
Old Days of the Radical Jews: How American Yiddish Theater Survived Through Satire
The world of Yiddish theater in its glory days on Second Avenue in Manhattan of the 1910s-1940s seems like one more leftwing Jewish tale of another faraway universe. However, the productions have not ceased entirely and various forms of translations bring the theater to new audiences. What we've lost more than anything is the vernacular qualities, the ways in which this theater drew upon various forms of entertainment and edification from the shtetl to the immigrant ghetto, and how fully it engaged an excited and sometimes infuriated Jewish public.