Is a Country, Jan. 28, 2018. 28 See amaBhungane, “About Us”. 29 See https://www.dailymaverick.co.za/author/ray-hartley-and-greg-mills 30 See https://www.sayellow.com/view/south-africa/daily-maverick-in-cape-town 31 See footer on Inkululeko website for address. 32 See Oppenheimer Memorial Trust, “All Beneficiaries – S” 33 See Oppenheimer Memorial Trust, “All Beneficiaries – S” 34 See The Brenthurst Foundation, “Our Story”. 35 Interestingly, a 1983 New York Times profile of the Oppenheimer empire opens with the following: “In an oracular vein, an academic named Chester A. Crocker once said of South Africa: That country is by its nature a part of the West. It is an integral and important element of the Western global, economic system. Mr. Crocker, who has since become the State Department’s top Africa hand and author of the Reagan Administration’s policy of “constructive engagement” with South Africa’s white minority Government, was openly embracing a premise found in both South African propaganda and the arguments of Marxist analysts: that the West’s formal condemnations of apartheid mask an enormous stake in the outcome of the shadowy struggle between the races there.” See Joseph Lelyveld, “Oppenheimer of South Africa,”The New York Times, May 8, 1983. 36 See South African Institute of Race Relations, 92nd Annual Report, 2021, p. 6. 37 See The Brenthurst Foundation, “Greg Mills”. 38 See Greg Mills, From Africa to Afghanistan: With Richards and NATO to Kabul, Wits University Press, 2007. 40 See J. Brooks Spector author page at Daily Maverick. 41 See Phillip van Niekerk author page at Daily Maverick. 42 See South African Institute of International Affairs “Expert” pages for Peter Fabricius and Brooks Spector. 43 See South African Institute of International Affairs, “Funders”.
Editor’s Note: This article originally appeared in Peoples Dispatch.
The Communist Party of Swaziland (CPS) reported on February 28 that the police force of Africa’s last absolute monarchy has shot and disappeared one of their members, Mvuselelo Mkhabela, age 21. “Comrade Mvuselelo was badly shot at and dragged to the police van helplessly and his whereabouts and condition is unknown and the armed to teeth police force continued its attacks to the protesting community,” CPS tweeted. Reportedly this abduction happened at around 13:00h (local time) on February 28.
This latest act of violence by the Swaziland police force comes amid an uptick in police repression of recent protests against the “farcical” parliamentary elections. CPS claims that the elections are a farce because the parliament itself is under the control of the monarchy, so the electoral process constitutes “a tool used by the absolute monarchy to sanctify King Mswati’s decision.” Mvuselelo himself was arrested and tortured earlier this month for protesting these elections, which are set to occur this August. Shortly after his arrest, Mvuselelo told Peoples Dispatch, “Often, when [police] invade communities, there is no one to defend the family or the individual from the wrath of the regime. This cannot go on.” Mvuselelo was abducted today in one such police invasion.
Communists in Swaziland have been involved in a struggle against the monarchy for decades. In recent months, the regime led by King Mswati III has intensified attacks against pro-democracy activists, including the assassination of human rights lawyer Thulani Maseko, threats against union leader Sticks Nkambule, torture of union leader Mbhekeni Dlamini, and more.
“Mvuselelo’s consciousness and commitment to the just course of the people of Swaziland fighting for democracy in the face of a militarized system of oppression presided by Mswati and his political elites remains unwavering,” CPS wrote in a tweet.
Activism and Art are a potent combination for addressing problems that are both enduring and unendurable. The play, Eclipsed, transports the audience into the intimate dwelling of women struggling to survive while living as sexual slaves in a rebel forces encampment at the end of the Liberian civil war in 2003. The story follows a 15-year-old African girl as she escapes from the encampment to become a child soldier in the rebel forces.
Written by Zimbabwean-American playwright Danai Gurira, Eclipsed made history by being the first Broadway show with an all-female cast, and the first all African-American cast, and an all-female creative team. Eclipsed was on Broadway in 2016, with Oscar winner Lupita Nyong’o in the lead role.
The playwright wants to create awareness about injustices encountered by girls and women around the world by the stories in her plays. “Narrative is in my toolbox, and what I find powerful about narrative is that it actually allows people to be connected, to be disarmed, to see other people across the world that they might perceive of as statistics, [rather than] as actual fellow people that they care about and that they want to see freed to live self-determined lives,” she said in an interview.
Gurira’s work transcends the rationalizations created by terms such as “rape as a weapon of war” that are used to characterize the human experience of sexual violation and violence. Her work portrays the humanity of the captive women, and the difficult choices they must make during a time of war, and how the trauma of those experiences, particularly rape, changes them.
