“(At dawn) … I will resist ... (Since) upon the wall there is still a white sheet … And my fingers are yet to (completely) dissolve.” This is a translated verse from Mu'in Bseiso’ “Three Walls of the Torture Chamber”. He was -and remains - one of Gaza’s most influential intellectual and renowned poets.
If you have been following the Middle East ‘peace process’ business in the last quarter of a century, you are certainly aware that the ‘negotiations table’ is nothing but a metaphor for buying time and obtaining political capital. The Israelis want time to finalize their colonial projects in building up illegal settlements on occupied Palestinian land; and the Palestinian leadership uses the ‘talks’ to acquire political validations from the so-called ‘peace-brokers’, namely the United States.
Merely being in the company of hundreds of Palestinian journalists and other media professionals from all over the world has been an uplifting experience. For many years, Palestinian media has been on the defensive, unable to articulate a coherent message, torn between factions and desperately trying to fend off the Israeli media campaign, along with its falsifications and unending propaganda or ‘hasbara’.
A hapless elite, an angry electorate, and a brash front-runner with little regard for democratic norms: The latest Philippine election sounds a lot like America's.
On May 15th of every year, over the past 68 years, Palestinians have commemorated their collective exile from Palestine. The ethnic cleansing of Palestine to make room for a ‘Jewish homeland’ came at a price of unrelenting violence and perpetual suffering. Palestinians refer to that enduring experience as ‘Nakba’, or ‘Catastrophe’.
Source: The New Internationalist
Rahila Gupta meets the women fighters who are helping to stop the advance of ISIS while also leading a radical democratic charge against capitalist ideology. Welcome to the Rojava phenomenon.
It is no exaggeration to say that a strip of land along Syria’s northern border with Turkey is home to the most radical experiment in democracy and gender equality, not just in the Middle East, but in the whole world. Western Kurdistan, or Rojava, ‘the land where the sun sets’, first entered popular consciousness in that lopsided way that news from elsewhere hits Western TV screens, when Kurdish women fighters liberated Yazidi women and children from ISIS on Mount Sinjar in August/September 2015. When the might of the US, the Free Syrian Army and the other regional armies in Iraq were unable to stop the advance of ISIS, young women in military fatigues and floral scarves defeated men who can barely tolerate fully covered-up women. Such film footage was undeniably eye-catching. Yet rather than leading to further information and analysis of the Rojava phenomenon, it was appropriated for the purposes of capitalist consumerism. H&M tried to sell a range of clothing based on the women’s uniforms, provoking outrage in the Kurdish community for trivializing their struggle.
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