Why is Eclipsed relevant now? In September of 2020, President George Weah of Liberia declared rape a national emergency following a three day protest in the capital city of Monrovia. There were 5,000 anti-rape protesters, and there were violent clashes with authorities. Police tear-gassed thousands of anti-rape protesters. It is difficult to collect meaningful statistics as to the rate of rape in Liberia. A World Health Organization report estimated 75% of women in Liberia at the end of the civil war had experienced rape. That statistic was challenged by American writers because, they wrote, it seems like an improbably high rate. However, the current situation in Liberia, where Covid-19 restrictions have increased the number of Sex and Gender-based attacks by fifty percent, is compared to the same high rate of attacks during the Liberian civil war (1999-2003)
which is the setting of Eclipsed.
The impetus for writing the play came from a 2003 photo appearing in the Western press of Liberian women fighters. Gurira was struck by their attractive appearance, the fierce and intense look in their eyes, and by their guns and their stylish fighting gear. In 2003, the Wall Street Journal interviewed a 20-year-old fighter calle1d Black Diamond, and described her appearance in an almost romantic way: “A pistol and a cellular phone hung from her trendy, wide leather belt. Her jeans were embroidered with roses. Her fellow guerrillas were equally fashionable, wearing tight-fitting jeans, leopard-print blouses and an assortment of jewelry. The number of women in her unit, she said, is a military secret.”
Gurira traveled to Liberia in 2007, setting off on a journey that would reveal that the intensity of the young women fighters in the photo was not empowerment, or a fierce loyalty to the rebel forces and brotherly rebel male fighters. Instead, the style and swagger of the young women covered over the deep trauma of having lived through unspeakable horrors during the civil war including being gang-raped, watching family members murdered, their homes looted and mothers and sisters raped by soldiers. Gurira interviewed thirty women including former women soldiers and women in the Peace Movement who are credited with forcing an end to the Civil War. The characters in the play reflect the histories of those women, as well as Gurira’s research, including the award winning. documentary Pray the Devil Back to Hell and the Human Rights Watch report “Roles and Responsibilities of Child Soldiers”.
Gurira weaves together a story that brings the audience into the women’s lives, using experiences that we can identify within our own lives. The women fuss about their hair, clothing and what will there be for dinner, even as they hide the fifteen-year-old girl from their abuser, the Commanding Officer. The fifteen-year-old, who is called “The Girl,” arrives at the camp as a bright, energetic child, able to read, and having plans to go to school to become a doctor or constitutional lawyer.
The commander, called the “CO” by the women, attacks The Girl when she goes outside to go to the bathroom, then designates her as the “number four” wife. After The Girl is raped by the CO, she returns to the shed where the Wives live together. She is listless and unresponsive to questions from the women about what happened, except to say the CO “did it” to her. Soon after, the CO arrives at the women’s shed, and with dread and anxiety they must line up for him, as he chooses which woman he will take away next.
The women in the play go by their ranking as “Wives,” a system set by the CO, and they do not use each other’s names, but address each other with their number in the ranking. Wife Number One, the eldest wife, was captured when she was twelve, and has been held captive for ten years. Number Two was ousted from the women’s shed and has become a rebel fighter. Number Three is six months pregnant with the CO’s child.
After the CO’s officers loot a village, he gives clothing and other items to Wife Number One, and she finds a book about Bill Clinton. The Girl reads parts of it to some of the other Wives, and their struggle to make sense of Clinton’s troubles provides some comic relief to an otherwise intense and harrowing play.
Wife Number Three calls Monica Lewinsky,“Wife Number Two,” and the woman express wonder at the U.S. Congress trying to remove Clinton as president for having two wives. They remark on the closeness they feel as Liberians to the United States, since it was the United States that set up the founding of their country.
Wife Number Two returns to visit the women’s shed, carrying a large gun and dressed in jeans and a slinky top. She has brought food for the Wives, offering a bag of rice because they have none. Wife Number One has moral authority, and will not accept the food, because Number Two is involved in war atrocities. Number Three, pregnant and bemoaning the shortage of food, wants to accept the rice. The apparent freedom that Number Two has as a soldier appeals to The Girl.
Number Two entices The Girl to become a soldier so that she can get a gun and protect herself from being raped. The Girl follows Number Two and becomes a child soldier. She finds she is required to participate in looting, killing and (much to her dismay) rounding up girls from the ransacked villages to bring to soldiers to be raped.
A woman from the Liberian Woman’s Peace movement secretively visits the Wives to tell them that the war will be ending soon. The unendurable trauma of their war experience has unraveled the Wives’ identities, and they struggle to remember what their names were before the war. Rita, the Peace Woman, coaxes Number One to remember. Finally, she whispers her name, and Rita writes “Helena” in the dirt of the shed floor. The educated and upper-class Peace Woman, Rita, has her own story. Her daughter has disappeared, and she searches the rebel camps in hopes of finding her. Gurira lays bare Rita’s struggle with her classism when Rita airs the complaints of the Peace Women to Helena, saying that the CO is “trying to treat us like we’re village girls they rob from the bush,” without awareness that Helena herself was a 12-year-old girl running from an attack on her family’s home in a village, and captured when she was hiding in the bush.
The play ends when Charles Taylor leaves Liberia, signaling the winding down of the long civil war. The Girl has to choose whether to give up her gun in order to go with the Peace Women group; or to keep her gun and go back to the camp of rebel fighters. Helena (Number One) struggles with her decision to leave at first because her identity is her rank in the camp. Number Two cannot believe that she will be safe if she gives up her gun, and she returns to the rebel fighters’ camp. Number Three has her baby, and she chooses to stay with the C.O., believing that he will take care of her and her baby girl. She named the girl Clintine, after Bill Clinton. The naming of this Liberian child, begotten by rape at a rebel commanders’ camp during wartime, may symbolize Liberia’s call for support from their parent country.
Liberia was founded by the American Colonization Society in the early 1800’s as the first free country in Africa, as part of the “Back to Africa” movement designed by U.S. government to avoid abolishing slavery. For many years, U.S. involvement in Liberia was significant, especially in the exploitation of resources (rubber, diamonds and gold) by the Firestone Tire and Rubber Company starting in the 1920’s. The U.S. supported the violent and repressive government of Samuel Doe (1980-1990) but has been gradually but continuously disengaging since the end of the Cold War. In 1990, at the beginning of the brutal, 14 year Liberian Civil War, the U.S. citizens were evacuated and U.S. involvement, for practical purposes, ended.
The commanders in the Civil War illegally, according to the Geneva Convention, used over 15,000 children under the age of 18 as soldiers in fighting in Liberia between 2000 and 2002. Many people question U.S. disengagement with Liberia, a country considered to be the “stepchild” of the United States. One U.S. expert says that Liberia sees itself as the 51st state. However, while there are significant straightforward needs in Liberia now, such as DNA machines used to determine the perpetrator of a rape and technicians who know how to operate them, there are questions as to why the U.S. has continued to be unresponsive to Liberia’s crisis.
Despite declaring rape to be a national emergency last September, President Weah has not followed through with establishing a special prosecutor for rape, or setting up a national sex offender registry, or establishing Criminal Court E for hearing rape cases across the 15 counties in Liberia. In March of 2021, President Weah unveiled a DNA testing machine to be used to aid prosecution of rape cases. However, media reports indicate that there are no trained technicians who know how to operate the machine in Liberia.
In Our Bodies, Their Battlefields, Christine Lamb writes that rape is the cheapest weapon known to man.” And also one of the oldest, as some scholars analyze the Book of Deuteronomy’s “Law of the Beautiful Captive Woman” to support a view that women may be treated as “spoils of war”. There were many wartime atrocities, but in particular, the weaponizing of raping women and children leaves a lasting imprint on the cultural integrity of a society. The society in Liberia after the war has been called a “culture of impunity” where there is no penalty for attacking women and children.
Danai Gurira founded a website, newsletter and blog called Love Our Girls which raises awareness about girls in African who are abused and forgotten. She writes there:
“As a writer, scripting narratives is my act of resistance, my way of bringing that unheard African female voice front and center and allowing it to manifest its astounding value. I have always had a passion for women and girls, a hope to see them function on the same playing field as men and have the same opportunities and appropriate protections. I want to be more than an actress and storyteller but an advocate for women, not only in underdeveloped countries but all over the world.”
The play’s central theme is that the light inside of each of these women, a light that can be seen clearly in The Girl when she first arrives at the camp, is eclipsed by the trauma of rape and captivity. For the women who become fighters, this is compounded by the horror of the acts of war they witness and participate in.
Eclipsed is about how the light within these women was blocked by the reign of terror of the warlords, their soldiers, and soldiers of the government.
It is an open question as the curtain comes down: what will become of these girls and women when the war has ended? And it is an open question as well: what will it take, locally and globally, to repair the shattered norms that allow rape of children and women to be happening at alarming rates, and to muster the political will to prosecute and convict those who commit those crimes? Gurira uplifts the stories of women and girls in war and invites audiences to see the lives of women and girls who are subjected to repetitive rape, deprivation of food and freedom, by not showing them as “flailing victims” but instead “… these are dynamic women and girls, in the most treacherous of circumstances, and I want the audience to feel at home with them.” The play provokes the empathy that is necessary for social justice.
Lesley Becker is a playwright and director living in Vermont and a Reparative Board member at the Burlington Community Justice Center. Her plays are available to read on New Play Exchange; she is a member of the Dramatist Guild.